timotheories presents Tim Kuefler (Allegory of the Collage series)

Well, I have finally done it. My real “identity” is out there.

I had to do this because I promised you a peek into my art practice going forward, and today I deliver, dear readers.

Now is the time of great reckoning for I’m putting up personal elements of myself for display and inspection, and potentially for sale as well. It wasn’t an easy decision, but if I am going to further refine and evolve this project of curating, creating, and collaborating, I need to inject myself into the mix.

Let’s go over my back story a bit more so before I open up the floor to some of my art.

I received my Bachelor of Fine Arts in Art & Design from the University of Alberta in the spring of 2007. My major focuses during that time were painting, drawing, and sculpture. Pretty classic examples of fine art education. I didn’t always believe this, but I am very fortunate to have a university education and to have studied with professors that had invested their own art practices in both the modernist and post-modernist eras of art making. I believe this because it informed my own decisions about art.

You see dear readers, by dealing with two specific schools of thought constantly it either fueled or resulted in a great split in my mind and own practice about the very nature of art making. I began to produce work that was either conceptual or technical, and sometimes both. It felt rather like a struggle with divorcing parents, and as a child (student), I couldn’t possibly know which parent was the right one to pick (school of thought), so I did what I’ve always done in my life, I chose to do something different.

I made art for myself and specifically to both impress and disrupt my professors. This was almost ten years ago. And so I share with you an ongoing series of work I’ve been creating since my senior year of university, which has inspired paintings and drawings, some of which I will share later on in coming months.

At one point I called the series below, the Allegory of The Cave, because I was self-prescribing philosophy when I first started to deal with my issues of doubt and frustration at institution and with routine. Something which comes naturally for a lot of artists. #realtalk

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Almost ten years later, I have a blog that is gaining real traction thanks to readers like you, and I am working on community with artists of all walks of life. This blog serves as a platform for my vision of more accessible community across the arts, a soapbox for my theories and other artist theories on the arts, a theatre for collaboration, now a gallery for my own art, and eventually a lounge and studio for both art enthusiasts and artists. More on that last bit in future posts. Please hold me to it.

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So, I recently decided to change the title of the series to the Allegory of the Collage, because This series represents the complex narrative I am weaving for myself and my local community, by using material from local publications, with local characters and events that don’t have a distinct meaning in the image just yet, but an abstract and big-picture feeling. And frankly, because it is succinct in it’s purpose and as a metaphor for timotheories itself – to create art by combining different materials together with a solid backing.

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More importantly, creating art for the purpose of joining people and ideas together has always been important to me, and because I want art that looks good in my own home, I have an obligation to produce that which is interesting and entertaining. The discipline of writing 5 days a week, and producing a minimum of 2 videos a month is all related to the passion of creating to be at peace and to fulfil what often feels like a compulsion to share.

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It is very important to me that the work a produce be authentic and related to myself and what I experience in this life, so I always make work which ties back to that creed. I learned that lesson from a professor in my second year of university, and whether he truly believes it or was just lecturing, it’s solid advice.

This series is made up of text and pictures that are taken from local events, people, and ideas, and is naturally authentic for those reasons.

In sharing my work on my blog, I want to challenge others to make their own work better, to become full-fledged entrepreneurs in a time when we are entering back into cottage industry practices because of the access the internet provides to us on a global scale; an era of modern craft. And so I developed this post, to begin the process of adding my gallery of artwork into the blog in some capacity, eventually with piece titles, prices and everything, but I felt a visual introduction and artist statement was a good start for now.

If you are interested in commissions, prices of the work I’ve included in today’s post, or if you want more information about the series, please leave some comments below or email me at timotheories@outlook.com.

And of course, please follow me to get even more awesome content in the future. I interview visual artists, designers, musicians, actors, and other creative types every month. I also write reviews on film and music as they relate to my theory of film as the great narrative of our culture, and I always have some wisdom, events, and theories to share. Have a great weekend, and I’ll see you on Sunday with a new Cross Talk episode!

Tim!

Here For A Good Time, Not A Long Time (Pomodoro Technique)

Wednesday is very easily becoming my favourite day of the week, dear readers! I get to share with you resources to better yourselves, ways work on your skill set, inspiring figures to keep you motivated, and all the while provide you with a framework to build your art around so that you are creating work that you care about.

No easy task, for sure. But damn if it isn’t a fun challenge for me!

Today’s post is no different as I have another great element of the skills to invest in series that I want to spend some more time on.

Get it, because we are going to focus a bit more on Time Management. That’s right, time management, the area of life that we all feel a lack of control over. I may have been inspired by Daylight Savings Time or it may have been conveniently timed, but time is precious, and there are a number of people that would tell you “time is money,” which is the equivalent of saying, use up your time and get value out of life.

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I would argue the opposite way on this topic. Time is precious, money comes and goes, so don’t trade your time for money. Instead learn to work with time and be conscious of it, so that you can respect it properly. Time wont wait for you – much like common sense, everyone has a different perception of the concept, and reality is far different than what we usually think.

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So what does that mean for us, timotheories? How do we become better at respecting time and understanding the value of it?

Well, I am glad you asked friends, because this week’s post is all about one of my favourite time management tools. It’s incredibly easy to pick up, improves your results quickly, and is a decent amount of fun. Which is hard to believe, I know.

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I read about it on Reddit of all places a few years ago. Shocker, I know. It’s called the Pomodoro technique, and according to their official website more than 2 million people have already read and benefited from its teachings.

It really is an interesting process and I would be doing the process a disservice by detailing it myself, so I’ve decided to use Wikipedia’s break down for you, exactly as how it works.

 

There are six stages in the technique:

  1. Decide on the task to be done.

2. Set the pomodoro timer to n minutes (traditionally n=25)

3. Work on the task until the timer rings. If a distraction pops into your head, write it down, but immediately get back on task.

4. After the timer rings, put a checkmark on a piece of paper.

5. If you have fewer than four checkmarks, take a short break (3-5 minutes), then go to step 1.

6. Else (i.e. after four pomodoros) take a longer break (15-30 minutes), reset your checkmark count to zero, then go to step 1.

But that’s not the only important part of the technique – the elements of planning and tracking are key to making it work too.

You have to put your tasks for the day into a “to-do” list and estimate time needed for each task. As you complete your pomodoros, you add checkmarks, icons, or whatever visual symbol you like to each task. This is to identify how long the task truly takes as well as provide yourself with positive feelings about your commitment to working in this way. If you complete a task inside of a pomodoro, you spend the remaining time overlearning the task, to help aid in automation of the task and further reinforcement of the technique.

The breaks also help to maintain focus during the periods of work and keep your mind and body active throughout the work period, avoiding burnout and managing distractions better.

I think the coolest aspect of the Pomodoro technique though is that you are learning to work with time, rather than finding it as an adversary. And if you are stuck for ideas of how to spend your short breaks, you can do some simple desk exercises, organizational chores, short self-administered hand or neck massages, or getting a light snack in.

But what do you think?

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Please leave some comments, subscribe to the blog if you haven’t yet, and if you want to get social, please like my Facebook page, follow my Instagram, and follow my Twitter too! See you tomorrow with something timely my friends.

Tim!

One Of These Things Is Not Like The Other Ones (The Night Before review)

Christmas movies are an interesting topic, because what constitutes a “Christmas” movie can vary by opinion. But the general idea is that a movie has to open no later than November (American Thanksgiving) and the story has to take place inside of the holiday season.

Whether the story is about Christmas itself is where the debate opens up, but fortunately for us, this week’s review is safely within that criteria.

 

 

 

The Night Before (2015)

Cast: Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Jillian Bell, Lizzy Caplan, Miley Cyrus
Director: Jonathan Levine
released on blu-ray March 1, 2016
****** 6/10

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IMDB: 6.6
Rotten Tomatoes: 67%, Audience Score 67%
The Guardian: **/*****

Jonathan A. Levine is an American film director and screenwriter. He has directed 6 feature films to date, and the one you’re most likely to have seen is 50/50, which also happens to star Joseph Gordon-Levitt and Seth Rogen. It’s a great movie about the trials of cancer both from the perspective of the friend with cancer and the friend without.

And that movie wouldn’t exist if The Wackness hadn’t done so well at the Sundance, LA and Melbourne film festivals.

So what is The Night Before about?

Taken from IMDB and edited,

Ethan Miller (Joseph Gordon-Levitt) lost his parents in a car accident on Christmas eve 2001. His best friends Isaac Greenberg (Seth Rogen) and Chris Roberts (Anthony Mackie) start a tradition to hang out every Christmas Eve. In 2008, while at a bar, they learn about the craziest Christmas party ever – The Nutcracker Ball. Each year, the guys try to find the party, but never succeed.

In 2015, Chris is now a famous football player that secretly uses steroids while Isaac is married to Betsy (Jillian Bell) and is expecting their first baby. Ethan is a struggling musician that has recently broken up with his girlfriend Diana (Lizzy Caplan) and works at a hotel. While tending the coats, Ethan finds something in one of the pockets – three tickets to The Nutcracker Ball. He calls the number on the tickets and learns that the location will be announced at 10:00 PM.

Isaac is at a party hosted by Betsy’s sister Cindy (Helene Yorke). Ethan, already a little drunk, shows up before Chris arrives. Isaac and Chris want their yearly tradition to end now, but don’t think Ethan is quite ready. Before heading out, Betsy gives Isaac a box full of every drug known to man.

They take a Red Bull limo (Chris sponsors it) to Rockefeller centre where Ethan reveals the tickets. They kick off the night by going to FAO Schwartz and dancing on the piano like Tom Hanks in “Big” to Kanye West’s “Runaway”. Chris calls teammate Tommy Owens (Aaron Hill), who is attending The Nutcracker Ball and asks for weed. The guys call their dealer Mr. Green (Michael Shannon) who shares some weed with Chris and tells him to go to a party he’s throwing later, and to tell Isaac that he’ll see him later.

Next the guys sing “Christmas in Hollis” at a karaoke bar while wearing three festive sweaters that Ethan wants them to wear. They are met by Diana and friend Sarah (Mindy Kaling). Ethan and Diana make small talk while Isaac is already tripping. He runs into the bathroom to do coke and balance himself out, and then makes a video expressing fears over becoming a dad. He goes back to talk to Sarah, gets them both drinks but his nose starts bleeding and a drop falls into Sarah’s drink, which she drinks unilt Isaac’s nose bleeds harder and he admits he did coke. Outside the bar, Chris talks to a fan named Rebecca (Ilana Glazer), who admittedly hates Christmas. The two have sex in the bathroom.

Afterwards, Ethan call for the party address. Chris then realizes Rebecca stole his weed during sex. They contact Mr. Green again and wait at Chris’s mother’s house. Isaac gets the weed when Mr. Green shows up. He shares weed with Isaac and gives him a glimpse of the future where his daughter is a stripper.

When Isaac goes back inside the house, his phone’s ringtone goes off, waking up Mrs. Roberts (Lorraine Toussant). She feeds the guys while Isaac trips out and looks at his phone to find a dick pic from a guy named James. Confused, Isaac responds and is propositioned by James. Realizing he has Sarah’s phone, Isaac freaks out that Sarah while show Diana his video, which will get to Betsy. Meanwhile, Chris and Mrs. Roberts talk about Ethan and Diana, Mrs. Roberts suggest Ethan take the opportunity on Christmas to make it up to her.

This festive comedy is fun and entertaining, but a little bit mediocre.

Pros: The story is best when the nuances of the three friendships are tested and enjoyed, but the real comedy comes from Seth Rogen and Michael Shannon.

Cons: The scenes change constantly without ever really feeling necessary, and the plot can feel gimmicky, especially at the very end.

Runtime: 101 minutes

Points of Interest: Jonathan Levine admitted that the comedy elements of the story were mostly improvised but the dramatic ones were planned, and served as an outline. All three main actors have portrayed super-heroes.

The movie has its moments, particularly the vision into the past where the two friends become Ethan’s symbolic parents, and joke about James Franco and Seth Rogen’s character is very on point. Where I struggle with it, is that the movie never fully committed to Ethan as the protagonist and the plot had too many threads.

I will say this though, the movie is very entertaining for a Christmas themed one, and I can definitely picture it coming out occasionally for those times when you’ve got the Christmas jones.

The Night Before is definitely a Christmas movie, but whether it can be considered a prestigious one is unlikely. Having said that, that doesn’t mean you should avoid Christmas movies altogether, especially if you like comedy. Christmas Vacation, Elf, A Christmas Story, Scrooged and Home Alone are all excellent choices to consider.

Anyways, I’m all out of theories for today folks. I’ll see you tomorrow with some wisdom. Comment! Subscribe! Email!

Tim!

Security Blanket (Wintersleep, The Great Detachment review)

Winter is a weird season, it manages to be both comforting and stifling. You bundle up, enjoy creature comforts and hang out with only the necessary people for short periods of time; daylight is precious after all. But with that lack of freedom and sunlight, people have a legitimate reason to be afraid of seasonal affective disorder.

Which is why having a security blanket can be a good thing. It’s a transitional object that gives your brain rest and ease, especially in those months when it feels like the sun has left forever. But what if your security blanket was also an electric one? Would the risk of starting a fire qualify it’s status or eliminate it?

 

 

 

Wintersleep – The Great Detachment
released March 4, 2016
******* 7/10

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Wintersleep are a Canadian indie rock band from Halifax, Nova Scotia. They have won one Juno for New Group of the Year, and a MMVA for their song Weighty Ghost.

Before we get started, please go watch the video I just linked to, and if you don’t know who they are from their name alone, I’m sure you’ll recognize that track, which it will help give the rest of the review context.

What a cool song, eh?

Well unfortunately, it seems like Weighty Ghost has haunted Wintersleep ever since they released it back in 2007 (pun intended). Because almost a decade later and here we are with The Great Detachment, Wintersleep’s 6th studio album, anticipating something similar to that beautiful little number.

I’d be hard pressed not to describe this as a fitting album title, given what we already know about the band and their awesome single Weighty Ghost, from my hundred or so words of exposition above. They are attempting to separate themselves from the two albums between Welcome to the Night Sky and this one, realizing that they need to be invigorated to remain relevant. But it turns out the group has also made some other decisions that factor into the title. They parted ways with their manager recently and also went on a one year hiatus, so there are literal elements at play as well as symbolic ones.

Equal parts anthem and apathetic (listen to Spirit in particular), this record has some punch to it.

The Great Detachment opens on an extreme high, reminiscent of that curse-like song, and follows just as well with Santa Fe. By all accounts these two songs are worth the price of admission alone. Paul Murphy has amazing vocals and these two songs showcase them well. Santa Fe teases us with some synthpop elements too, which is ALWAYS fun to hear, especially from indie-rockers.

This is the kind of music that both casual listeners and genuine fans of the band can enjoy and not feel guilty about singing along to on a roadtrip or while jamming out at home on a weeknight.

More Than is sweet and sentimental, Shadowless is somber and serious, and Metropolis conjures up images of The Tragically Hip and Pearl Jam simultaneously. I’m also a big fan of Freak Out, which I bet will be fun to dance to at a live show.

Unfortunately I couldn’t find any music videos for this album to share with you, but you can listen to the official audio of Amerika and Santa Fe if you’re up for it. As I mentioned already, it’s a one-two punch that can’t really be beat.

So I guess we are left with a final question. Does The Great Detachment win album of the year or any other accolades? No, but it’s damn good indie-rock and nothing to be ashamed of, plus it’s a positive change of direction for Wintersleep which should be encouraged.

 

 

 

Like a security blanket, Wintersleep make us feel at ease and comforted. But sometimes they turn up the heat and also provide us with some heat too, but I don’t think you have to worry about them ever short-circuiting and starting on fire. They aren’t that kind of blanket, I mean band.

That’s all folks, come back tomorrow for something theatrical and also seasonal.

Tim!

 

 

 

What’s In A Name? (Defining The Term Artist)

The visual arts are probably the most complicated of the creative fields to pin down. I mention this because it can take many forms from two-dimensional examples of drawing, painting, printmaking, and photography, to three-dimensional with ceramics, sculpture, video, and filmmaking, with fashion, crafts, design, and architecture existing in both realms.

Then you have your visual arts which also exist as theatre – performing arts and conceptual art.

You see dear readers, there was a time when the term artist represented fine art only (painting, sculpture, and printmaking) and anyone interested in handicraft or applied art was considered a craftsperson but not an artist.

This distinction existed until the 20th century, and it has taken over a century for it shift so that artist and art applies to multiple disciplines. Which can lead to some strange conversations among artists, with elitism still on the minds of fine artists and prejudice existing in all camps.

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As a graduate of a fine arts program myself, I’ve witnessed the distinction that professors, graduate students, and art historians make between fine art and other arts. What is even more difficult to swallow is that all the while that the older forms have a history and perception of “artist as genius” to them, the modern world laughs at the usefulness of such a profession.

There is a social stigma that if you are an artist you are naive, irresponsible and very likely financially poor. Morally too in some cases.

This conveniently happened around the same time that the “artist as genius” phase fizzled out, and the definition of artist began to broaden. As fine art became a commodity which had to be traded and in demand to gain recognition, it fit in very nicely with the already established forms of craft and applied arts (design, fashion, architecture) which business owners would pay for and have direct input in the results.

So where does timotheories fit into this landscape you may ask? I say why not both? Why can’t we elevate all art into a realm of marketable worth as well as recognizing the unique qualities required to create any sort of work, whether it be fine art, craft, theatre, or applied art.

I have this theory you see, that we’ve moved out of a post-modern mindset (one of deconstructing everything around us to see how it works and showcase intellectual superiority) to an age of modern craft. All artists need to become experts in their chosen form(s), and learn the proper marketing skills, finance skills, and communication skils in order to share their work with the world around them.

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timotheories supports the rights of artists to be successful at the profession of creating social value and entertainment for all people, and getting paid to do it.

I personally have always been driven by a myriad of artistic vehicles, so I can’t even favour one over the other because I don’t want to. I love drawing, painting, sculpture, filmmaking, writing, and performance art all the same. And I know that dabbling in photography, printmaking, design, and craft are ways that I express my ideas and creative ability just as well.

So for the sake of furthering the ambitious nature of this blog, I’m going to start sharing my own artwork with you, my friends, so showcase what I’m creating, receive critique, sell my work, and especially provide some insight into the entire art-making process.

Expect some cool collages in the coming weeks and if you’re lucky a powerful painting or two!

And in case you’ve been following the March schedule and noticed a couple of things out of order, I haven’t released the Paige Knickle interview yet, and that’s my bad. Due to some communication issues, the interview isn’t quite ready yet, so I’m going to publish Cross Talk Ep.3 next Sunday as planned, and then the interview will be ready for the 27th. We’ll have to bump the routines of famous creatives to April.

But I bet the wait’ll be worth it.

And that’s all he wrote. Please leave comments, follow/subscribe, and check in tomorrow evening for a Melodic Monday post.

Tim!