Well, I have finally done it. My real “identity” is out there.
I had to do this because I promised you a peek into my art practice going forward, and today I deliver, dear readers.
Now is the time of great reckoning for I’m putting up personal elements of myself for display and inspection, and potentially for sale as well. It wasn’t an easy decision, but if I am going to further refine and evolve this project of curating, creating, and collaborating, I need to inject myself into the mix.
Let’s go over my back story a bit more so before I open up the floor to some of my art.
I received my Bachelor of Fine Arts in Art & Design from the University of Alberta in the spring of 2007. My major focuses during that time were painting, drawing, and sculpture. Pretty classic examples of fine art education. I didn’t always believe this, but I am very fortunate to have a university education and to have studied with professors that had invested their own art practices in both the modernist and post-modernist eras of art making. I believe this because it informed my own decisions about art.
You see dear readers, by dealing with two specific schools of thought constantly it either fueled or resulted in a great split in my mind and own practice about the very nature of art making. I began to produce work that was either conceptual or technical, and sometimes both. It felt rather like a struggle with divorcing parents, and as a child (student), I couldn’t possibly know which parent was the right one to pick (school of thought), so I did what I’ve always done in my life, I chose to do something different.
I made art for myself and specifically to both impress and disrupt my professors. This was almost ten years ago. And so I share with you an ongoing series of work I’ve been creating since my senior year of university, which has inspired paintings and drawings, some of which I will share later on in coming months.
At one point I called the series below, the Allegory of The Cave, because I was self-prescribing philosophy when I first started to deal with my issues of doubt and frustration at institution and with routine. Something which comes naturally for a lot of artists. #realtalk
Almost ten years later, I have a blog that is gaining real traction thanks to readers like you, and I am working on community with artists of all walks of life. This blog serves as a platform for my vision of more accessible community across the arts, a soapbox for my theories and other artist theories on the arts, a theatre for collaboration, now a gallery for my own art, and eventually a lounge and studio for both art enthusiasts and artists. More on that last bit in future posts. Please hold me to it.
So, I recently decided to change the title of the series to the Allegory of the Collage, because This series represents the complex narrative I am weaving for myself and my local community, by using material from local publications, with local characters and events that don’t have a distinct meaning in the image just yet, but an abstract and big-picture feeling. And frankly, because it is succinct in it’s purpose and as a metaphor for timotheories itself – to create art by combining different materials together with a solid backing.
More importantly, creating art for the purpose of joining people and ideas together has always been important to me, and because I want art that looks good in my own home, I have an obligation to produce that which is interesting and entertaining. The discipline of writing 5 days a week, and producing a minimum of 2 videos a month is all related to the passion of creating to be at peace and to fulfil what often feels like a compulsion to share.
It is very important to me that the work a produce be authentic and related to myself and what I experience in this life, so I always make work which ties back to that creed. I learned that lesson from a professor in my second year of university, and whether he truly believes it or was just lecturing, it’s solid advice.
This series is made up of text and pictures that are taken from local events, people, and ideas, and is naturally authentic for those reasons.
In sharing my work on my blog, I want to challenge others to make their own work better, to become full-fledged entrepreneurs in a time when we are entering back into cottage industry practices because of the access the internet provides to us on a global scale; an era of modern craft. And so I developed this post, to begin the process of adding my gallery of artwork into the blog in some capacity, eventually with piece titles, prices and everything, but I felt a visual introduction and artist statement was a good start for now.
If you are interested in commissions, prices of the work I’ve included in today’s post, or if you want more information about the series, please leave some comments below or email me at firstname.lastname@example.org.
And of course, please follow me to get even more awesome content in the future. I interview visual artists, designers, musicians, actors, and other creative types every month. I also write reviews on film and music as they relate to my theory of film as the great narrative of our culture, and I always have some wisdom, events, and theories to share. Have a great weekend, and I’ll see you on Sunday with a new Cross Talk episode!