Passion Project (The Florida Project review)

Not everyone gets a fairytale, but if you will it you can absolutely have a happy ending. And this movie will have you pondering those ideas over and over again.

 

The Florida Project (2017)

Cast: Brooklynn Prince, Bria Vinaite, Willem Dafoe
Director: Sean Baker
released on blu-ray February 20, 2018
********* 9/10

IMDB: 7.7
Rotten Tomatoes: 96%, Audience Score 79%
The Guardian: *****/*****

Sean Baker makes movies about topics that he wants to see on the screen. Movies about the lives of illegal immigrants with gambling debts, street hustlers, intergenerational friendships, and trans sex workers. People who are very real, but who have less then glamorous stories to tell.

An American director, cinematographer, producer, writer and editor, Baker’s best known for making independent films about the aforementioned subjects. Notably Starlet, the iPhone filmed Tangerine, and most recently The Florida Project. Fun fact, supporting actor Willem Dafoe has been nominated for an Academy Award in his portrayal of Bobby Hicks. But what’s it about?

Special thanks to IMDB user Huggo for the synopsis.

Halley (Bria Vinaite) lives with her six year old daughter Moonee (Brooklynn Prince) in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel’s policy is not to allow long term rentals, Bobby (Willem Dafoe), the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee’s friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby’s existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley’s friend Ashley, they who live in the unit immediately underneath Halley and Moonee’s, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.

I think the director himself said it best when he described the experience he wanted to create in making this film. So many people are concerned with seeing a story in three parts. Setup, confrontation, and resolution. But this is story about summer vacation. It so happens that the summer vacation is set in ghetto motel right beside Disney World, but it is a summer vacation nonetheless. Not everyone has two parents, a house, and food on the table.

And while the subject alone should be enough to hold your interest, what makes it even better is the sheer weight Baker holds up by documenting, studying and paying attention to the details of these peoples lives. Halley is on a road to ruin, and Moonee is likely headed in the same direction, but just right now, for this moment, we get to see her and her friends having fun in the environment they live in.

Pros: There is so much to reflect upon in the way that the movie opens, over a simple act of rebellion, later ending on the same sour notes. There is no bowtie with which we can neatly resolve this story, but where a movie like The Place Beyond The Pines relies heavily on obvious drama to drive home the point of the family ties that bind, The Florida Project is that much wiser in it’s presentation.

ConsIt’s difficult to believe that Halley is so devoid of feeling that she is incapable of wrestling with personal demons. In an era of social media darlings, Bria Vinaite has quite literally been shopped from Instagram.

I know in my hearts of hearts why Willem Dafoe was given a best supporting actor nod, but I can’t help but be enamoured with the characterizations between newcomers Bria Vinaite and her would-be daughter Brooklynn Prince. Perhaps it’s the raw nature of their performances, and perhaps it’s that it reminds me a lot of my favourite director Richard Linklater (and how I wish he had made this movie instead of Last Flag Flying), but either way The Florida Project has captured a moment in time, and quietly asked us to observe the forgotten poor outside a magic kingdom.

Runtime: 1 hour 51 minutes

Points of Interest: The Florida Project was an early production pet name for Disney World. The motels filmed are true-to-life locations and many of the people seen during the film were actual residents and staff of the buildings. The final scene was shot on an iPhone as Disney World has strict rules about filming without park consent.

I can’t help but vote for a film shot by a guerilla director, and one which sheds light on a group of people often ignored by the greater population. While they live in great poverty, the joy they find in life is encouraging.

theories Summarized

I think I may have found a new hot director to watch, keep your guard up Linklater, the new kid on the block just might supplant you sooner or later. And I’m not sure if it’s obvious you should watch this movie yet, but please do yourself a favour and check it out.

And if you want to see another timotheories cast member who’s super excited to share a film review, just take a look-see at one Chris Murphy. He has a solid Watch Culture video review on Patty Jenkin’s Wonder Woman, which I can almost assure you will convince even the most stubborn to give it a shot.

What do you think though? Is The Florida Project worthwhile? Did we miss the mark on our Wonder Woman review? Hopefully you have good things to say, but either way… Check it out! And remember… Like! Comment! Subscribe!

Tim!

She’s So Animated! (Wonder Woman (2009) review)

Super heroes have been dominated by male leads in film since almost the beginning of their celluloid representation. Which is odd, given that there are more than enough female super heroes to go around, with compelling story arcs of their own to be had.

This is one of those times.

 

Wonder Woman (2009)

Cast: Keri Russell, Nathan Fillion, Alfred Molina, Rosario Dawson, Marg Helgenberger, Oliver Platt, Virginia Madsen, David McCallum
Director: Lauren Montgomery
re-released on blu-ray May 16, 2017
******** 8/10

IMDB: 7.4
Rotten Tomatoes: 88%, Audience Score 78%
The Guardian: n/a

Lauren Montgomery is an American animated film director and artist. Aside from directing the Wonder Woman film I’m about to revisit, she also had a hand in Green Lantern: First Flight, Superman/Batman: Apocalypse, Justice League: Doom, and co-directed Justice League: Crisis on Two Earths and Batman:Year One. A fairly young director still, Montgomery has been drawing from a young age and is heavily influenced by Disney, Bruce Timm of Batman: The Animated series fame, and anime.

Wonder Woman is her first directorial outing. And to be frank, it’s quite entertaining. But I’ll let the plot drive some of this demonstration for me first.

The story opens by explaining that the eternally youthful Amazons and their queen Hippolyta (Virginia Madsen) were granted the island of Themyscira after defeating Ares (Alfred Molina) and his monster army in battle. Hippolyta even beheaded her and Ares’ son Thrax in battle, who was begot from rape.

Hippolyta would have killed Ares too in battle, but  his father Zeus (David McCallum) stopped her from the action. Instead, Hera (Marg Helgenberger) bound his powers with bracelets that could only be opened by another god and the Amazons held Ares in prison cell indefinitely.

Later, Hippolyta was granted a daughter with Zeus’ blessing, and Princess Diana (Keri Russell) was born from sand and blood.

Over a millennium later, an American fighter pilot, USAF Colonel Steve Trevor (Nathan Fillion), crash-lands on the island. Steve and Diana meet and fight, and she defeats him, taking him to the Amazons. Interrogated with the golden lasso, they learn he is not an enemy. An emissary will be tasked to take him home. Diana volunteers, but her mother argues against that notion, to which Diana defies the order and participates in the emissary contests with a helmet to hide her identity.

Simultaneously, the Amazon Persephone, seduced by Ares, kills Artemis sister, Alexa, and releases him. Now also tasked with capturing Ares, Diana brings Trevor to New York, and he volunteers to help Diana.

In the world of man, Diana starts an investigation that will eventually lead her to Area, by way of the underworld. Diana attempts to stop Ares, but harpies knock her out and Trevor saves her instead of stopping Ares. Elsewhere Ares persuades his uncle Hades (Oliver Platt) (who has made Thrax his slave) to remove the braclets, to which Hades agrees.

When Diana wakes up, she is furious that Trevor saved her instead of stopping Ares, but Trevor makes good points about the Amazons isolation and ignorance, winning her over.

Ares and the Amazons battle in Washington, D.C. and Ares raises the undead to his side, but Artemis is given a chant from her dead sister Alexa to redeem the dead and remove Ares’ command. Ares promptly destroys the undead while Hippolyta faces Persephone in combat and kills her. Not before Persephone points out that by hiding away, the Amazons never got to know men and be whole women.

Ares and Diana finally square off and Diana narrowly outmaneuvers and beheads him just as Hippolyta beheaded Thrax. Diana and Trevor share a kiss and we see in the Underworld that Hades has enslaved Ares just as he did with Thrax.

Hippolyta  determines that Diana should be the official Amazon misses emissary and sends her back to New York. Trevor and Diana become a couple and Diana is now by the world as Wonder Woman.

The animated Wonder Woman follows many of the same notes as its 2017 live action version, but interestingly enough, it has different examples of humour and even more in the way of action sequences. Wonder Woman rejects the notion of a secondary role for women in action/ adventure stories, she is her own heroine.

Pros: It’s fast paced, well animated and the voice acting is excellent in almost every instance, though you never feel like are expected to know tons of her back story. Keri Russell, Nathan Fillion and Alfred Molina in particular are a treat to watch in action.

Cons: Aside from the complex issues of gender, there are dialogue moments which are difficult to swallow (ie. “You’re starting to sound like a woman”), and it is a bit jarring to hear Rosario Dawson’s voice and see a white woman in her stead.

Runtime: 1 hour 14 minutes

Points of Interest: The movie originally received an R rating from the MPAA, though most of edits came from minor changes to the battle scenes. This is the second time Keri Russell and Nathan Fillion have worked together, after Waitress.

While the story has clearly stuck to the visual aesthetics of comic book history, we are never treated to a sexualized or naive Diana Prince – she always carries herself as a patron of truth, justice and freedom. In fact, there is little in the way of narrative calling her out based on gender. The story is strong, and ripped out of the Wonder Woman’s past, so expect to feel that higher sense of morality by film’s end. It’ll be a wonder if you don’t.

theories Summarized

I’ve now seen both this film and the live-action version, and while I love the weirdness of comic books, the 2017 film is something to behold. Yet, that doesn’t make this story irrelevant. It touches more on the greek myths of which Wonder Woman is based, and in some cases, has even better mature humour. If you’ve enjoyed any of the DC Universe Animated Original Moves, you should give this one some time.

Tim!