I Won’t Stop, I’m Gonna Work Harder (Stronger review)

I will never claim to be an expert on sociology, politics or any of the major social sciences, but I’m acutely aware of their importance, and I hope that by providing reviews on films like Stronger, my voice can contribute towards a positive world view, curbing hate and reducing ignorance about these kinds of social issues.

The movie does a pretty damn good job too though.

 

Stronger (2017)

Cast: Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson
Director: David Gordon Green
released on blu-ray December 19, 2017
********** 10/10

IMDB: 7.0
Rotten Tomatoes: 92%, Audience Score 82%
The Guardian: ****/*****

David Gordon Green is an American filmmaker, best known for films like Joe, Prince Avalanche, George Washington, and All the Real Girls. He’s also done some pretty bad comedies – The Sitter, Your Highness, Pineapple Express. Thankfully, Stronger fits nicely into the biography drama camp, where Green can really shine and do his coming of age (enlightenment) thing well. That said, I just read that he is going to direct the next Halloween instalment with Danny McBride, so maybe he’s still figuring out his film identity.

He could take some notes from his characterization of Jeff Bauman…

Taken from Wikipedia and modified…

Jeff Bauman (Jake Gyllenhaal) is a well-intentioned but underachieving Boston native who works at the deli counter of a Costco and lives in a small two-bedroom apartment with his alcoholic mother, Patty (Miranda Richardson). One day at the local bar, Jeff runs into his ex-girlfriend Erin (Tatiana Maslany), who is attracted to his kindness and charm but finds herself constantly frustrated by his lack of commitment. After learning that Erin is running in the Boston Marathon to raise money for the hospital she works at, Jeff asks every patron in the bar to donate and then promises Erin he’ll wait at the finish line for her with a big sign.

The day of the Marathon, Jeff scrambles to make it to the finish line on time but reaches it just before Erin reaches the finish line. As she approaches a bomb goes off right where Jeff is standing. After being rushed to a hospital, both of Jeff’s legs are amputated above the knee. When he regains consciousness, Jeff tells his brother that he saw the bomber before the explosion. Patty calls the FBI, and Jeff is able to give them a description of Tamerlan Tsarnaev. Local authorities capture Dzhokhar Tsarnaev days later, and Jeff is hailed as a hero.

Jeff struggles to adjust to his condition as well as his newfound fame. Patty books several interviews and constantly surrounds Jeff with news reporters during his rehab sessions which Erin, who has since rekindled with Jeff, objects. Jeff and his family are invited to the Stanley Cup Finals by the Boston Bruins who ask Jeff to wave the flag during the game’s opening ceremony. The crowd triggers traumatic flashbacks from Jeff, and he breaks down in the elevator. Erin comforts him and insists he talk to his family about the fragility of his mental state and the impact his newfound exposure is having on it. Later that night they make love for the first time since his injury.

Patty books Jeff an interview with Oprah Winfrey without telling him causing Erin to speak up and tell her that the constant media attention is intensifying Jeff’s PTSD. After an argument between Patty and Erin, Jeff finally admits that he does not want to do any more interviews. Patty, disheartened, tells him that she only wishes for the world to see how amazing her son is. She soon begins enabling Jeff’s worst tendencies including his laziness and affinity for drinking. He begins missing physical therapy appointments due to long nights of drinking usually with Patty equally as drunk. Erin, who has since moved in, finds Patty blacked out on the couch and Jeff in a bathtub unconscious and covered in vomit. The next day she snaps at Patty for her selfishness and negligence before calling Jeff out for his self-pity and refusal to stand up to his mother. She storms off leaving Jeff and Patty to drive home alone.

That night, Jeff blows off Erin to drink with his brothers at a bar. Two patrons at the bar begin asking Jeff questions about the bombing insinuating that the event was a government conspiracy to start a war in Iran and Jeff was paid to look like a victim. Insulted Jeff and his brothers initiate a bar fight with the patrons. Erin picks him up later that night and tells him she’s pregnant. Jeff begins to panic and tells her he isn’t ready to be a father causing Erin to scold him for constantly running away from his problems. She leaves him in the car without removing his wheelchair from the trunk, enters their apartment, and packs her things. Jeff crawls to the apartment door and has a PTSD flashback of the bombing in its entirety.

Jeff meets with Carlos, a man who cared for him in the immediate aftermath of the bombing saving his life. Carlos tells him about his son, a marine who died in Iraq. After attempting suicide Carlos was forced to attend his son’s funeral in a stretcher. His younger son, unable to cope with the death of his older brother and the constant state of pain his father was in, killed himself. Carlos confides that saving Jeff helped him make peace with the death of his sons and the blame he placed upon himself because of them. Jeff begins to understand that his will to live in the face of adversity is what both comforts and inspires people. He stops drinking and begins to take his rehab more seriously. He leaves Erin a voicemail apologizing for his behavior finally taking full responsibility for his immaturity and fear of commitment. A few days later he and Carlos throw out the first pitch at a Red Sox game where he meets Pedro Martinez. Erin watches at home and smiles. After the game dozens of people come up to Jeff and tell him how and why he has so heavily impacted their lives.

He and Erin meet at a diner where he walks with his prosthetics for the first time without assistance. He tells Erin he loves her, to which she replies “Good.” He grabs her hand and smiles.

It really does an excellent job of using a real story to showcase a survivor’s journey towards acceptance of his new life, and luckily for us, it hides very little of Bauman’s personal life. He has regular flashbacks of the bombing, his eyes hiding ghosts and his arms curled up in pain. His emotional voice often comes through girlfriend Erin, until the very end anyway.

Pros: It’s a series of moments but it never feels like a made for TV mini series, and Tatiana Maslany does an amazing job as the female lead. I hope to see more of her in the future.

Cons: I wish there weren’t patriotic shots of flags and orchestral music that hit your heart strings at key moments. A little obvious for my taste.

Runtime: 1 hour 59 minutes

Points of Interest:

Featuring some solid character actors performances on top of all the emotional core, Stronger is a film about a life examined, dissected, and reassembled, not whole, but as a sum of its parts. And it’s incredibly satisfying to watch a story about tragedy, without glossing over the ugly parts and managing to avoid cliche of overcoming adversity. Jeff Bauman is no hero, he only plays one on tv.

I only wish I had seen it in theatres, because I would have recommended the shit out of it way earlier on then I am now. So many bio pics attempt the impossible, being dramatic without overexerting themselves, and this story about an amputee does it one better. He’s a slob, self-destructive, and not morally sound either, but Bauman is surrounded by so many people just as flawed as him, you can’t help but root for a change in his heart.

theories Summarized

Overall this is a film that works incredibly hard at avoiding all the well known cliches, and it’s a cinematic treat to watch. I highly recommend you give it a shot, and set aside any preconceived notions you might have about triumph films, bio pics or Jake Gyllenhaal. This is a seriously good movie. And that’s not a theory.

Speaking of visual treats, have you seen The Grand Budapest Hotel? No, well check out this Watch Culture video in that case. And even if you have seen it, Mike and I have some great reminders of why this needs another viewing. I personally consider it to be Wes Anderson’s best. But tell us what you think! Leave a comment, share the video, and don’t forget to subscribe, for more great reviews.

Tim!

Play It Again, Phiona (Queen of Katwe review)

Movies are an endlessly interesting way of storytelling.

Because, much like oral storytelling, they rely heavily on the narrator to deliver a  perspective in time. Regardless of what the details of the story are, colour choices, setting, actors, and dialogue can all aid in creating a distinctive rendition of what has been delivered before.

 

 

 

Queen of Katwe (2016)

Cast: Madina Nalwanga, David Oyelowo, Lupita Nyong’o
Director: Mira Nair
released on blu-ray January 31, 2017
******** 8/10

qok

IMDB: 7.3
Rotten Tomatoes: 92%, Audience Score 87%
The Guardian: ****/*****

 

Mira Nair is an Indian American filmmaker who typically focuses on international films which depict Indian culture in a positive light and she got her start making documentaries – some of her more well known films are Mississippi Masala, The Namesake, Monsoon Wedding, and Salaam Bombay!.

Nair has been involved in activist projects for a very long time. She even set up an annual film making workshop aptly called, Maisha Film Lab in Kampala, Uganda, which translates to life. For over ten years, young directors in East Africa have been given opportunities to learn film techniques with an emphasis on telling personal stories. Maisha is currently building a school.

I mention these details because Queen of Katwe is Nair’s first film set in Africa. Or is it? Now she has directed films about other cultures previously (read:Words with Gods, Vanity Fair, and The Perez Family), but this is also the first Disney production she has been involved with.

The plot is pretty straightforward – We witness the shifting life of young female protagonist Phiona Mutesi (Madina Nalwanga) as she makes some incredible intellectual achievements. What is atypical of the movie is that it is set in Africa, but doesn’t focus on conflict zones AND it has an entirely black speaking cast. But it still manages to be incredibly “Disneyfied”. What this means is that it is very mainstream in it’s depictions of Phiona and her family life, affirming the positive trajectory of Phiona. And yet her life is not at all like that of typical North Americans, just look at this plot synopsis from Wikipedia:

Living in the slum of Katwe in Kampala, Uganda, is a constant struggle for 10-year-old Phiona Mutesi, her mother Harriet (Lupita Nyong’o), and her family. Her world changes one day when she meets Robert Katende (David Oyelowo) at a missionary program. Katende coaches soccer and teaches children to play chess. Curious, Phiona approaches and learns the game. She becomes fascinated with it and soon becomes a top player under Katende’s guidance. Over several years, her success in competitions and tournaments leads to greater competitions, stress, and identity issues. Phiona must learn more than the game as she is exposed to life outside Katwe. Her education, both formally and informally, continues as she dreams of escaping a life of poverty for herself, her mother, and her siblings.

This is a perfect example of a triumph over adversity tale, and it doesn’t follow all of the usual beats despite containing a similar tone. The authentic experience of Phiona, her family, and friends allows us to engage with the story much better and definitely brings in some feels towards the end, especially when her sister Night finally comes home, and when Kampala experiences a flash flood. The final heart string pull comes with the credits. In what I would describe as a rare instance of showing the real people that inspired the film, Nair brings in these people to meet the actors who portrayed them, and it’s heart warming in a way that you’d expect from Disney.

Pros: Yes there are a lot of cliches embedded within the framework of the story, but all of the subversions more than make up for it, and the feelgood element is hard to pass up. Madina Nalwanga is a bright star, and portrays her role with integrity, grace, and humour. And man is it cast well – top to bottom.

Cons: I struggled with the title “Queen”. Realizing it was intended as a play-on-words about chess, but seeing it moreso as an acknowledgment of Disney princesses, though these characters are experiencing real world poverty. Sometimes the pacing is too gentle for the weight of it’s cast, supporting members included.

Runtime: 2 hours 4 minutes

Points of InterestSo I lied, kind of. Mira Nair adapted Queen of Katwe into a film after making a documentary about the life of the man who trained Phiona Mutesi, Robert Katende. But that’s pretty cool right?

In short this is brilliant little film about a young woman with an innate ability to play chess which is slowly developed to the point where she can compete with master level players. While it isn’t innovative in the story it presents, the sum of its parts are what makes this story worthwhile for a viewing. The presentation, the lead, and the setting are all well done.

Phiona’s story is presented in such a mainstream way to get more access to the incredible triumph of her life. But that isn’t necessarily a bad thing. Because I keep saying over and over, this is a story we’ve heard over and over, and yet it isn’t because a story of a young black African woman achieving an intellectual result is a rare thing to witness in mainstream cinema. The fact that Disney pushed this through warms my heart even moreso than what I watched, and that IS a good thing. I hope they continue this trend, and that’s my theory for the day.

Tim!

A Return To Reform (Radiohead, A Moon Shaped Pool review)

We all have a point in our life when we do terrible things, and everyone around us, including ourselves suffers, but I truly believe that out of tragedy greatness can be achieved… And that’s what this week’s music review is all about.

 

 

 

Radiohead – A Moon Shaped Pool
released June 17, 2016
********* 9/10

xlda790-radiohead

This is the 9th studio album by Radiohead. Radiohead are an English experimental rock and electronica band that formed up in 1985, which as a personal anecdote, is the year I was born. Made up of Thom Yorke (mostly lead vocals), Jonny Greenwood (mostly lead guitarist), Ed O’Brien (guitar), Colin Greenwood (bass), and Phil Selway (drums), they have all worked together since the band’s formation.

Two more fun facts before we move into the review. First, their breakout single, Creep, was released in 1992, the year my youngest brother was born which demonstrates the 7 year gap between their formation and “breakout” succes. Second, Radiohead has used the same visual artist (Stanley Donwood) to design their album art, Thom Yorke’s solo ablums, and Yorke’s part-time gig, Atoms for Peace.

A Moon Shaped Pool has a really high score on Metacritic and has received high praise in all of the album reviews I’ve read thus far. As a long-time fan of the band and despite really really enjoying this new album, I am at something of a loss though as I don’t own nor have I really listened to their previous record, The King of Limbs. I mention this because at it’s time of release I had heard bad things about TKOL and couldn’t be bothered with it.

And now I read statements about how much of a hot mess King of Limbs was, and while I personally see why this is an excellent Radiohead album, I can’t make that comparison.

But fuck that, it shouldn’t even matter. If we all operated in a vacuum this review would be incredibly different, so you got my backstory, my perspective and I suspect the review is all the richer for it.

I remember when I was a bright young university student. Full of angst, rebellion, and a thirst for melancholy. It only made sense that one of my professors thought I was a huge fan of Radiohead, a joke not lost on me at this stage of my life.

But Radiohead have traded in their mopey sad songs for dreams and the eternal – This is best showcased on the tracks Daydreaming and Decks Dark which are early enough in the record to solidify this new position.

Opener Burn The Witch is typical of Radiohead and well constructed like a much needed timepiece for our generations arm. Especially since it’s an older song finally realized in studio format. The story about lynch mobs can be applied to any number of current pop culture and political hysteria too.

And in case you were wondering, the electronics that made Radiohead synonymous with alienation and genius, and consequently the root of numerous imitations, is alive and well. If you listen to Identikit, The Numbers or Tinker Tailor Soldier Sailor […] in isolation, you’ll get  that old familar feeling.

On Present Tense, I’m reminded of the entire vibe of the amazingly good album In Rainbows, which is cool because that album came out in 2007 and Radiohead have been honing this song since that time period. But the best is definitely last and will pay service to true fans. True Love Waits has been part of their archives since the mid 1990s.

I can’t say enough good things about this album, because the band fused two things. They took what we love about Radiohead and simultaneously helped themselves push forward, which is the reason why they keep making records. Would I say this is their best album ever? I don’t know, but would I say it’s one of the best albums of this year or even of this decade. Yeah, yeah I would.

 

 

 

Sometimes you have to hit your lowest low to realized what the hell you were doing there in the first place and why you care about what you care about, The King of Limbs was definitely a low point for Radiohead, A Moon Shaped Pool is a demonstration of a return to their power to reform. And yes I am using multiple definitions there. I’m theoried out friends, I’ll see you tomorrow with a movie review.

Tim!