Visionary Storytelling (Byron Martin preview interview)

 

Every good project tells a story.

A story about goals, its members, deadlines, and what is required for completion. It also requires management to understand the story they need to tell, and to deliver it with gusto. Also, a REALLY good story follows a proper story arc, no matter if it’s an urban myth, a made-for-TV movie, a comic book or a stage play. Heck, even an improvised musical follows an outline to get to where it needs to be.

When you are in theatre (or any professional setting), you have the same kinds of responsibilities as any other business operator. You set a budget, plan out the year, and set meetings to ensure everyone is onboard as things happen.

No matter what you might think, communication and teamwork are at the centre of it. When you have a vision, and you bust your ass to see it happen, time movies along quite quickly. Every self-made business person will tell you this…

Learning to coordinate others and juggle the program is at the centre of it.

If you look at it in a very simple way, there are really seven major steps to consider as the process unfolds.

  1. Define project goals.
  2. Have daily, weekly, monthly deliverables.
  3. Set and then celebrate project milestones.
  4. Build an annual budget.
  5. Assign team members.
  6. Produce progress reports.
  7. Assess risks.

 

It seems like an easy set list, but not everyone is up for the task. Marrying a vision to an agenda is essential.

Byron Martin has a big vision for the Edmonton arts community, and while some of the projects his theatre company Grindstone Theatre puts on, like Henry V, might start out with conversations at a local pub, he’s learned to keep track of his ideas and commit to his vision with a myriad of tools.

He has intimately committed these steps to his vision and can do them without consciously thinking about it, and he has fun at the same time. Another good friend of mine, Byron Martin is a much needed presence in the Edmonton theatre scene.

I hope you enjoy this preview of our chat.

Yes, I am out of theories for the day friends, but I’ve got a vision for 2017 and this upcoming full length Byron Martin interview is a part of it. For now let’s focus on the good things which have been shared, and the exciting possibility of another week with Gord Downie.

That’s right, I just might have another album review coming which features the Tragically Hip frontman. But that could just be a theory.

Tim!

Playing With Fire (Megan Warkentin grad exhibition)

In those seemingly quite moments of exploration, when we’re all alone, and when we don’t know what we’re doing, that is when we might be the most alive. Consider this quote by Chuck Palahniuk, who often pulls from personal experience when writing his novels. –

Our real discoveries come from chaos, from going to the place that looks wrong and stupid and foolish.
Chuck Palahniuk, Invisible Monsters

In the month of October I released a couple of posts about a friend of mine. These posts supported an important interview I had conducted with my friend in the fall of this year. You see dear readers, she is graduating from the University of Alberta’s Faculty of Arts after a stint of approximately ten years in post-secondary education – her name is Megan Warkentin and she is a visual artist with a masters degree in painting.

Our interview was about the importance of exploration, whether inside the framework of a creative discipline, as it relates to the occupations of the mind or when considering the physical world and the items contained inside of it.

Megan has always been a creative individual, but it wasn’t until she went after her university education that she really focused in on visual arts… And now she is asking one of the hard questions of life over and over again in her art.

Why would someone risk their safety, health and potentially their life in the pursuit of stunts and dangerous activity?

What began as a number of experimental paintings that featured still images from YouTube videos of people performing dangerous stunts and the resulting aftermath, has slowly evolved into a process surrounding larger ideas of risk and exploration. Megan is fascinated by human behaviour, and wants to know why people set themselves directly in harms way, why other people are fascinated by this behaviour in the first place, and how those onlookers might react to the sport of British cheese rolling or ravine jumping. Inspired by artists like Kim Dorland, Peter Doig, Daniel Richter, and Tilo Baumgartel whose work showcases contemporary society in interesting ways, Megan wants to truly address the absurdity of adrenaline junkies through crude art, with a hint of the sublime and mystical in the mediums used.

08_warkintoncopy

This body of work culminates with an exhibition titled Playing With Fire between December 6-22 and January 30-7 at the Fine Arts Building gallery (1-1 Fine Arts Building, 89 avenue and 112 street, University of Alberta) and is the final visual presentation for Megan’s degree of Master of Fine Arts in Painting.

I realize it’s short notice dear readers, but if you want an opportunity to speak with Megan about her work, you should definitely check out the opening reception tonight, December 8th from 7-10PM at the FAB building. Otherwise the gallery hours are Tuesday to Friday 10-5PM, Saturday 2-5PM, closed Sunday, Monday, & statutory holidays.

I’m out of theories for the week my friends, but I hope you come back on Sunday for a new episode of Cross Talk.

Tim!

The Circle of Life (Megan Warkentin interview)

When I was a young warthog, I found that my thoughts were morbid and my labour was making me miserable. So I took a quick peek at John Ruskin and developed a problem free-philosophy – explorers always win. I needed to move away from my domestic environment, and even the primary school system to properly combine those processes of thought and labour, realizing that only exploration would get me on the true pathway.

Like Ruskin’s contemporary, Charles Darwin, I was forcing an evolution in myself for the sake of the bigger picture. The seemingly eternal struggle of the Brits, to expand but retain identity. Colonialism of the mind.

5971441_orig

After all, exploration is one of those traits that earns you kudos when you succeed and admonishment when you fail. No risk, no reward as the saying goes. But what is really an truly at stake here friends?

Well, if you were to ask our featured artist interviewee of the month, I bet we’d learn a lot of things about stakes. Like, what happens when you read lots of books versus travelling the world, why extremists and risk-takers aren’t some of the brightest lightbulbs in the drawer, the importance of finding mentors to guide you on your journey, if ever so slightly, and how the British sport of cheeserolling can help make great paintings.

She’s a laid-back treasure hunter who loves to paint, has spent the better part of a decade honing her creative craft, and has more composed intensity then an undertaker, Megan Warkentin is our favourite pioneer of the arts at the moment. Pay careful attention to what she says in this interview because if you gloss it over, you’ll miss the point, and I cannot guarantee you’ll find your way back.

I really think you’ll get a kick out of this one folks, exploration is one of this life skills we all need when we pursue the arts, and Megan perfectly embodies this ideology. So sit down (or stand if you like) and get ready for episode twelve of timotheories interviews.

And as always, if you want to check out more timotheories interviews or the Cross Talk series please visit our YouTube channel.  And please, please, please share this post and of course subscribe to both the blog and channel!

Now let’s talk about connecting – Megan is so busy globetrotting that she’s difficult to get ahold of. So please send an email to timotheories@outlook.com and I’ll get in contact with her for you.

Lastly my sincerest thanks to Megan for being magical, magnetic, and major league. See you tomorrow with an album review by a crappy punk rock band, but the album is kinda revolutionary.

Tim!

Red VS Blue! (How Environment Effects Creativity)

I’ve said it before, and I’ll definitely say it again after this post… but throughout human history creativity has often been thought of by the masses as a gift from another world, not something that comes from the brain and which can be developed and cultivated.

I bet you thought I was making a reference to TMNT, nah, I would never do that.

Michelangelo's_comical_scream

Moving right along; as a creative person I’m sure that this concept of creative influence is both fascinating and horrifying for you, because you want to succeed and get support to accomplish your creative goals, but if anyone can be creative, then that means you are no longer a special snowflake.

And I’ll let you decide which one fascinating, and which one is horrifying.

But what if I told you that your environment can be controlled in such a way as to effect your creativity either positively or negatively? What would you do? I bet most of you would jump at the chance to make subtle shifts in how your environment operated.

For instance, did you know that colour can elevate different kinds of creativity? According to this study, red can promote analytical aspects of memory retrieval and proofreading, whereas blue is good for brainstorming and innovation. Also in the same study, researchers have uncovered a correlation between noise levels, distraction, and types of work done – moderate noise and high noise produce more abstract processing vs low noise, but high noise impairs information processing, so moderate noise is the sweet spot for creativity, something which I touched upon in a previous post.

The most interesting thing about this study, of course, is that it demonstrates the correlation between creativity and improvement.

Another article I found recently references other aspects of life which can impact creativity. This is another one which Professor Juliet Zhu has looked into, and is a huge advocate for. Apparently dim lighting vs bright lighting an produce different results. Believe it or no, dim lighting has a positive association with abstract thinking and creativity.

cave-painting

Maybe that’s why cave painting started us off on this creative pathway in the first place?

But the article goes on to demonstrate that temperature and space make a difference too. Choose a cool setting for simple tasks and a warm place for complex ones. Clutter creates less self-control (binge eating for example), whereas organization creates self-regulation and persistence, both useful in their own situations. And that latter topic also happens to be something I’ve written about previously.

Still another article I read described the importance of writing out ideas by hand, which helps with idea generation, learning, and memorization. And apparently taking walks and working in rooms with high ceilings helps to promote creativity too.

But what you may not have considered is the importance that comfort can play in creativity both physical and mental. Having a space which has both small areas of intimacy and large open areas can stimulate different kinds of thought. And of course, you also need to be able to experiment and fail at projects. No one is capable of perfection, but surrounding yourself with individuals that do not support risk-taking stifles creativity quite a bit, so do what you can limit those kinds of interactions.

Jim Rohn said it best with the following quote

You are the average of the five people you spend the most time with.

It is imperative that you consider your relationships carefully, and to be closely surrounded by positive, supportive people who want you to succeed, and it’s also necessary to have critics. Though I suspect we can touch on that last point in a lot more detail and so I shall save it for another day.

What did you think of that theory? Does your environment fit the conditions above? Have I missed anything? Please leave some comments below, like and share this post, and of course please subscribe to my blog for more stimulating ideas about the arts.

Tim!

 

Risk-Taking, A Game of Internal Domination (Renee Wood, Risk)

Hear ye, hear ye – I decree this blog now open for the business of interviews.

And what a first interview we have! Guys, I am so excited about this, it’s all I’ve been working on and thinking about over the past week. I mean I even forgot to feed myself once or twice. Just kidding. Or am I??

So very recently I had written about a new theory I am exploring on timotheories, and I’m happy to announce today I am unveiling the first of those posts. Have I mentioned that I am so excited about this? Identifying experts, getting their opinions and feedback, and building community, especially locally in Edmonton.

Without too much more pomp, because this lady is awesome all on her own, and you WILL witness this in her witty and candid responses to my questions, I am very happy to introduce Renee Wood, of Renee Wood Design, who has a similar level of outrageous passion for her city and the characters that fill it. I think both Renee and I can both agree with The Wolf when he says that “because you are a character, doesn’t mean that you have character.”

I might have gotten side-tracked there for a second.

I really wanted to talk with Renee about risk-taking, specifically because she is a recent graduate and there are so many opportunities out there for young professionals – And so we really dug in and thought about the implications of life filled with risk, how to organize your life with positive habits to be ready for risks, and we even spoke about destiny for a moment or two. Which reminds me of this great track by Childish Gambino called That Power, where he may have misused the word destiny and learned a lesson along the way.

Okay, I definitely got side-tracked that time.

But now you’re thinking, okay Tim, where is the mother ducking link to the interview? Don’t worry dear readers, here it is.

Also it’s here too if you prefer.

And for you sneaky types, you can find it here.

Lastly, for the non-conformists, this link works too.

I hope you really enjoy this, I know I enjoyed making it. And I really am really looking forward to the future of this format, as I already have lots of cool people jumping up and down fervently, waiting for their chance, their opportunity, to capture it and not let it slip.

Now I have some theories down, and that’s all I think we can handle for today. But as always, please let me know what you think.

Today’s instalment of timotheories has been brought to you by the letter R. For rad or wait, was it risk-taking? No it’s definitely for Renee, because this wouldn’t have happened without her. Thank you so much Renee! You are a renegade.

Tim!