Looking To Establish Character (Goodwill)

The first time I heard someone refer to another person as the “genuine article” or the “real article”, I didn’t really get it, dear readers.
I thought all people were real. After all, we are all standing there visible to the world around us. Admittedly, I was probably 9 or 10 years old.
That cultural idiom is there for a reason though, because it’s easy to substitute in behaviour in order to gain something from other(s). And that is the challenge – genuine good will is a difficult thing to accomplish. Anyone can donate their things away and be perceived as generous, but if we stop to consider what’s going on behind the scenes, in the mind of the donating party,  the only one who really knows if they are donating something with the intention of benevolence, kindness or from a place of friendliness is the gift giver.

Del Griffith’s Speech

Now I want to tie this in with an example. There is this great scene from the movie Planes, Trains, & Automobiles that perfectly encapsulates my point. It’s the one where John Candy gives the infamous John Hughes type speech – it is brilliant, emotional, and timeless in it’s delivery.
We could very easily read that scene from the perspective that Del Griffith is a moralistic character we should aspire to be like, especially after we know the twist of the film, and sit down for a second viewing. But consider this for a minute creative cuties, what if John Candy really was manipulating Steve Martin’s character into doing the right thing by using emotions to transform their relationship into one of interdependence? Maybe it was intentional maybe it wasn’t, but the guy is lonely and is seeking affirmation that his decisions are well founded and that his life has meaning.
Now this variation of the narrative is played to great effect in a parody scene that Family Guy did years later.

Empathy and Goodwill

Sometimes we enact a process of goodwill to develop our own moral compass – Investing personal meaning that it is important to do charitable works in order to feel good and to contribute to society proper. This of course is also not a guaranteed act of genuine good will, but it is on the right track towards selfless behaviour of a pure intent.
In business, gaining a reputation of goodwill is sometimes just as important to customers as the valuation of it’s goods and/or services. An intangible asset that contributes to the brand in a positive way. When we take this idea into the realm of the arts, and the salable component of art making, we can see how artists might craft their art to make themselves appear more vivacious, charitable, intelligent, rebellious, funny, dangerous or any combination of traits that help demonstrate the value and intent of the work. I’ve written about this before, but by viewing the artist as an individual comes the risk that we don’t like what that artist says and does, but we enjoy their work for personal reasons.

My theory is this, if you make art for the purpose of self development and pleasure FIRST, and then add in a layer of consciousness next, altruistic behaviour naturally evolves out of it.

In a very generalized way, the philosopher Aristotle probably said it best, your ethos or character is established through a number of factors – your level of goodwill, trustworthiness, authority on topic(s), similarity to others, and resonating communication abilities. One of the most powerful ways to demonstrate goodwill is through is through empathy. To relate to others by aligning with them demonstrates your understanding of them and it makes way for your message to be received in a strong light.
In the holiday season, it can be very easy to get lost in the state of affairs. Wanting to do good without understanding what it means to be good. When you make your art, live your life, share your purpose with the intent of empathy, no matter what your passion is, people are more likely to tune into your message, and you will connect with them in a positive way. This is important and essential in a world where many don’t relate to those around them.
But that is just a theory – my last wisdom based theory of the year in fact. Luckily, I’ve got one more post to share tomorrow.
Tim!

Soundtrack (The 1975, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It review)

It blows me away how easily sounds can pull us back into our memories. We don’t think about this a lot, but I bet if you turn on your favourite song, you’ll have very specific memories associated with it and you’ll be pulled back in time to when that song came out or to an event you didn’t know matter so much to you.

That’s what this week’s album review feels like, a familiar sound but a new experience.

 

 

 

The 1975 – I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It
released February 26, 2016
******** 10/10

The-1975-I-like-it-when-you-sleep

The 1975 are an English alternative band right out out of Manchester – A classic 4-piece group that have been playing together since 2002. Did you know that they released 4 EPs before they were comfortable enough with their sound to put out their self-titled debut in 2013? 2016’s I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It is their second outing, and frankly, a stronger sounding record because of this initial strategy, which is a good thing for all of us.

In case you were wondering about their genre, The 1975 take elements of pop (electropop, indie pop, pop rock) and rock (alternative, funk rock, indie rock) to form their unique sound. 

They remind me of a whole whack of different musical acts (Depeche Mode, Marianas Trench, Arkells, The Smiths, Joy Division, The Cure, Purity Ring, Savage Garden, and David Bowie, for starters), which is interesting because despite that, or if you’re a half glass full type, because of that – Their music is really quite fun to listen to.

And yes, we need to address what will be the obvious for those who have already listened to the record, and for those of you who will listen to in the near future. Yes, a lot of the songs on this album have a very 1980’s sound to them. But you know what, that’s not necessarily a bad thing. Apparently the 80’s are in vogue these days, because I’ve heard my share of albums that pull from that era already this year.

Hell, Matthew Healy, the lead singer and rhythm guitarist, admits that his greatest influence is the filmmaker John Hughes.

My original plan was to break down the tracks and tell you why each one is good or bad, what they sound like, etc. You know, in typical review fashion, and what I’ve done in the past before? But that isn’t really beneficial for you OR I, dear readers.
I really like this album, and I think you should listen to it, because this is innovative music, straight up. It’s apparent from the outset that you are in for something different with a long-ass album title ILIWYS,FYASBYSUOT.
Yeah, I got tired of typing it out.
It’s interesting because I’ve heard some people are immediately drawn to it, and other take some time, while still others think this record is a bit of a slog. But I’m willing to bet that the delayed response is the most accurate, and counts for the outliers. This album takes a bit of time to warm up to, not because the songs are dry, but because there is a lot going on. After that though, it’s amazing to see how much range and experimentation is within the walls of the The 1975’s house.
Similar to how music from the 1980’s felt.
But I won’t leave you hanging dear readers, check out the music videos for Love Me, UGH! and The Sound. Also previews for She’s American, If I Believe You, Paris, and A Change of Heart.
I bet you won’t be disappointed, and much like the theme song behind the documentary about the search for John Hughes, I bet you won’t be forgetting about The 1975 any time soon. In fact, this might be one of your new favourites albums to emote to.

 

 

 

 

As much as I want to have a soundtrack to my life, I don’t think I’ll ever get there. I have too many interests and too broad of tastes at this point for my life to fit so easily into a specific sound or space. But dammit if I won’t try. But what if you didn’t have a choice, and you were confined for a time to one song, how would you cope?

Check back tomorrow for a film review that looks at those kinds of questions!

Tim!