When I Left You, I Was But The Learner, Now I Am The Master (Cross Talk Ep. 16)

 

The circle is now complete. When I left you, I was but the learner, now I am the master.

– Darth Vader

Of all the choices I could make to start this post off right, this is easily one of my favourite quotes from Star Wars because it demonstrates rather visibly resolution, the progression towards an end. Plus, it helps tie in A New Hope directly with my third favourite Star Wars film, Episode III Revenge of the Sith. Each of us moves through life encountering teachers, those who already have key abilities of intelligence, judgment and experience, realized as wisdom.

Darth Vader roughly translates to Dark Father. At least that’s the popular statement. An excellent coincidence that George Lucas used to his advantage when building the lore of Star Wars for us young fans.

But that’s what great storytellers do, they build into the mythos they’ve created and simultaneously strengthen the chronology with each addition to the franchise. Thus making those initial choices seem intentional and enmeshed with later stories. The value of of prequels and sequels is that they enrich an already great story. When the content lines up, exploration of themes is worthwhile.

So while Darth Vader is correct to say that he is now a master of the force, Obi-Wan is also correct in saying that he has only mastered the dark side of the force as a Sith. And when you watch Revenge of the Sith, you can see how handily Obi-Wan beat Anakin, how he admonished him for taking a risk and getting cut down, but only because Obi-Wan had wisdom which Anakin did not.

Because Obi-Wan knew better.

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When you begin the process of watching films, one of the biggest lessons you can learn is that there are levels of emotion which you can experience. Through repeated viewings, with different genres, and by having shared experiences. A popular one that is a perfect example of this is a parent watching one of their favourite movies with their child. You witness their emotions as they experience similar feelings that you had the first time you enjoyed that art, and then you gain the enjoyment of sharing that art with them, plus another bond you now have available in relating to your child.

That now shared, Chris and I have spent a lot of time discussing the inherent value of film before, but today we run through some real-world examples of the merits of this medium and why the more time you spend with it, the more likely you are to build social relationships, enhance your passion, step outside of your comfort zone, and learn about humanity. The highs and lows of the hobby, and the maturation the love is real my friends – wisdom to be gleaned from watching film.

This is episode sixteen of Cross Talk, produced by my friend and yours, Andre Lindo. I hope that you enjoy this episode as much as we enjoyed creating it. Cross Talk is a passion project, and this exemplifies that passion very well!

Yet another theory knocked right out of the park, and I’m spent. This is atypical of our normal Cross Talk videos, but I really do  hope you enjoyed this episode creative cuties, and that you have a wonderful week. Check back-in for a review of the new AFI album.

Otherwise, please comment, subscribe, and share this video with friends. We want to hear your feedback!

Tim!

Blue? Boycott The Red Carpet and White Folk? (88th Annual Academy Awards Night)

Anyone familiar with apologetics? It’s this concept that reasoned communication in support of a theory, belief or doctrine (usually spiritual) will help win people over to that belief, and the idea behind it is that this method of discussion is actually more useful than the typical debate format.

Now don’t get too far ahead of yourself dear readers. I suspect some of you may already be thinking to yourselves… Here we go, we know the topic is the Academy Awards, and the title is referencing the decision-making process behind it. Oh timotheories, you small, silly, social savant, you are about to tell us why the Academy Awards are really actually quite good and that we shouldn’t scrutinize an American institution which is biased “white washing” and ignoring people of minorities.

And you wouldn’t be wrong to say that I am going to address this, because quite frankly it’s out there, and it seems like my Facebook feed and half the articles I’ve seen on other social media are discussing this topic. So let’s get topical, because it’s important.

The Oscars are almost 100 years old, and they are run by mostly American filmmakers. I cannot stress the importance of that word enough. American. Look at what Wikipedia has to say about the Academy of Motion Picture Arts and Sciences (AMPAS) –

The Academy of Motion Picture Arts and Sciences (AMPAS) is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy’s corporate management and general policies are overseen by a Board of Governors, which includes representatives from each of the craft branches.

The roster of the Academy’s approximately 6,000 motion picture professionals is a “closely guarded secret.”[2] While the great majority of its members are based in the United States, membership is open to qualified filmmakers around the world.

The problem is inherent. You ask someone to rate something and they will do the best they can given their knowledge and experience. And that’s in a vacuum. But when you make that rating system important, segmented, and secret, it creates inbreeding of the worst kind. The authors of these votes are hidden, they cultivate a look and feel for their event, and they want to keep it that way.

After all, that’s what we’ve come to expect.

Someone might say to you, don’t blame the Academy members, they are only voting based on what they know. And I would agree that it’s true that the Academy is working to maintain it’s position whether it’s consciously destructive or not. But that root issue is whether the institution should be allowed to continue to operate the way it does or whether it needs competition and possibly a replacement. Obviously it’s more complex than just wanting one of those outcomes, but change needs to start somewhere.

Because even if we were to overlook the fact that this is an American organization that puts on an award show for films (mostly American films), the United States is made up of more than just Caucasian males, so American movies should be awarded based on a representation of the American population. On the other side of the coin, if you have supported the institution you can’t get mad at it because it’s been defined by it’s public support over the last 87 years.

Think about that for a minute. People watch the show.

Millions of people around the world tune in to watch an American film awards ceremony and complain that it’s flawed. No shit, really? Well we live in a time when democracy, free will, and striving for equality are on everyone’s lips. Subversion and evolution is slow-going, unless enough change happens quickly and at the same time to force a shift in priorities, this won’t change, and we’ll continue to complain about it for decades.

So we have to decide something as individuals. Do we boycott the Oscars? Do we complain about the Oscars on social media and traditional media, through petition? Do we fund organizations that support diversity and quality of film rather than very specific criteria based on opinions dictated by a hidden membership?

Well, shit. I guess you’ve made it this far, so you must want to know what timotheories really thinks about it. We support the rights of representation by population. Organizations should exist to support the majority. Which means that Canadian films should be supported at Canadian awards shows, American films at American ones, and so on, and so forth. What we all should be supporting at the end of February every year is a global award show that showcases the best in film internationally.

So long story short, I think you should watch the Academy Awards, so that you can understand what is wrong with it, and then speak out about it and know what a film awards ceremony should look like. Please also support organizations which are young, so that older institutions like AMPAS have to evolve or die. That’s the only way to see real change.

For you Edmontonians, one way to enjoy this experience is by heading over to Garneau Theatre and joining Metro Cinema as they guest host the event from the comfort of your local independent movie theatre. Metro Cinema is an amazing organization which supports diversity of film and grass roots change is really the best place to start. As I’m sure you already know, dear readers, this event called the Oscars usually takes more than 2-3 hours to complete, so the organizers at the theatre have prepared something special for you to get yourself in the mood and on par with the festivities. Check it out, you just might see me there.

But what do you think? Am I off my rocker? Too much of an idealist, not enough realist? Am I cynical? A white male moron? Please leave some comments and subscribe. I wanna get better.

Those are all of the theories I’ve got for today dear readers, I’ll see you on Sunday with something stimulating!

Tim!

That’s The Ticket! (Garneau Theatre)

Another week, another game night in process, which inevitably leads to one of my favourite nights tomorrow – date night!

To be honest, I never thought I would be a date night kinda guy, but live and learn. You can be romantic and pragmatic at the same time; the success of the variables and resulting sense of wonder all come down to what you do, and how you accomplish it.

Date night started as a way for me to ensure that I spend uninterrupted time with my belle at least one evening of the week. Now of course, we also spend a lot of time together on the weekends, but that is usually focused on running errands, social events, and spending time with other loved ones as a unit.

Such is the way of the 21st century couple. And I’ve accepted it. Between social media, the daily commute, and the pace of everyone else seems to live their lives – quality time requires quality effort.

Which means that I have to plan these nights out, have an exit strategy and come up with contingency plans regularly.

You single types might scoff at my planning, and you long term teams might think me silly, but I know that this part of the mix is what keeps a relationship interesting. Consequently, I don’t always have ideas chest-bursting their way into my consciousness.

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Lovely image, no?

But my girlfriend, in her ever present, weird, and wise ways accidentally gave me an idea for this weeks date night, and also a reminder for you art enthusiasts.

And continuing with the bad puns, before I get into today’s Timely Thursday post, I need to get something off my chest.

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I kind of promised I would let you know how the ice castles were didn’t I?

Well, be informed and intrigued because… the Ice Castles team doesn’t disappoint at all! There are a number of beautiful displays inside the castle: a fireplace, a slide, a throne room, caves, and an expert describing the ice castle construction process. The think the best part hands down though was that the walls and ceilings of the castle were sculptures themselves. There wasn’t a spot in the entire area that wasn’t visually gorgeous.

Now on to more pressing matters. The art related thing I am going to check out tomorrow evening and which I think you should look into as well.

Believe it or not, small independently run cinema exists in the capital city of Edmonton. And they play films which aren’t major releases.

If you have never been to the Garneau Theatre (8712 109th st) or The Princess Theatre (10337-82 Ave) then it is high time you try watching a movie in classic movie seats with wooden arms and almost non-existent leg room.

The reason to do this is not only for the experience of film in a more traditional format, of course, but because they show independent films, allow you to rent the space for live theatre, and they are a part of Edmonton’s history.

Edmonton’s Metro Cinema (a non-for-profit society) took control of the modernist desigend Garneau Theatre back in 2011 and haven’t looked back since, offering new films daily and significant maintenance to the property as it is now a designated Municipal Historic Resource.

But that’s not all.

Metro Cinema Society has a really solid belief statement (taken from their website)!

Metro Cinema Society believes that film and video are significant art forms and means of communication. We believe that many innovative films and videos are overlooked by conventional theatres including independent, international, and Canadian productions…

To this end, Metro exhibits an eclectic blend of film, video and media arts, that are not screened anywhere else in the city. Metro’s focus is on presenting a broad selection of educational, cultural and innovative works. The Society operates with the ongoing assistance of a large volunteer base. We regularly distribute a program, facilitate discussion, and bring in artists.

 

Bingo. They work with artists and are excited about bringing in unusual film, video and media. This is exactly the kinds of things that local Edmontonians need to know about and you creative types need to get involved with. If you care about film, support groups like this and become part of the discussion!

So what am I going to go see tomorrow night? Well I can’t tell you that just yet, otherwise the mystery goes away. But I promise you it will be a fun time.

That’s all the theories I’ve got this week, dear readers. I hope you have a fantastic weekend, make art, see people you care about, and take in something cultural. I’ll see you on Sunday evening for something stimulating.

Tim!