Avengers 2.5 (Captain America: Civil War review)

Have you watched the best movie of the year yet? Well if you don’t know what I’m getting at, I’m not going to drag this out. It’s time to sit down and enjoy Captain America: Civil War.

 

 

 

Captain America: Civil War (2016)

Cast: Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Daniel Bruhl, Frank Grillo
Director(s): Anthony Russo, Joseph V. Russo
released on blu-ray September 13, 2016
********* 10/10

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IMDB: 8.1
Rotten Tomatoes: 90%, Audience Score 90%
The Guardian: ****/*****

The Russo brothers conduct most of their work in film as a team, whether it’s directing (Welcome to Collinwood, You, Me and Dupree, Captain America: The Winter Soldier, Captain America: Civil War, Avengers: Infinity War Part 1, and Avengers: Infinity War Part 2) producing, writing, acting, or in post-production. Also it’s kinda weird for me to put You, Me and Dupree down. Though they did have a major hand in directing both Arrested Development and Community, two of my favourite television shows.

It’s going to be challenging for me writing about this movie without pouring out my soul and spilling over the edges of the screen. I will say this as a preface. This is my favourite Marvel movie so far, and it is based on my favourite Marvel story of all time, so it’s really important for me to remain unbiased in my feedback.

I loved this movie. And I think it’s pretty fair to say “spoiler alert.” It features my all-time favourite superhero done right for the first time. Spider-Man is played by Tom Holland and he does such a great job of filling the shoes of someone who has incredible powers, a moral compass, but no idea of what to do with his abilities. He rambles on during the major ensemble fight of the movie, he stutters over his words in trying to keep secrets from Aunt May. Tom Holland was born to play Peter Parker.

The plot of the movie is fairly simple, Bucky Barnes (Sebastian Stan) was operating as a literal sleeper agent for Hydra ever since the 1940s, and in the 1990s he intercepted a case of super-soldier serum from the Starks, killing them in the process.

In present day, a team of the Avengers are working to find Brock Rumlow (Frank Grillo). Rumlow blows himself up, hoping to kill Captain America (Chris Evans), but Wanda Maximoff (Elizabeth Olsen) contains the blast, throwing it in the air and accidentally kills several Wakandan emissaries.

The UN decides that the Avengers need to be put in check because of the events in Lagos and previous events in New York, Washington DC, and Sokovia. And Iron Man (Robert Downey Jr.) is leading the charge, especially after he is confronted by a mother who lost her son during their mission to stop Ultron a year earlier in Sokovia.

Because Cap had dealt with the infiltration of SHIELD by Hydra agents previously, he doesn’t believe that this is the right decision. Eventually Cap and Iron Man come to blows because of this difference of opinion, building their own teams of heroes. Especially the Black Panther (Chadwick Boseman), who goes on a mission of revenge after his father King T’Chaka of Wakanda is murdered during a bomb blast triggered during the UN Sokovia accords session. The world thinks the Winter Soldier did it, and Captain America wants to bring in his friend, but against UN oversight.

The events turn out to be orchestrated by Colonel Helmut Zemo, a Sokovian who lost his whole family during the events of the Age of Ultron. He wanted to break up the Avengers from the inside, and worked to get Barnes, Cap, and Iron Man in the same room. Only revealing that Barnes murdered the Starks at the last moments of the film. A fantastic twist that still haunts me after three viewings.

 

Pros: This movie has it all. Action, drama, humour, a great plot, incredible cameos that never feel full, deep connections, and even some references to the Russo brothers previous work.

Cons: There aren’t any. Just kidding. In some ways it feels like a build-up to the next Avengers movie, but all of the movies feel that way upon deeper inspection.

Runtime: 2 hours 27 minutes

Points of Interest: The film lines up rather nicely with the 75th anniversary of Captain America. And 10 years ago, the original Civil War comic book came out. It’s also the Black Panther’s 50th anniversary.

This movie is entertaining throughout it’s long screen time. I barely notice the time fly by as I watch the spectacle unfold. And even when it gets introspective, nay, especially when it gets introspective, you can’t help but become engrossed by the characters. My heart actually breaks when Tony says “I don’t care, he killed my mom.” The Russo brothers have an incredible ability to balance drama with everything else.

 

 

 

Dear readers, do yourself a favour, run, don’t walk to your nearest major retailer or go online and get yourself a digital copy of this movie. I don’t think Marvel is going to do much better than this. We’ve reached the apex of the MCU and it was glorious.

Tim!

Death Of The Superhero (Alan Moore)

Another month, another post about The Reading List, my ever-faithful and dear readers!

In case you haven’t read that article yet, which is okay, because I’ve only been writing about it once a month, I’ll give you a quick update.

The Reading List

Every month, I turn back to The Reading List for another book to read and another artist for you to consider in your own personal journey. My goal with this project is simple, I am challenging myself to read one book a month from 5 particular groupings. The 5 L’s of Language as I’ve come to call it.

  • LIFE – Biographies/Art/Music
  • LOVE – Classic Fiction/Non-Fiction/Graphic Novels
  • LEARN – Business/Leadership/Self-Help
  • LABEL – Philosophy/Sociology/Psychology
  • LEET -The Internet

But before I dig into this month’s grouping, I’m going to share with you something of an anecdote.

Alan Moore and The Killing Joke

A few weeks ago, I wrote a film review about a movie which had finally been adapted from a beloved stand-alone graphic novel. A story which has since inspired a generation of artists and furthered an ethos about the importance of Batman as a popular cultural icon. That review was on The Killing Joke, originally created by Alan Moore and Brian Bollard.

You see friends, the movie I reviewed was not endorsed by either party, and is definitely not a faithful adaptation.

The Killing Joke is well known in the comics community and has slowly been incorporated into other Batman media outlets like film and video games. Many critics considerate it to be the best Joker story of all time and one of the key Batman stories to read. I happen to agree with that last statement. And as I also mentioned in that review, Alan Moore has expressed personal regrets about ever having written it.

The logic from Moore being that he wanted to expand upon ideas of what superheroes were and could be, to reinvigorate the industry with silly and fun stories, radical stories, stories that made you consider them and recognize how bizarre comic books truly are. A challenge to the continuity and mythos of superheroes. But after Alan Moore made that story, the industry continued to darken and darken as a consequence, and the industry has never really snapped back since that dramatic shift.

But did you know that The Killing Joke was made in 1988 and is preceded by two other well known stand alone stories that Moore wrote? V For Vendetta also came out in 1988, and the  Watchmen series had previously wrapped up in 1987. Watchmen is in fact the first story to really breakdown the superhero genre in an epic way.

And both of those films enjoyed their own adaptations, also criticized by Moore for stripping the source and energy of the original stories. You see, dear readers, Alan Moore is the type of artist that believes in comic books, but has such a respect for them that he would rather he remove has name from any film adaptations then work with movie studios to produce a variation.

As a consequence of that rationale, rights have been sold for other Alan Moore works – From Hell, The League of Extraordinary Gentlemen, and Constantine.

This demonstrates rather well the power of his storytelling ability, the success he has had in the comic industry, and also the confidence he has in not compromising his art in order to make money.

Which is why if you haven’t guessed it yet, the grouping of the month is LOVE, because I love Alan Moore’s graphic novels. His spiritual and political views are somewhat different than my own,  him being a ceremonial magician and anarchist, but I think that adds to his value as an artist you should watch, because he brings an incredible dedication to his work and the best way to become a well rounded individual is to remove barriers and ignorance.

I’ll leave you with this quote from The Mindscape of Alan Moore, and let you ponder his frankness.

Yes, there is a conspiracy, indeed there are a great number of conspiracies, all tripping each other up … the main thing that I learned about conspiracy theories is that conspiracy theorists actually believe in the conspiracy because that is more comforting. The truth of the world is that it is chaotic. The truth is, that it is not the Jewish banking conspiracy, or the grey aliens, or the twelve-foot reptiloids from another dimension that are in control, the truth is far more frightening; no-one is in control, the world is rudderless.

What do you think? Have you read any of his work? Do you think he’s a genius, a lunatic or a bit of both? I have a theory or two on it.

Tim!

A Short History of The World (Comics, Comic Strips, Comic Books)

I think I’ve gone too far this time, dear readers. I decided to write about a topic which is far more complex and grand then I could possibly fit into the space of these 1000 words or less. And I also feel that I’m too close to it really give you an objectively focused and emotionally restrained tone.

Now to be clear that does not mean I haven’t given 110% effort here, but this is something which is close to my heart and heavily influenced my childhood decision to pursue art. Rhyme not intentional, but convenient.

I’ve written topics before which have used this model of art making in their framework, but it’s a little bit real for me friends and how this medium is starting to show up everywhere. Hell, It’s a little too surreal.

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Comics were originally thought to be a form of escapism for youth and definitely not something that could become entrenched in popular culture. Yet here we are.

History of Comics

Twenty years ago, there was almost no interest in the academic community to look at comics, but colleges and universities are now making real efforts to work with people in the industry and to study the impact the medium has had on culture. With a format that asks us to consider both text and visual information simultaneously, comics are literally sequential art. They use panels to help with pacing, while speech balloons and captions help with dialogue, private thoughts, character background, and even sound effects.

And the history of comics has been varied in different cultures as well. For instance, in Europe, Japan, and the United States, comics got their start in newspaper publications and books as secondary entertainment, in what eventually was known as a strip.

But now we have an assortment of formats to choose from. Gag cartoons and political cartoons are often single panel pieces, followed in length by the comic strip. Comic books, also known as comics, are multi-page books that are bound with staples. Collected editions of comics can come in trade paper backs, in both softcover and hardcover, and graphic novels are self-contained stories that were published in a limited run or as a one-shot. Lastly, web comics. Web comics are stories that exist first on the internet, and have no size or page limitations. Some web comic artists even incorporate animation and sound into their work.

And of course when you travel overseas… you can see Japanese manga, European bandes dessinees and fumetti or Korean and Chinese manhwa and manhua. It’s a lot to wrap your head around.

Comics Terminology

Which reminds me, did you know that there is a whole language of terms for comics? The layout is made up of panels, and the panels contain spaces which are culled the gutter. Rows of panels can also be called a tier, while an image that takes up half the page or more is called a splash page. A splash page is usually set up to emphasize a story point and gain attention, while an image that takes up two pages is called a spread.

As already mentioned, the speech bubble is used to contain character dialogue and even it’s shape let’s the reader know whether thoughts are said aloud or internally AND can even be used to indicate tone. Captions on the other hand are separated from the rest of the page and often give narration or information about the story. Sound effects are demonstrated with words that sit in the panel, and are colourful for effect.

When we consider the concepts used to engage with the reader, we cannot forget that it is the reader’s responsibility to perform closure and combine all of the panels together in their head, which means that it is the responsibility of the comic creators to capture key moments in the story, also known as encapsulation.

Roles & Responsibilities

Comic creators can have a few roles, specializing in specific aspects of creation or depending on the scale of the production, they may take on everything. For instance, they could be a writer, who handles plot, dialogue, and pacing. Or they could be an artist/cartoonist, which can be further subdivided into roles of pencilling, inking, and colouring. Lastly, the letterer fills in the blanks for speech bubbles and sound effects.

Defining Comics

Much like film and it’s big sister, literature, the definition of comics is not perfectly linear. It is an ever-expanding form, and with the variations across culture and over history, we’ve not quite nailed down what comics should look like. I would say this though, it’s an important crossover medium, that allows the reader to explore a relationship with traditional mediums of both literature and visual art, and I personally believe that we can all gain a stronger appreciation of both forms by spending time with comics. If films serve as our global cultures version of the campfire story, then the comic is a cave painting set in isolation and used for reflection. It’s not something which is only for children, there are lots of great books adults should read – I’ve got a convenient list for your reference.

I’m definitely going to come back to comics from time to time, as I think this medium is rich and full of opportunity, after all, the cave paintings are starting to move over to the campfire, so why not spend some time in reflection, friends? It’s just a theory, but I bet you’ll get something from it.

Tim!

Rebirth (timotheories August 2016)

I’m sure you’ve heard this expression once or twice before, dear readers, but I’m gonna throw it at you again, because it’s relevant for today’s topic.

A lot can change in a month.

You can be on top of the world one minute, and then you’re struggling for air the next. After all, nothing in life is certain, except for death and the occasional rebirth. It happens all the time in comic books after all.

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And for one well considered reason or another, the comic book movie train won’t stop, so for all intents and purposes, it is a fantastic time to be a fan of the genre.

Which is why it’s important to talk about another kind of rebirth. Yeah, that’s right you sneaky monkeys, I’m gonna share what’s happening during the month of August on timotheories. We’ve already had a post about covering off the importance of professionalism in relation to your creative brand, a review of the excellent film Whiplash, and a review of Michael Kiwanuka’s soul album Love & Hate. But I know you’re already wondering what’s next.

So let us get the disclaimer out of the way, then we can dive right on in and go over the schedule.

*Disclaimer* As always, every week I purchase an album and movie one week ahead of the actual review release and while I have the best intentions, I don’t always get what I want… so if you follow me on instagram (@timotheories) you can actually see what’s coming.

Awesome sauce, let’s get to it then:

Stimulating Sundays – (08/07) Brad Fehr interview, (08/14) Comic Books, (08/21) Cross Talk Ep. 8, (08/28) Megan Warkentin interview
Melodic Mondays – (08/01) Michael Kiwanuka, (08/08) Jake Owens, (08/15) Descendents, (08/22) Wild Beasts, (08/29) Factor Floor
Theatrical Tuesdays – (08/02) Whiplash, (08/09) Batman: The Killing Joke, (08/16) Primer, (08/30) The Nice Guys
Wisdom Wednesdays – (08/03) Professionalism, (08/10) Your Wardrobe, (08/17) Neil Strauss, (08/24) Pinterest, (08/31) Watchmen
Timely Thursday – (08/04) timotheories August, (08/11) Happiness and Reflection, (08/18) Fringe Festival (08/25) Artwork Update

The year of all killer, no filler continues friends! Nothing quite like laying it all on the line and getting right to the point. Without this strategy I wouldn’t be able to reinvigorate the weekly grind quite so easy.

For starters, you definitely won’t want to miss episode eight of Cross Talk. Chris and I decided to bring K. G. Singh back as a regular staffer and this time we’ll chat about what distinguishes a re-watchable movie from a quality movie. Awesome sauce, as was already mentioned.

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On top of that, I realized I initially promised an interview with Brad Fehr didn’t I? But instead I snuck in a nice teaser. Well don’t be alarmed, because the full length interview is coming out this Sunday AND I’ll even share another interview with grad student Megan Warkentin. Her interview will be all about exploration, or to put it another way, an excellent opportunity to consider opportunity.

Now it might seem like we’ve covered it all, but I think my next plan is to drop that Just In Time Games series into your lap, but we’re not quite there yet. We’ve got lots of test footage, and a decent amount of see games sampled, so the anticipation will continue to build. I know, I’m being a little flaky, but I promise it’ll be worth it.

And those are all of the theories I can come up with for now friends. Please leave some comments, to let us know what you want to see in coming months and subscribe to the blog too!

Tim!

I’m With timotheories On This One (Deadpool review)

Hey this is Deadpool and this week timotheories is reviewing MY movie. It’s awesome, you’re gonna love the movie AND what he has to say!

Thanks for ruining the build up Deadpool, well we might as well get into it. You and your big mouth…

 

 

 

Deadpool (2016)

Cast: Ryan Reynolds, Morena Baccarin, T.J. Miller, Leslie Uggams, Ed Skrein, Gina Carano, Karan Soni, Stefan Kapicic, Brianna Hildebrand
Director: Tim Miller
released on blu-ray May 10, 2016
********** 10/10

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IMDB: 8.2
Rotten Tomatoes: 83%, Audience Score 92%
The Guardian: ****/*****

Timothy Miller, also known as Tim Miller, is an American director and visual effects artist.

Deadpool is his first feature length film, but he has also helped with opening sequences for The Girl with the Dragon Tattoo and Thor: The Dark World. He was also creative supervisor for Scott Pilgrim VS The World. So he has both violence and comic books understanding. He was also

A good mix if you’re going to direct a movie about the merc with a mouth. IMHO.

The story is kind of formulaic – guy meets girl, a problem happens that results in the guy making a difficult decision and isolating himself, the girl then gets captured, and finally the guy has to save the girl from bad guys.

But where it falls down on the plot premise, the incredibly awesome and often violent action sequences, performance by it’s lead in Ryan Reynolds, and meta humour are what separate it from so many other superhero movies that have come before.

Interestingly enough, Deadpool the character manages to be both the protagonist and the antagonist in his own story, and that is why it’s entertaining.

Some would say it doesn’t allow it’s villain Ajax, played by Ed Skrein, enough room to move around in, but I would argue that by keeping the premise simple, Reynolds is allowed to shine in his self-deprecation and fourth-wall breaking sequences that challenge his own movie roles, the X-Men universe, and movies themselves.

So there you have it, it’s a great film that is about a super-antihero and I think a worthwhile satire of the superhero genre.

But if you haven’t caught on yet, let’s dig into what makes Deadpool great and where it can use some work.

Pros: It is irreverent about the very thing that it is supposed to be. Which is what allows it to be entertaining and do a much better job of telling the anti-hero story than any of its predecessors. Also the supporting cast is fantastic. Colossus, Negasonic Teenage Warhead, and Dopinder in particular.

ConsThere are moments when you have to wonder if telling the superhero origin story is really necessary, because the cliches come on a little thick in moments of downtime.

Runtime1 hour 48 minutes

Points of InterestThis movie had a smaller budget than any of the other X-Men movies and definitely smaller than the Marvel Studios produced films under Disney. The movie was released in February 2016, exactly 25 years after Deadpool first appeared in a comicbook.

This movie is right at home with previous fourth-wall breakers and anti-heroes in likes of Kick-Ass, Super, Defendor, and Mystery Men. But it takes the best of these worlds and adds that charm which only Wad Wilson can supply. Should you add this to your collection? Hell yeah.

Told you it was a great review! It’s like R-rated and timotheories were just meant to go together. Like handguns and katanas. Or Quips and spandex.

Thanks Deadpool… You stole the intro and the final comments.

Tim!