I Won’t Stop, I’m Gonna Work Harder (Stronger review)

I will never claim to be an expert on sociology, politics or any of the major social sciences, but I’m acutely aware of their importance, and I hope that by providing reviews on films like Stronger, my voice can contribute towards a positive world view, curbing hate and reducing ignorance about these kinds of social issues.

The movie does a pretty damn good job too though.

 

Stronger (2017)

Cast: Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson
Director: David Gordon Green
released on blu-ray December 19, 2017
********** 10/10

IMDB: 7.0
Rotten Tomatoes: 92%, Audience Score 82%
The Guardian: ****/*****

David Gordon Green is an American filmmaker, best known for films like Joe, Prince Avalanche, George Washington, and All the Real Girls. He’s also done some pretty bad comedies – The Sitter, Your Highness, Pineapple Express. Thankfully, Stronger fits nicely into the biography drama camp, where Green can really shine and do his coming of age (enlightenment) thing well. That said, I just read that he is going to direct the next Halloween instalment with Danny McBride, so maybe he’s still figuring out his film identity.

He could take some notes from his characterization of Jeff Bauman…

Taken from Wikipedia and modified…

Jeff Bauman (Jake Gyllenhaal) is a well-intentioned but underachieving Boston native who works at the deli counter of a Costco and lives in a small two-bedroom apartment with his alcoholic mother, Patty (Miranda Richardson). One day at the local bar, Jeff runs into his ex-girlfriend Erin (Tatiana Maslany), who is attracted to his kindness and charm but finds herself constantly frustrated by his lack of commitment. After learning that Erin is running in the Boston Marathon to raise money for the hospital she works at, Jeff asks every patron in the bar to donate and then promises Erin he’ll wait at the finish line for her with a big sign.

The day of the Marathon, Jeff scrambles to make it to the finish line on time but reaches it just before Erin reaches the finish line. As she approaches a bomb goes off right where Jeff is standing. After being rushed to a hospital, both of Jeff’s legs are amputated above the knee. When he regains consciousness, Jeff tells his brother that he saw the bomber before the explosion. Patty calls the FBI, and Jeff is able to give them a description of Tamerlan Tsarnaev. Local authorities capture Dzhokhar Tsarnaev days later, and Jeff is hailed as a hero.

Jeff struggles to adjust to his condition as well as his newfound fame. Patty books several interviews and constantly surrounds Jeff with news reporters during his rehab sessions which Erin, who has since rekindled with Jeff, objects. Jeff and his family are invited to the Stanley Cup Finals by the Boston Bruins who ask Jeff to wave the flag during the game’s opening ceremony. The crowd triggers traumatic flashbacks from Jeff, and he breaks down in the elevator. Erin comforts him and insists he talk to his family about the fragility of his mental state and the impact his newfound exposure is having on it. Later that night they make love for the first time since his injury.

Patty books Jeff an interview with Oprah Winfrey without telling him causing Erin to speak up and tell her that the constant media attention is intensifying Jeff’s PTSD. After an argument between Patty and Erin, Jeff finally admits that he does not want to do any more interviews. Patty, disheartened, tells him that she only wishes for the world to see how amazing her son is. She soon begins enabling Jeff’s worst tendencies including his laziness and affinity for drinking. He begins missing physical therapy appointments due to long nights of drinking usually with Patty equally as drunk. Erin, who has since moved in, finds Patty blacked out on the couch and Jeff in a bathtub unconscious and covered in vomit. The next day she snaps at Patty for her selfishness and negligence before calling Jeff out for his self-pity and refusal to stand up to his mother. She storms off leaving Jeff and Patty to drive home alone.

That night, Jeff blows off Erin to drink with his brothers at a bar. Two patrons at the bar begin asking Jeff questions about the bombing insinuating that the event was a government conspiracy to start a war in Iran and Jeff was paid to look like a victim. Insulted Jeff and his brothers initiate a bar fight with the patrons. Erin picks him up later that night and tells him she’s pregnant. Jeff begins to panic and tells her he isn’t ready to be a father causing Erin to scold him for constantly running away from his problems. She leaves him in the car without removing his wheelchair from the trunk, enters their apartment, and packs her things. Jeff crawls to the apartment door and has a PTSD flashback of the bombing in its entirety.

Jeff meets with Carlos, a man who cared for him in the immediate aftermath of the bombing saving his life. Carlos tells him about his son, a marine who died in Iraq. After attempting suicide Carlos was forced to attend his son’s funeral in a stretcher. His younger son, unable to cope with the death of his older brother and the constant state of pain his father was in, killed himself. Carlos confides that saving Jeff helped him make peace with the death of his sons and the blame he placed upon himself because of them. Jeff begins to understand that his will to live in the face of adversity is what both comforts and inspires people. He stops drinking and begins to take his rehab more seriously. He leaves Erin a voicemail apologizing for his behavior finally taking full responsibility for his immaturity and fear of commitment. A few days later he and Carlos throw out the first pitch at a Red Sox game where he meets Pedro Martinez. Erin watches at home and smiles. After the game dozens of people come up to Jeff and tell him how and why he has so heavily impacted their lives.

He and Erin meet at a diner where he walks with his prosthetics for the first time without assistance. He tells Erin he loves her, to which she replies “Good.” He grabs her hand and smiles.

It really does an excellent job of using a real story to showcase a survivor’s journey towards acceptance of his new life, and luckily for us, it hides very little of Bauman’s personal life. He has regular flashbacks of the bombing, his eyes hiding ghosts and his arms curled up in pain. His emotional voice often comes through girlfriend Erin, until the very end anyway.

Pros: It’s a series of moments but it never feels like a made for TV mini series, and Tatiana Maslany does an amazing job as the female lead. I hope to see more of her in the future.

Cons: I wish there weren’t patriotic shots of flags and orchestral music that hit your heart strings at key moments. A little obvious for my taste.

Runtime: 1 hour 59 minutes

Points of Interest:

Featuring some solid character actors performances on top of all the emotional core, Stronger is a film about a life examined, dissected, and reassembled, not whole, but as a sum of its parts. And it’s incredibly satisfying to watch a story about tragedy, without glossing over the ugly parts and managing to avoid cliche of overcoming adversity. Jeff Bauman is no hero, he only plays one on tv.

I only wish I had seen it in theatres, because I would have recommended the shit out of it way earlier on then I am now. So many bio pics attempt the impossible, being dramatic without overexerting themselves, and this story about an amputee does it one better. He’s a slob, self-destructive, and not morally sound either, but Bauman is surrounded by so many people just as flawed as him, you can’t help but root for a change in his heart.

theories Summarized

Overall this is a film that works incredibly hard at avoiding all the well known cliches, and it’s a cinematic treat to watch. I highly recommend you give it a shot, and set aside any preconceived notions you might have about triumph films, bio pics or Jake Gyllenhaal. This is a seriously good movie. And that’s not a theory.

Speaking of visual treats, have you seen The Grand Budapest Hotel? No, well check out this Watch Culture video in that case. And even if you have seen it, Mike and I have some great reminders of why this needs another viewing. I personally consider it to be Wes Anderson’s best. But tell us what you think! Leave a comment, share the video, and don’t forget to subscribe, for more great reviews.

Tim!

Set The Table First, Then Say Grace (Big Wreck, Grace Street review)

The difference between one band who is heavily influenced by the past and emulates heroes successfully versus one which merely walks in the shoes of giants is… Risk. How willing that band or act is in taking a risk will often dictate their trajectory much more quickly than one which mires about in mediocrity.

It’s almost a perfect transition, but right off the heels of last weeks mediocre offering from Train, comes the new Big Wreck album… Grace Street.

 

 

 

Big Wreck – Grace Street
released February 3, 2017
******** 8/10

bigwreck

Big Wreck is a Canadian-American rock band which is headed up by original members Ian Thornley (vocals, lead guitar) and Brian Doherty (guitar), then rounded out by Dave McMillan (bass) and Chuck Keeping (drums). Yay for Canadian content!

Initially formed by Thornley in Boston back 1994, the group broke up in 2002 after their second album did poorly; with Thornley taking on a solo career in his own band. Fun fact, Thornley enlisted the help of Chad Kroeger to get this project off the ground. But in 2010 Thornley asked Doherty to fill in on his band, which led to him becoming a permanent member, and an eventual “reunion tour” of Big Wreck was promoted. The existing members of Thornley were folded into Big Wreck and the group was back on track once again.

In 2012 Big Wreck released their third album and then a fourth in 2014. Three years later, Grace Street marks the fifth outing for Big Wreck.

It’s a quality effort from these guys, to put it simply. Featuring an elongated instrumental track, Skybunk Marche, which was hinted at over the course of eleven 40 second clips, and running in at 7 minutes in length, this album is progressive rock done correctly.  You see dear readers, Big Wreck loves to reference rock and roll gone by, but they add to the history rather than emulating it.

Grace Street is an album of both organic and considered work. Think of bands like Queen, Journey, Boston, Led Zeppelin and The Rolling Stones, and you can get a sense of the kinds of music these guys are chasing after. But as I mentioned already, it’s a movement forward rather than mimicry. Tracks like Motionless (my favourite of the record) focus us in on Thornley’s voice while the backing instruments are there for setting the stage and mood. Useless does this to similar effect. And while there are a number of rock ballads in the mix, It Comes As No Surprise, One Good Piece Of Me, and Digging In all come to mind, it’s the moments when Thornley runs free and lives in his lyrics that Big Wreck comes together nicely.

Now with that said, the run time is a little long for my taste. An album almost 70 minutes in length, it also seems to lose some steam after the first seven songs are done. Now to be fair, it took me a bit of time to warm up to this album in the first place, so likely the whole effort will feel better after a few more listens.

After all, the musical progressions, thoughtful melodics, and emotional lyrics are an invitation rather than a battle cry. Grace Street feels like a good title choice when it’s all said and done.

 

 

 

I think the name Big Wreck is a misnomer, because these gents are anything but. They’re hard-working Canadian musicians who obviously have a deep love for the genre they choose to operate within.This is music which deserves to be proclaimed from on high or at the very least, remembered for as long as humanly possible. With a hint of grace, it just might happen, but that’s my theory.

Tim!