activism

Like A Fine Wine (Willie Nelson, God’s Problem Child review)

Posted on by Tim Kuefler

You only get one shot at life, and sometimes the kid with the most problems ends up being the adult that saves the day, over and over again. Like a fine wine, it is only with age that they continue to become better versions of themselves.

 

Willie Nelson – God’s Problem Child

released April 28, 2017
********* 9/10

Willie Hugh Nelson, better known as Willie Nelson, is an American musician, singer, songwriter, author, poet, actor, and activist. In other words, at eighty four years old, he’s done much more than most of us could ever hope to achieve. Interestingly enough though, he didn’t see accolades or critical success of any kind until the 1970s with Shotgun Willie, Red Headed Stranger, and Stardust. Nelson was into his forties at this point, so something to consider if you haven’t made it yourself just yet.

As such, Nelson is one of the most celebrated country music artists of all time and a main contributor to the popularity of outlaw country in the 1970s and 1980s. If you aren’t familiar with it, outlaw country is a subgenre of country music that developed as a response to the conservative nature of music coming out of Nashville, Tennessee at the time.

Much has happened in the years following, with Nelson having acting in over thirty films, authored books, joined the supergroup The Highwaymen with Johnny Cash, Waylon Jennings, and Kris Kristofferson, and paid off over thirty million dollars in debts owed to the IRS. And we haven’t even really touched upon his activism. But I don’t have the space for that in this post.

Today I’m going to talk about God’s Problem Child, both the album and the eponymous track tucked in the meat of this record.

God’s Problem Child, the album, is one tackling mortality and also have a sense of appreciation for a life well lived. Between David Bowies’ Black Star and Leonard Cohen’s You Want It Darker, this is another album on the subject of death from an artist well into the final stage of life. Nelson just happens to be sticking around a bit longer than those two gents, and for all we know, this might not even be his last offering.

Featuring a range of songs on the topic, from Little House on the Hill and Old Timer, to Your Memory Has a Mind of Its Own, to the hilarious Still Not Dead, and especially It Gets Easier, this album has all the grace and humour of Willie Nelson, with the first touch of reflection on a life well lived.

Little House on the Hill explores the afterlife and what Nelson’s eternal home will be like, and Old Timer shows the realities of geriatric heartache – a well oiled engine, but a rusting frame with bad suspension. True Love is a demonstration of unending compassion, and Delete and Fast Forward is a political number that reminds us we’ve messed up like this before Donald Trump came along.

Hell, even the song Butterfly is a metaphor for transformation and fleeting nature of life.

As for the track, God’s Problem Child, we see Nelson featuring the late Leon Russell (in one of his final recordings) and efforts from Jamey Johnson and Tony Joe White on lead vocals.

This album might not win over legions of new fans, but it definitely has content there enough to win over some millennials here and there, while satisfying the die-hards and people who love classical fingering of the guitar. Trigger shows up in full force, with holes in the soundboard from decades of playing unseen.

And no, it’s not a game changer in the opus of Willie Nelson, but God’s Problem Child does remind us of his iconic status and continued relevance, well into his golden years.

theories Summarized

If you take away the IRS battle, marijuana activism, all of the americana and competition over the years, it’s still clear as day that Nelson can drum up new material with the best of them, creating music that sits with you and leaves a mark. The kind of work worthy of an outlaw. I can only theorize he continues to keep this pace and we get a few more years in the era of Willie Nelson.

Tim!

Eco-Friendly Arts (Earth Day)

Posted on by Tim Kuefler

Every Thursday I write something timely for you “near and dear to my heart” readers, because I recognize the importance of time-sensitive events, consistency of effort in delivery of those ideas, and the impact that well-communicated knowledge can have on the spread of said positive ideas in the world.

In fact, conveniently enough (almost too conveniently), I watched a TED Talk video earlier this week about the common thread of successful of TED Talks, as delivered by Chris Anderson. Anderson tells us that the key to a good communication is bringing singularly focused ideas to the table and within a context the general populace can understand. Then new patterns can form and you can positively effect someone’s personal world view. If you can provide examples to make them care all the better.

You see dear readers, an idea is effectively a pattern of information that helps you understand and navigate the world. Not unlike a set of instructions. If you’re more visual think of a blueprint or a road map. If you are more tactile think of a puzzle. And if you’re an auditory learn, the best example I can drum up is a group of musicians using music and lyrics to formulate a song.

If ideas are communicated properly and worth sharing, they have the ability to change how someone thinks about the world. And so today I want to write about something rather serious and also kinda polar bear-izing. I mean polarizing.

your-pun-is

And that’s “probably” the only joke I’m going to make today.

Did you know that today marks the 46th eve of the first Earth Day? Earth Day was invented on April 22 in 1970 amongst Americans as a way of consolidating the efforts of various activist groups who were fighting for environmental issues; mainly through protest. It was long overdue even then but what was most fascinating about the first Earth Day is that it woke up so many people to the idea of pollution from major industry (oil spills, toxic dumps, pesticides), deforestation, and ozone loss.

People make fun of celebrity activists like Pearl Jam, Leonardo DiCaprio, James Cameron, Brad Pitt, Darryl Hannah, and Cate Blanchett for supporting these types of causes, but the reality is that human beings do mess up their environment. All the time. And it’s not exclusive to individuals nor is it entirely the fault of large organizations.

Earth Day is important because it reminds us to celebrate the planet Earth. We live on it and use it, and no regardless of religion, colour, creed, nationality or political leanings, we all have to work together to keep this place liveable. Around the world many cities have community service initiatives in place on April 22 to ensure that we can each do our part to plant trees and nurture the landscape, especially in areas heavy with litter and pollution. The phrase “think globally and act locally” is pretty useful to help provide context.

And for the sake of learning, I will use visual artists to demonstrate the importance and ease in which you can implement these strategies. If you can cut down on your own eco footprint, you should do it. Recycle your paper based source material, make trips to pick up art supplies infrequent to save on gas use, and properly dispose of your oils and mediums by visiting eco stations rather than dumping in the garbage. In fact, if you are subtle you could probably even find scrap materials AT the eco stations which can be used in art work. Which in my books, is a win-win.

But what do you think? Do you have strategies to cut down on your eco footprint that I haven’t mentioned? What are your concerns with Earth Day and how do you celebrate? Please leave some comments, I don’t bite!

I’m out of theories for the week friends, so I’ll see you on Sunday with something stimulating.

Tim!