Your Recommended Derry Intake (It (2017) Review)

Isn’t it funny how sometimes the things you expect to flop sometimes show up on your doorstep with a balloon and a wax-coated paper ship and demand your attention. You’ll float too, they scream. You’ll float too.

Well dammit all to hell, if they weren’t right about this Stephen King adaptation.

 

It (2017)

Cast: Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jack Dylan Grazer, Wyatt Oleff, Bill Skarsgard, Nicholas Hamilton
Director: Andy Muschietti
released on blu-ray January 9, 2018
********* 9/10

IMDB: 7.6
Rotten Tomatoes: 85%, Audience Score 85%
The Guardian: ****/*****

Andy Muschietti is an Argentine director and writer, who has now directed two feature-length films – Mama and It. With a sequel to It, titled It: Chapter Two, currently in the works for release in 2019. Muschietti first garnered attention with his short film version of Mama, enough so that Guillermo del Toro took notice and became the executive producer for the version we have today. Muschietti has also been known to collaborate with his sister Barbara Muschietti, who took on a producer role in both Maman and It.

Muschietti received the directorial role for It after the departure of Cary Fukunga from the set, and luckily for us, he never looked back.

Taken from Wikipedia and modified…

In October ’88, stuttering teenager Bill (Jaeden Lieberher) gives his seven-year-old brother, Georgie (Jackson Robert Scott), a paper sailboat, but it falls down a storm drain. As he attempts to retrieve it Georgie sees a clown (Bill Skarsgard) in the sewer, who introduces himself as “Pennywise the Dancing Clown”. The clown entices Georgie to come closer, then severs his arm and drags him into the sewer.

The following summer, Bill and friends (Richie (Finn Wolfhard), Eddie (Jack Dylan Grazer), and Stan (Wyatt Oleff)) run afoul of bully Henry Bowers (Nicholas Hamilton) and his gang. Bill, still haunted by Georgie’s disappearance and neglect from his grief-stricken parents, discovers that his brother’s body may have washed up in the Barrens. He recruits his friends to check it out.

“New kid” Ben (Jeremy Ray Taylor) learns that the town has been plagued by unexplained tragedies and child disappearances for centuries. Targeted by Bowers’ gang for being fat, he flees into the Barrens and meets Bill’s group. They find the sneaker of a missing girl, while a member of the pursuing Bowers Gang, is killed by Pennywise while searching the sewers for Ben.

Beverly (Sophia Lillis), a girl ostracized over rumors of promiscuity, also joins the group; both Bill and Ben develop feelings for her. Later, the group befriends homeschool student Mike (Chosen Jacobs) after defending him from Bowers. All the while each member of the group has encountered terrifying phenomena in various forms; these include a menacing clown, a headless boy, a fountain of blood, a diseased and rotting man, a creepy painting come to life, Mike’s parents burning alive, and a phantom Georgie.

Now calling themselves “The Losers Club”, they realize they are all being terrorized by the same entity. After an attack by Pennywise, the group ventures to a house with a well that all the towns sewers connect to, only to be separated and terrorized. Eddie breaks his arm, while Pennywise gloats to Bill about Georgie. As they regroup, Beverly impales Pennywise through the head, forcing the clown to retreat. However, after the encounter the group argues, with only Bill and Beverly resolute in fighting It.

Weeks later, after Beverly confronts her sexually abusive father, but is abducted by Pennywise. The Losers Club reassembles to rescue her. Bowers, who has killed his father after being compelled into madness by It, attacks the group. Mike fights back and pushes Bowers down the well. The Losers descend into the sewers and find It’s underground lair, where the bodies of missing children float in mid-air. Beverly, now catatonic after being exposed to It’s true form, is restored to consciousness as Ben kisses her. Pennywise attacks the group and takes Bill hostage, offering to spare the others if they let It keep Bill. After a brutal battle they defeat Pennywise and he retreats, with Bill declaring that It will starve during its hibernation.

As summer ends, Beverly informs the group of a vision she had while catatonic, where she saw them fighting the creature as adults. The Losers swear a blood oath that they will return to Derry as adults if It returns and destroy the creature once and for all. Stanley, Eddie, Richie, Mike, and Ben make their goodbyes as the group disperses. Beverly tells Bill she is leaving the next day to live with her aunt in Portland. Before she leaves, Bill reveals his feelings and they kiss.

It is an unpretentious character and this adaptation is an unpretentious film. Somehow Muschietti has taken a very dense novel and made it infinitely more digestible, and I’m hoping that he is able to book end the story the same way he started it. Or should I say It? I found it very refreshing to watch a story I loved as a teenager come to the big screen and do it better then the miniseries we all accepted for 27 years.

Pros: The acting of all of these youngsters is excellent, and the supporting adults do their part to keep the attention where it should be, on Pennywise and the Losers Club.

Cons: While the references to 1980s horror classics are strong throughout this film, and the tone of the film embraces The Goonies, Stand By Me, and other coming of age ensemble dramas, it never quite feels super scary. The stakes only raise so high. Which could be a symptom of a story told in two parts.

Runtime: 2 hours 15 minutes

Points of Interest: This was more of a fun fact for me then your average movie goer,  but this adaptation arrived almost exactly 27 years after the original was made. Much of the dialogue between the actors was improvised and Jack Dylan Grazer helped write Finn Wolfhard’s jokes. This movie currently holds the box office record for largest opening weekend for a horror film.

It could be the update from 1950s to the 1980s or the higher production value placed upon bringing Pennywise and all his iterations to life, but something about this film feels a lot more considered and genuinely authentic in it’s approach to telling the collective story of the Loser’s Club. It might have also helped that cinematographer Chung Chung-hoon helmed the camera and maintains wider view of this world then the claustrophobic one from the 1990 miniseries.

theories Summarized

In short, this movie is a highlight of 2017 film without a doubt, even if it isn’t genuinely horrifying to watch. By trading humour for scares, the story comes to life in a satisfying way – It is a very creepy adaptation and Bill Skarsgard deserves a place on the horror shelf for his rendition as the clown. Go find a copy of It and watch when you get a chance; you’ll float too.

And on a much lighter balloon… we’ve got an excellent Watch Culture video review up for your viewing pleasure! Featuring the talents of my Cross Talk co-host Chris Murphy, it’s time to dive into the cult classic Wet Hot American Summer!

Which also recently got a retread, with a couple of Netflix exclusive shows – Wet Hot American Summer: First Day of Camp and Wet Hot American Summer: Ten Years Later. Chris unabashedly loves this movie, and I think after you hear some of his thoughts, you’ll want to check it out for yourself.

Tim!

Court of Cowls (Scott Snyder)

I like comic books – Always have. Always will.

The surface reason is pretty straight forward. I really appreciate a good narrative, and because I’m fascinated by visuals, comic books can’t be beat when it comes to pulling off a spectacle of visuals and for providing that sense of satisfaction. Correction, I probably shouldn’t call it satisfying, instead I should call it gratification, because the nature of the comic book is a continuing story. Gratification is something we are thankful for, while satisfaction is a feeling of enough.

You see, dear readers, the comic book by its very nature never finishes, so you cannot experience the fullness of pleasure, you’re left wanting.

This is great for sales, when a book has a strong story and great visuals. Less so when the book isn’t picked up. After all, the comic book industry is perpetually dying.

The Batman Writer We Deserve

If you haven’t seen Christopher Nolan’s The Dark Knight yet, I’m sorry to hear that. It came out almosta decade ago and it’s probably one of the best comic book based movies of all time, if not the best… possibly sharing the limelight with Iron Man no.1 and the first The Avengers movie for my top picks.

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Anyways, there is this great scene at the end of the movie wherein the newly appointed Commissioner Gordon gives a speech at Harvey Dent’s funeral. He describes Batman as a dark knight, a watchful protector, what the city of Gotham deserves, but not what it needs. The city needs a white knight in shining armour, flawless and serving as a beacon of hope. The city doesn’t deserve a flawless hero, but Batman is willing to become the villain in order to help his community rise up out of the darkness. In fact, Batman is flawless in that he is a true hero, he loses his parents and the love of his life, but he continues forward as a warrior for justice. But Harvey Dent is very flawed, and when the chips are down, he reveals that he is capable and willing to go to The Joker’s level, becoming Two-Face.

Now, let’s talk about Scott Snyder.

Scott Snyder is known for his comic book writing skills, having worked with DC and Vertigo on various books – American Vampire, Detective Comics (part of The New 52 relaunch), Batman, and Swamp Thing.

A lot of people have said that Snyder’s work on Batman has been exemplary, and I would tend to agree. I recently read the hard cover volume of The Court of Owls, and was pleasantly surprised at how well he was able to combine new storytelling with flourishes of what came before.

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Scott Snyder is the Batman writer we deserve, because he spent five years working with artist Greg Capullo to give a new perspective to Batman, respectful of what preceded, but willing to explore. This is something that all comic fans really want to see, and it’s a difficult line to walk.

 

I think he was able to accomplish this by building upon key moments and seeing the story through to whatever direction it took. Kind of amazing when you stop to think about it. Even his twists and turns on The Joker is one to remember.

Disney and Stephen King VERSUS Detective Comics

Scott Snyder attributes a lot of his writing to an early exposure to horror writer giant Stephen King and later when he was able to work for Walt Disney World after he graduated from university.  He describes it as such 

All the things I ended up writing about, those things that are deeply frightening to me—fear of commitment and growing up, fear of losing loved ones, the wonder and terror of falling in love—all of it was constantly being played out all around me in this weird, cartoonish, magnified way at Disney.

Which tells me that he deserved to write for Batman, and we deserved to have him. Not to sound like a broken record, but yeah – a labour of LOVE is what it comes down to friends. And this is why Scott Snyder is this month’s featured author for my 5 L’s of Language post. His massive love for the subject material he writes about comes through no matter what. And this is something you too should take to heart.

No matter what the occasion or the reason, always be headed towards you purpose and be authentic in your feedback, if you can do this, you’ll be like Batman. But that’s just a theory.

Tim!