Why Captain America Turned Nazi And Other Fan Theories (Cross Talk Ep.6)

Fandom is broken.

Well, that’s what Devin Faraci of Birth. Movies. Death. would have us believe anyway.

Now, normally I don’t like to indulge the reaction post/video side of humanity on the Internet because I find doing so to be far too specific and not in the least satisfying – The problem being that creating content around a “trending topic” runs the risk of quickly becoming dated and it’s often not broad enough to build an entire timotheories sized post on.

Sure, I could do something everyone likes, like speculating on the next Angry Birds movie, but I’d prefer to write like a Shrek movie, one with many layers, sort of like an onion, because I don’t care what everyone likes.

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But fortunately for you, dear readers, you’re going to get your cake and eat it too, because that Faraci article is something of a whopper and conveniently related to the topic I was going to bring up this evening anyway.

It just so happens that in doing research for Episode 6 of Cross Talk, how fandom influences studio direction, Chris came across the above article and decided to share with me. And we had a good chat about it.

But let’s get into it!

Without giving too much away, Chris and I have found a way to demonstrate the value of a measured approach to the challenge that is social media, because if you follow his logic through to it’s logical conclusion, then Faraci’s fandom has always been broken.

Faraci tells us that because of the Internet, extremists like Annie Wilkes now have a way to terrorize anyone and everyone, but what about the other side of the coin? Those who never had a voice now have potentially have one, and petitioning for artistic changes just go a lot easier.  So where did we land? And how upset are we about the Steve Rogers: Captain America #1 reveal? You’re about to find out, and I’ll give you a hint, as an artist, I happen to have a few theories on this topic.

I’ve included a direct link to the full video for you here, but as always, the real action is just below for your convenience. Otherwise, please sit back and enjoy Episode 6 of Cross Talk!

I’m out of theories for now, but please check back tomorrow for an album review that is all about Simon. It should be a good one! Please comment, subscribe and share this with you friends. We want to hear your feedback!

Tim!

Lollipop (Grimes Art Angels review)

I’m gonna tell you a little secret dear readers, while I don’t own any of their albums, I’m a pretty big fan of CSS.

This is probably because when I was in my early 20’s they were “cool” and “weird” and something hipsters were into, but I think my favourite thing about them was that they had a song called Art Bitch and another called Let’s Make Love and Listen to Death From Above.

I’ve always been a fan of pop music, and if the music and lyrics were engaging, you had my money.

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Which is why today’s review is kind of awesome, because this feels like a throwback and something completely original at the same time. Also, anything with the word art in the title has to be good, right?

 

 

 

Grimes – Art Angels
released December 11, 2015
********* 9/10

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Claire Elise Boucher, better known as Grimes, is a Canadian singer/songwriter, music video director and record producer. This is her 4th studio album release and the most chart-topping example of her unique vision to date.

I have had a lot of fun listening to this album. It changes dramatically throughout, and even varies inside of specific tracks. I think some the most euphoric experiences with it have been listening to the CD in the car on my way to and fro.

But while this album is incredibly well crafted, I’m not entirely sure it qualifies as easy-listening for the more timid listener.

For instance, while I gravitated to the content almost immediately, both my girlfriend and one of my brothers couldn’t quite place the music the first time listening through themselves and as a consequence they both wanted to move on quickly.

It’s the kind of album that perfectly encapsulates the era we are living in, it pulls from a plethora of influences and captures them in fantastical and dreamlike ways. There are celtic parts, dreampop moments, psychobilly screams, spoken word in other languages, horror-movie inspired progressions, and audio samples that I’d swear came out of a video game from the 64 bit days or earlier.

Wikipedia has tried to summarize her identity by taking other summaries and mashing them together, which I find hilarious, by the way. And oh so relevant to what Grimes represents.

This quote from The Guardian says it well –

By sounding a little like everything you’ve ever heard, the whole sounds like nothing you’ve ever heard.

I’m gonna tell you something that might seem crazy, but really shouldn’t be. The reason why Grimes’ music is so awesome is not because she is a trendsetter in a sea of pop music, and as a result her music is as high of a caliber as the likes of Lorde, Beyonce, Taylor Swift, Adele, and Ellie Goulding, among others, but because she sets trends by controlling her oeuvre and making music that is interesting and has intent. This is what pop music should sound like. Authentic music by artists that suit their personalities and tastes.

Claire Elise Boucher is inviting us into her reality, as opposed to trying to work in the reverse.

Kill V. Maim is a song from the perspective of Al Pacino in The Godfather pt II, California addresses her new hometown (a play off of Taylor Swift’s Welcome to New York?), REALiTi a love song that features insanity, and Butterfly is a send-up to Mariah Carrey and environmentalism.

If you don’t believe she is electic, and seeing is your truth, check out these music videos for Flesh without Blood/ Life in the Vivid Dream and REALiTi for a visual treat and a sample of her music directing skillz.

It is an incredibly rich and diverse offering, and I like it. But my major complaint is that it doesn’t dovetail with the same explosive and powerful quality that it opens with in the first track, laughing and not being normal. But if you are looking to shake up your pop roots, this is the one for you.

 

 

 

Art Angels is a fantastic entry from a really great artist who is embracing her weirdness and producing something original. Like CSS, she has made a fan of me, but unlike CSS, I’m gonna keep to my word and continue to buy her records. You should too.

See you tomorrow for a movie review, have a good night folks!

Tim!