The Dude (The Disaster Artist review)

To quote from The Big Lebowski, one of my comedy dramas of all-time –

Sometimes there’s a man… I won’t say a hero, ’cause, what’s a hero? But sometimes, there’s a man. And I’m talkin’ about the Dude here. Sometimes, there’s a man, well, he’s the man for his time and place. He fits right in there. And that’s the Dude, in Los Angeles.

In 2003, Tommy Wiseau WAS the dude in Los Angeles. And that’s a true story.

The Disaster Artist (2017)

Cast: Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Zac Efron, Josh Hutcherson
Director: James Franco
released on blu-ray March 13, 2018
********* 9/10

IMDB: 7.6
Rotten Tomatoes: 91%, Audience Score 87%
The Guardian: ****/*****

James Franco is an American actor, filmmaker, and instructor. Comfortable behind the scenes as he is on camera, Franco has been involved in a lot of interesting projects in his career, most notably Milk, The Little Prince, This Is The End, the Sam Raimi Spider-Man trilogy, and 127 Hours.

The Disaster Artist is the first critical and commercial success Franco has achieved in the role of director.

Special thanks to IMDB user Kenneth Chisholm (kchishol@rogers.com for the synopsis.

In the 1990s, Greg Sestero (Dave Franco) is an aspiring actor, who meets the strange Tommy Wiseau (James Franco) in an acting class. Together, Tommy inspires Greg to overcome his nervousness in acting so well that Greg agrees to come to Los Angeles with his odd new friend to pursue their dreams. However, their dreams seem to prove hopeless, especially for Tommy whose mysteriously strange accent and personality repels nearly all around him. Out of an inadvertent suggestion from Greg, Tommy is inspired to instead create his own movie, The Room (2003). What follows is a bizarre struggle to create that film, guided by Tommy, a man who has plenty of money, but not a trace of filmmaking education, experience, talent or even common sense. Along the way, Greg’s friendship with Tommy is put to the test as this project takes shape that would produce a film that ultimately becomes a bizarre accomplishment of a cult classic nature that no one, including Tommy, can see coming.

This is a movie about a movie that was made against all odds… Except for all of the mysterious money that Tommy Wiseau had on hand that allowed him the means to see his shitty movie to the finish line. And no, this movie never answers the questions of Wiseaus heritage, where he got his money from, or how come Greg Sestero was so drawn in by Wiseau and his aspirations.

At a high concept level, it’s pretty easy to see why James Franco aspired to make this film, he relates to the focus of his subject on a personal level, having lived on the edge of art and commercial success for so long. And little brother Dave dotes upon James to gain attention.

Pros: James Franco carries the films strength throughout; his portrayal of Wiseau spot-on. And to top it off, there is clearly a deep appreciation for the story of The Room at the centre of this film, which is emulated through the familial bond of the two Franco brothers.

ConsWhile it is clear that there is love for The Room when watching the movie, what is not demonstrated, is true affection for Wiseau, the author that inspired all of this to happen. He is never truly elevated and the stakes are not presented in a way to produce real drama.

Runtime: 1 hour 44 minutes

Points of Interest: Greg Sistero noted in the book, upon which the film is based, that Wiseau would only allow James Franco or Johnny Depp to portray him. This is the first time that James and Dave Franco have appeared on screen together in a feature length film. There was talk of having Dave appear in This Is The End, but he would have died which was too sad, and James was considered for a part in 21 Jump Street, that never came to light.

As is the case in The Room, the comedy of The Disaster Artist comes out of the tragedies of something that is meant to be dramatic. The absurdity of making films, starring in films, and attempting to get a production under control. It’s obvious why so many stars feature in cameos on this film, they see it as an important piece of history and a strong demonstration of what NOT to do when making a film.

It reminds me of Ed Wood, another triumph of will from someone with no desire to earn their stripes.

theories Summarized

Franco was the perfect choice to play Tommy Wiseau, and I’m glad to see him finally share screen-time with his brother. And I also find it fascinating that Sestero and Wiseau do share a resemblance. But while this is an entertaining film, about a so-bad-it’s-good film. It reminds me of an even more important theory, life is too short to eat bad  food / drink bad wine / insert appropriate example here.

But on the positive side. We have a video review of Whiplash to share, finally. It’ll make your neck crane, in a good way. Like The Disaster Artist, or like the The Room, I guess. If you liked La La Land, then this movie is for you. If you like drama, then this movie is for you. If you like J.K. Simmons, you know what I was going to type.

So please let me know what you thought of my review, like and share the video, and subscribe to the channel if you haven’t already. I anticipate that our content will continue to grow much like the Marvel cinematic universe. A well considered theory on my part.

Tim!

Fire Taming Business (Only The Brave review)

Tragedy and comedy are supposed to be the two major themes in theatre. This movies takes the former route, but somewhere inside of it’s themes, it finds an honest story that doesn’t suffer from ill-gotten sentiment.

 

Only The Brave (2017)

Cast: Josh Brolin, Miles Teller, Jeff Bridges, Jennifer Connelly, Taylor Kitsch, Andie MacDowell
Director: Joseph Kosinski
released on blu-ray February 6, 2018
******** 8/10

IMDB: 7.8
Rotten Tomatoes: 88%, Audience Score 92%
The Guardian: ***/*****

Joseph Kosinski is American television and film director who is known for his work with computer technology. His directorial debut came from the critically panned Disney sequel Tron: Legacy, which believe-it-or-not, I actually enjoyed. He also worked on the less intelligent copy-cat of Moon – Oblivion, starring Tom Cruise.

Thankfully for the majority of audiences, Kosinski brought it back to reality with his third film Only The Brave.

Taken from IMDB (credit: Kenneth Chisholm) and modified…

In 2007 Prescott, Arizona, Eric Marsh (Josh Brolin) of the Prescott Fire Department is frustrated fighting forest fires when the Type 1 or “Hotshot” front line forest fire fighting crews from afar overrule his operational suggestions to his area’s sorrow. To change that, Marsh gets approval from the Mayor (Jeff Bridges) to attempt to organize an unprecedented certified municipal-based Hotshot crew for Prescott. To that end, Marsh needs new recruits, which includes the young wastrel, Brendan McDonough (Miles Teller), to undergo the rigorous training and qualification testing for the most dangerous of fire fighting duty. Along the way, the new team meets the challenge and the hailed Granite Mountain Hotshots are born. In doing so, all the men, especially McDonough, are changed as new experience and maturity is achieved in fire-forged camaraderie. All this is put to the test in 2013 with the notorious Yarnell Hill Fire that will demand efforts and sacrifices no one can ignore.

A movie that demands respect and candor from it’s audience, but also stands up to the challenge of telling an authentic story, with useful subplots and lots of agressive action from Mother Nature. Never have I ever felt more responsible to prevent forest fires then after watching this film, and that’s no dig against Smokey The Bear, but Josh Brolin has a commanding and grizzled appearance that no one dares mess with.

I also really enjoyed the evolution of the team as they worked towards Hot Shots certification, and best exemplified by the friendship arc between MacKenzie (Taylor Kitsch) and Brendan McDonough.

Pros: We get to see the bureaucracy of firefighting, how it’s employees personal lives are impacted, and emotional canvas of interactions. The bonds these men forged in those mountains are brought to life with sensibility and determination.

Cons: While the structure of the film is excellent, and the ending is just perfect, it gets to be tedious in the middle, and the supporting cast gets lost in the wilderness.

Runtime: 2 hours 14 minutes

Points of Interest:

Miles Teller is starting to come into his own as an actor, and being surrounded by veterans Jeff Bridges, Jennifer Connelly, and Josh Brolin, you can really see how he is a much more convincing dramatic actor then say, Shia LaBeouf. Where the movie falls down is from a lack of real risk-taking with it’s characterizations, which is ironic, given the source material. This is a minor concern though, because of the amazing treatment of these real life heroes and their hometown.

theories Summarized

With all that said and done, I think Only The Brave is a worthy addition to any collection that wants and/or needs more biographies and natural disasters in the mix. Without spoiling the ending, it’s a powerful film and not one I will soon forget. And that’s no theory.

Speaking of unforgettable movies… Have you seen the original Oldboy from Park Chan-wook? This movies is seriously messed up, but it has such an original story, and is part of Chan-wooks vengeance trilogy. I’ll let Chris and Mike go over the details, because, whether you’ve seen it before and need a reminder, or it’s on your list, I’m thinking this recommendation will finally sway you to give it shot.

Yeah, the premise of being trapped in a hotel for fifteen years seems odd, but just wait for the twist – the violence will help you along the way. Check it out! And remember… Like! Comment! Subscribe!

Tim!

Hall of Fame (Whiplash review)

Sometimes people confuse talent with potential. Potential is aptitude not yet realized, but talent is an expression which is right in front of us. Yes, talent can be reigned in, developed, focused, nurtured, etc. But the real question of the day is, can we recognize talent when it does something a little bit left of normal.

I guess we’ll find out in today’s Theatrical Tuesday review.

 

 

 

Whiplash (2014)

Cast: Miles Teller, J.K. Simmons, Paul Reiser, Melissa Benoist, Austin Stowell, Nate Lang
Director: Damien Chazelle
released on blu-ray February 24, 2015
********** 10/10

Whiplash-2014-tt2582802-Poster

IMDB: 8.5
Rotten Tomatoes: 95%, Audience Score 94%
The Guardian: ****/*****

Damien Chazelle is an American film director and screenwriter. He has currently served up only two feature-length films, but at thirty-one he is making a name for himself and about to release a movie called La La Land which I personally am very excited about. And the major reason for this is that Chazelle knows something about music that not many directors seem to be capable in pulling off. When you tie in the emotional and mental endurance needed to create art, people gravitate to that struggle and can see a story through to it’s conclusion.

Which is where Whiplash comes in, as Chazelle’s second effort, and preceded by the jazz musical Guy and Madeline on a Park Bench, we get to see an excellent sparing match between Miles Teller and J. K. Simmons. Though this movie was technically released almost two years back now, I’m anticipating that 2016’s La La Land will have a similar rhythm to it. Pun intended.

The movie starts with the struggle of a young jazz drummer named Andrew Neiman (Miles Teller) and his journey through school at a top music conservatory in New York called Shaffer Conservatory.

Infamous and tyrannical conductor Terence Fletcher (J. K. Simmons) stumbles upon Nieman practicing late at night and is eventually convinced to invite Nieman into his studio band after a few awkward interactions. But Fletcher is relentless and expects the absolute best of his students, pushing them around both verbally and physically, kicking individuals out on a whim. Nieman practices so hard that his hands start to bleed, and he even breaks up with girlfriend Nicole (Melissa Benoist) because he wants to be the very best.

At one point we sympathize with Fletcher because he shares that a former student of his recently died in a car crash, a student with tremendous potential, and who was quickly rising up. Which is foreshadowing for Niemans own car crash. In a rush to a competition due a broke down bus, Nieman rents a car, but forgets his sticks at the rental agency. He then rushes back and is t-boned by a large truck. Instead of seeking medical attention, he runs to the concert hall and attempts to play the piece, but cannot due to injury. Fletcher boots him from the stage, but not before Nieman attacks Fletcher in front of the audience.

After being dismissed from the conservatory, Nieman and his father (Paul Reiser) meet with a lawyer of the student that died in a car crash. It turns out that the young man hanged himself, and that Fletcher pushed the student to anxiety and depression. Nieman chooses to testify, if only to remain anonymous.

He later stumbles upon Fletcher performing at a jazz club, and is invited to a drink afterwards. Fletcher has been removed from his position, but he wants Nieman to be his drummer for a JVC Jazz Festival. Nieman agrees, but when he shows up to play Whiplash, Fletcher reveals that he knew Nieman testified against him, and has set him up for embarassment. Nieman walks off the stage, but then returns to the stage and starts up Caravan, bringing the rest of the band in with him, and finishes the song with a solo.

Nieman and Fletcher share a look, then work together to finish the set.

ProsThe movies asks the question, what are you willing to do in order to achieve greatness?, and rather deftly answers it. The two leads share an amazing set of performances and obliterate the typical student-mentor relationship trope.

Cons: We never really get to enjoy any music, which is ironic, given that it’s a movie about music. Also, the message is rather linear in it’s presentation, not much room for a supporting cast to move around.

Runtime1 hour 47 minutes

Points of Interest: The film was edited, shot, and submitted to the Sundance Film Festival in a period of ten weeks. Andrew Nieman is in every scene. It was adapted from a short film of the same name, J. K. Simmons plays in both.

This isn’t the first time we’ve seen this kind of story before. If we traded a studio band for uniforms and the drum kit for a football, boom we’d be in a sports movie. Or conversely, we could trade the studio band for a war zone and the drum kit for a rifle and all of a sudden it’s a war epic. But to spit some cheese, the song remains the same. Chazelle has done something here, something authentic, pulling from his own experience, and showing us what happens when someone really wants greatness at any cost.

Whiplash is a rare film that manages to be about music and overly romantic about music. It is considerate enough to share the screen time between it’s human characters and it’s musical ones. It should be obvious that Andrew Nieman has talent from the outset of the movie, but his drive to demonstrate his skill at any cost is what makes this a great case study of expression.

But that’s just a theory.

Tim!