Down And Out (Manchester By The Sea review)

Life is an inexplicably complex thing, which we are constantly striving to simplify for ourselves. Unfortunately this is neither realistic nor healthy for us. We have to confront our problems head on, for fear of losing ourselves to a sea of sorrows.

 

 

 

Manchester By The Sea (2016)

Cast: Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges
Director: Kenneth Lonergan
released on blu-ray February 21, 2017
********* 10/10

manchester_by_the_sea

IMDB: 8.0
Rotten Tomatoes: 96%, Audience Score 80%
The Guardian: *****/*****

 

Kenneth Lonergan is an American playwright, screenwriter, and director.

Something of a selective creator, he’s best known for his writing ability, having written the scripts for Analyze This, You Can Count On Me, The Adventures of Rocky and Bullwinkle, Analyze That, Gangs of New York, Margaret, Manchester by the Sea, and an upcoming miniseries called Howard. His directorial offerings are a little more slim but stemmed from his writing career – You Cant Count On Me, Margaret, Manchester by the Sea. I should also mention that while Lonergan is also a little slow to the table with his creative projects, when he serves as both director and writer, something good consistently happens.

Manchester by the Sea is the story of Lee Chandler (Casey Affleck), an anti-social janitor and handyman in  Quincy, Massachusetts, who learns from a family friend that his brother Joe (Kyle Chandler) has had a heart attack. Unfortunately Joe dies before Lee arrives at the hospital, and Lee heads to his home-town Manchester-by-the-Sea to bring his nephew Patrick (Lucas Hedges) the news. While arranging the funeral, Lee learns that Joe wanted him to be Patrick’s guardian.

Lee is unwilling to move back to Manchester, but does not want Patrick to be with his alcoholic mother, so he works to move Patrick to Boston instead. Patrick has many friends, two girlfriends and is in a band; he hates this idea.

We also learn that Lee used to live in Manchester with his wife Randi (Michelle Williams) and their three kids, but due to a mistake he made while intoxicated, a house fire took the lives of the children. He was never prosecuted, but Randi blamed him and they divorced. Lee then attempted suicide in a police station after he was found not guilty, but was contained. He moved to Boston shortly afterwards.

While they wait for the ground to thaw, Joe’s body remains in cold storage,and Lee stays in Manchester. Uncle and nephew become better friends and eventually Patrick’s mother Elise finds out about the situation. She offers to take Patrick in, but her sobriety is largely the responsibility of her controlling fiance Jeffrey. Lee also runs into a remarried Randi and her newborn. She regrets the things she said and confesses she still loves him. Lee does everything he can not to break down and leaves because he cannot stay in Manchester with her – He later picks a fight at a bar.

After finally arranging for family friend George to act as a legal guardian for Patrick, the pair have a heated discussion about why Lee cannot stay in Manchester any longer. After the funeral, Lee lets Patrick know that he is searching for a place with an extra room, so that Patrick can visit whenever he wants.

Pros: This might be a cliche, but this film is affecting. I was genuinely bummed out after watching it. The combination of raw performances, subtle scoring choices, and a well-laid script that pulls right out of the everyday make this film about death and mourning all the more powerful.

Cons: It takes a really long time to make it’s major points and there are a couple of moments where it feels like more of an exercise then a story.

Runtime: 2 hours 17 minutes

Points of Interest: This is the first film distributed by a streaming service to get an Oscar nomination for Best Picture. Matt Damon and John Krasinski were originators of the idea, asking for Damon to direct and Lonergan to write, and Damon to star in it, Damon eventually opted out due to scheduling conflicts, but remained on as a producer.

Lonergan understands intimately that life is full of grief. Wrongs which are never corrected plague us and while it can be nice to assume a storybook ending from a film, sometimes it doesn’t work out that way. The character of Lee is an excellent case study of a life unfulfilled, a responsibility not asked for, and working around the pain. A story about life lived in the world as it is, loose ends and all.

theories Summarized

Allegations and personal issues of Casey Affleck aside, the arresting nature of this story, and what it addresses capture the pains of life. It seriously broke my heart to watch this movie, ever so slowly, because I’ve loved and lost, and I’ve been on the ends of good and of bad as well. Affleck never redeems his character, but the glimmer of movement forward despite that unresolved pain makes it a worthwhile story, at least that’s my theory anyway.

Tim!

timotheories 30 (Adele, 25 review)

I bought the third studio album by English singer/songwriter Adele at 30 years old. This post is titled as such because it is a reflection of the time of my life and frame of mind I was in when I wrote this post.

The post contains content which features some of my humour and musings, my thoughts on Adele and her record, and the occasional pop culture reference.

So I guess I’ll start of by saying “hello, can you hear me?” No? Can you hear me now?

heres-what-the-can-you-hear-me-now-guy-is-doing-today

 

 

 

Adele – 25
released November 20, 2015
********** 10/10

adele-25-cover

After she released her second studio album 21, Adele took something of a break from music. That break ended up being five years long. This is because while Adele had initially planned on using the hiatus to spend time with her son, when she did get back to work she wasn’t happy with the studio sessions and rescheduled several times before she finally found the material she needed to make something she was proud of. This happened in 2013, so it follows, that as per Adele’s previous two efforts, the album is dubbed 25. The content is thematic.

The album is incredibly focused, which is something we’ve come to expect from the singer at this point. She has become the queen of melancholy, and owns it rather vigorously.

The themes presented in the album can’t be said any better than by Adele herself.

My last record was a breakup record, and if I had to label this one I’d call it a make-up record. I’m making up with myself. Making up for lost time. Making up for everything I ever did and never did. But I haven’t got time to hold on to the crumbs of my past like I used to. What’s done is done. Turning 25 was a turning point for me, slap-bang in the middle of my 20s. Teetering on the edge of being an old adolescent and a fully fledged adult, I made the decision to go into becoming who I’m going to be forever without a removal van full of my old junk.

I read that statement and knew exactly what she meant. Having gone through my mid-twenties already and on the cusp of a new decade of life, not wanting to regret anything, but wise enough, humbled and  imbued with experience from my 20s, her heartache resonates with me on a very personal level.

I read a review on vox.com before sitting down to write this one, and in it, the author said that “By the time I finished listening to 25, Adele’s first new album in almost five years, I’d completely forgotten that I’d been listening to it.” I originally thought she was going to pull the old bait and switch and demonstrate that Adele’s theme is so therapeutic, you forget about it afterwards, which would have been clever.

I disagree and believe that Adele WAS being clever.

The album showcases that she is more mature and aware of the passage of time, with literally every song providing commentary of some sort. If you want a record to inspire you to make art about the concept of time, then this is great source material.

The painful clarity behind a breakup as it happens is powerful in All I Ask, and the somber thoughts of youth characterize Million Years Ago so well. Hello is the first single, and a reminder that just because you’ve ended a bad relationship, it doesn’t mean that there isn’t anguish and guilt that can follow.

I Miss You is a beautifully arranged tune that highlights the ache of being in love and how your heart can be afflicted with fear of separation even while in the same room. Listening to tracks like River Lea and When We Were Young remind me of how complicated emotions are and the challenges associated with perception.

Adele has a powerful and nuanced command of her voice and no matter what your favourite track, you will enjoy this one. I just hope the next record is called 30 and is released within 3 years.

 

 

 

I’m thankful to hear that Adele has joined the ranks of Neil Diamond, The Doors, Louis Armstrong, The Beatles, Oasis, Lionel Ritchie, Simon and Garfunkel and countless others with her take on greeting the world.

I hope you enjoyed today’s review my friends. See you tomorrow with a movie review about family.

Tim!