Post Up A Post (Fences review)

Some people build fences to keep people out, and other people build fences to keep people in.

That’s what Bono says to himself as things come to a head between his friend Troy, Troy’s son Cory, and Troy’s wife Rose. It’s a beautiful description of how I felt watching this movie.

 

 

 

Fences (2016)

Cast: Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson, Saniyya Sidney
Director: Denzel Washington
released on blu-ray March 14, 2017
******** 8/10

IMDB: 7.3
Rotten Tomatoes: 93%, Audience Score 78%
The Guardian: ****/*****

 

Denzel Washington is an American actor, director and producer.

He is well known for his portrayals of all kinds of men on screen for almost forty years. Some of best known roles are in the films Glory, Malcolm X, Philadelphia, The Bone Collector, Remember The Titans, Training Day, John Q., American Gangster, Flight, and many others.

Fences is Washington’s third outing in the director chair, after Antwone Fisher and The Great Debaters.

But this is the first time that Denzel has been up for both Best Actor and Best Director during the Oscars. And I now understand why he felt robbed when Casey Affleck took it home. I’m not going to spend a bunch of time outlining the story here, because I think it speaks for itself, that, and IMDB has a handy little summary already written up by Claudio Carvalho

In the 50’s, in Pittsburgh, the bitter and proud fifty-three year-old garbageman Troy Maxson (Denzel Washington) lives a simple life in a poor neighborhood with his wife Rose Maxson (Viola Davis), his teenage son Cory (Jovan Adepo), who is an amateur football player, and his brother Gabriel “Gabe” (Mykelti Williamson) that is an insane man after losing part of his skull in the war. His best friend is Jim Bono (Stephen Henderson), who works with him, and his estranged thirty-four year-old son Lyons (Russell Hornsby) is married and tries to survive as a musician with financial difficulties. Troy is a frustrated man since he was too old to become a professional baseball player when the leagues began to admit black athletes. He refuses to receive the recruiter of a college and consequently does not allow Cory to join college. The tension increases in his family when he confesses to Rose that he has a mistress that is pregnant. Meanwhile he has been building a fence in the limits of his real estate.

Pros: Viola Davis is at the centre of this story, and her performance outshines Washington, but only slightly, and that is impressive. The drama of this story builds ever so slowly, but once the second and third acts arrive, you cannot imagine anything different happening.

Cons: Through all of the excellent performances and excellent story adaptation, it can be challenging to see this as anything other than a well documented stage play.

Runtime: 2 hours 19 minutes

Points of Interest: This was August Wilson’s first ever adaptation of one of his own plays, and he insisted it be directed by an African-American. This is also the second time Viola and Washington have portrayed these roles. The first time being in 2010.

This is a very moving and realistic portrayal of working class life, and I suspect it does an even better story of depicting what black people STILL experience in the way of prejudice while going through the same life problems everybody else has to. We watch Troy start out as an admirable family man, and are suddenly shocked to learn he has been less than stellar in recent years.

This is a moving drama which could apply to anybody, but the cultural references are what distinguish it and make it something to acknowledge people of black culture without gentrifying and generalizing them.

theories Summarized

In short, I think August Wilson would be proud to see his play adapted for the big screen finally. But only time will tell if this story becomes part of history or remains as a daily portrait. Either way, I think Washington could easily have gotten the oscar, but that’s just a theory!

Tim!

On The Shoulders Of Giants (89th Annual Academy Awards)

Last year the two words whitewashing and oscars seemed to be synonymous with each other. I wrote a rather exhaustive post about it, point of fact. To be fair, I am an artist though, so it’s quite difficult not to be a lens for the big issues I find wrapped around my heart. Sigh.

Now, I have written about this theory before, but let me remind you that there is an idea out there which states that creative professional experience the highs and lows of life even more deeply than an average person. I want to posit something different from that.

We all feel things very deeply, and humans are capable of amazing things when we work together. In fact, I think it’s because we should work together that we achieve greatness.

Children start out with the same basic abilities and aptitudes, as we age, personalities come through and environments shape us into complex individuals.

 

The Full List of Nominees

I’ve always been a fan of film. Cinema. The movies. Whatever you want to call it, I’ve celebrated motion pictures in my life.

Sitting here at my desk, I’m watching the trailers for the nine films which have been nominated for Best Picture 2017. La La Land, Moonlight, Manchester By The Sea, Arrival, Hacksaw Ridge, Hidden Figures, Hell or High Water, Lion, Fences. I’ve seen more than half of these movies already and I cannot wait to watch the remaining ones I’ve missed. Films make my heart ache with joy, fear, sadness, compassion, anger, excitement, achievement and a number of other emotions.

It’s because so many creative people come together to engage our sense that films mean something. And I think that this year in particular, the academy has done an excellent job listening to the public. 4 of the 9 choices are headed by minority actors, and that’s a big deal.

La La Land has the most votes by far, and while it is an excellent film, it is something of a self-congratulatory piece about Hollywood. So I really hope that this movie doesn’t take it, because we’ve been there, and done that. And Arrival is my new favourite first contact film. On the other side of the coin, Hell or High Water is a classic film on all accounts – I reviewed it late last year and I loved it. It perfectly serves as to what film making is all about. It would be an excellent dark horse entry.

But looking more closely at the nominees, I have to notice something. I’ve only seen the 5 films with white actors headlining them, and that’s an important point.

Award Winning

When you give an award you are truly GIVING something as payment, compensation or as prize. Consider that statement for a second. How many billions of people are there in the world? 30? And how many different ethnicities make up that total?

The challenge we face is that for decades the Academy Awards (like many other institutions) have focused on certain types of people, non necessarily because those people were the most deserving, but because they were singled out for compensation. As the global community expands, it makes sense that we continue to honour those who do the best job, but in instances where many are deserving, it’s those who go over and above should be awarded. By default these means minority groups which need more representation. I haven’t seen Moonlight or Fences, but could easily see them taking it.

I hope they do. Hidden Figures and Lion would be fantastic as well, but based on what I’ve read, Moonlight and Fences are better films. Guess we’ll find out in three days though.

theories Summarized

#OscarsSoWhite was a necessary rebellion against disrespectful authority. I think with it came even more artists working together this year to create films that represent life as it is, and even better, the voters now have an opportunity to choose recipients that better depict humanity. We may be standing on the shoulders of giants, but while every statue has a head of gold, the feet are always made of clay, and liable to crumble towards the end. It’s time to choose a different champion, and that’s my theory.

Tim!