Popular Science (MGMT, Little Dark Age review)

We all have a little darkness inside of us, some of us embrace it, some of us run from it, and other find a way to little it simmer just under the surface. Adding some texture to life.

 

MGMT – Little Dark Age

released February 9, 2018
********* 9/10

MGMT is an American rock duo comprised of Andrew VanWyngarden and Ben Goldwasser. They’ve been playing together since 2002, well before you would’ve expected from a band that hit the big time back in 2007, I remember because it was at the apex of indie electronic music. The singles Kids, Electric Feel, and Time to Pretend were everywhere that year, in movies, on the radio, and at most of the clubs I attended.

Yeah, this was back when I went to clubs, looking for loves.

And TBH, that music perfectly fit with the beautiful nihilism of the day, but I didn’t want to be part of it, so I ignored them, even though Ornacular Spectacular was clearly an amazing album. Then they followed it up with Congratulations in 2010, and it was even more experimental, but I had moved on and wasn’t really into that kind of music anymore. Around the time that the self-titled MGMT landed, the duo weren’t even on my radar, as in, I just discovered that Little Dark Age is their fourth studio album, and not their third one.

And thus, the history lesson concludes, because the boys appear to have some full circle. Older and wiser, fortunately for us, because Little Dark Age is their best album to-date and the sythn-pop was always their strong suit anyway, that and a subtle darkness, which is not unappreciated in the album title.

She Works Out Too Much is a perfect opener, capturing the challenges of dating in a smartphone app era, and later accented by TSLAMP. Then comes the big kahuna, the title track (Little Dark Age) which has been on everyone’s mind since it dropped as a single back in October of 2017. If you listen hard enough, you’ll hear Gary Numan, The Cure, Depeche Mode, The Smiths, and a host of other emo progenitors. Geez, now that I think of it, I can even hear the Police in there – and that’s an incredible thing.

Me and Michael is perfect in it’s subject, a quant song about friendship. That pairs well with Days That Got Away and When You’re Small.

It’s the kind of album that I know will get better with repeated listens, and I can almost guarantee will find a place on my shelf in years to come. Dare I say it, this album might even have me aching for possession of their back catalogue.

And if you’re worried that the album slows down too much as you sink into it, One Thing Left to Try is just as upbeat as the opening songs.

I’m glad that we were able to get back on track with MGMT, and even though their third album should have been the point where they came back stronger and wiser, not every flower blooms at the same time, and we can’t fault a band which debuted on a high note, without understanding the intricacies of their relationship with music and popular culture.

Pros: Obviously the return to pop music is a welcome change. And inserting notes of psychedelic rock into the mix has proven to be a recipe for success.

Cons: I know that Ariel Pink had a hand in When You Die, but I find it difficult to separate his production from MGMT’s natural sound, and all it does is make me want to listen to his music instead.

Runtime: 44 minutes

Points of Interest: The record was conceived partly out of the election of Donald Trump as president of the US, and partly because of a desire to return back to their roots.

I guess all it took was some time for these two college friends to embrace their identity and make music which suits them. I’m personally thankful for the opportunity to revisit their music, and I truly do believe that they’ve matured into their sound finally.

theories Summarized

Do I think that you should give this album a listen? Absolutely. I didn’t really expect to like this record, as I had avoided MGMT for years, but as I sit in my office on a warm March evening, I can see fairly easily how this will become one of my favourite albums this year. Yes, I’m calling it a quarter of the way through.

And speaking of bands that got better with age. Brendon and I wanted to remind you of one of the greatest punk rock albums of the 1990s, The Offsprings SMASH. This is seriously one of my favourite albums ever, and if you’ve never heard it before, you are in for a treat. But if you have listened to it before, and you needed a reminder, give it solid listen, and appreciate their skillful guitar playing, choice lyrics, and exciting melodies.

Thanks for taking the time to read the review, watch the video review and hopefully you’ve left a comment or two. If you liked what you saw, click on the like button, and even better, subscribe to the channel! Come back tomorrow for a film review about Darkest Hour. There’ll be more theories!

Tim!

Ubiquitous Synergy Seeker (USS, New World Alphabet review)

Ubiquitous. Present, appearing or found everywhere.

Synergy. The interaction or cooperation of two or more organizations, substances or other agents to produce a combined effort greater than the sum of their separate effects.

Seeker. A person who is attempting to find or obtain something.

USS – New World Alphabet
released January 13, 2017
********** 10/10

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Ubiquitous Synergy Seeker (USS) is a Canadian alternative rock musical duo – namely a musical duo that is sonically out there. They got their start performing in Toronto, Ontario and the band includes the talents of vocalist, guitarist, and ehru player Ashley Buchholz (aka Ash Boo-Schultz) backed by turntable and hype man Jason “Human Kebab” Parsons.

Fun fact, as DJ Human Kebab, Parsons hosts not one but two alternative rock radio remix shows in his spare time. The first one began four years ago in 2013 on Edmonton, Alberta station SONiC 102.9 with the show SubSONiC. Last year Human Kebab got another gig with Rock Paper Mixers on KX 93.5 in Laguna Beach, California.

As already mentioned, the USS sound is an eclectic mix of guitar, beats that include drum AND bass, and 2-step rhythms that bleeds into electro-pop. Filled to the brim with energy, and all kinds of enthusiasm for musical hard work, New World Alphabet is the sophmore album that follows 2009’s Questamation. That’s right, their second full-length effort comes eight years later. Yes, there were some EP’s inbetween, but nothing quite beats a record you play over and over again for at least an hour. Though admittedly this one doesn’t quite meet that mark – It’s barely half an hour long, after all.

But maybe that isn’t a bad thing. Their music is after all infectious, and the first single, Work Shoes starts the eight track album on a high note. I saw them live in the summer of 2013 and this energy transfers well whether in studio or playing to an outdoor arena. Work shoes fits like, well, like a well worn shoe. Followed up by the track Who’s With Me, USS keep the energy going and maintain the positive vibes which we’ve come to to love, warning us not to paint their rainbow grey. Domino shows the other side of the band, that quizzical and abstract thinking that I’ve come to love.

California Medication makes waaaaay more sense now that I know Human Kebab DJs for a Laguna Beach radio station, but it’s effectively a call to action to escape our harsh Canadian winters and have fun somewhere in the sun. Sounds just peachy to me.

Alien is probably my LEAST favourite track of the moment, but I’m willing to bet it’ll grow on my over time if I let it. It’s probably the striped down production of the track that’s throwing me off, but I wish there was more oomph behind it. Track no. 6 gets us right back on track with Us. Say that three times fast. But don’t let that fool you because this is a slow jam, featuring some peanuts.

Broken Smile and Vulcan close out the album, and they shouldn’t be missed. Broken Smile is probably my favourite song, but I won’t say anything else about it. Vulcan is haunting too.

Other reviewers will try to convince you that this is the fifth album by USS, but don’t be followed creative cuties, and accept no substitutes. This is Ash Boo-Schultz and Human Kebab at full strengh, set phasers to stun.

 

 

 

Ubiquitous Synergy Seeker remain clever and relevant. They are the perfect blend of Canadian witticisms and energy. They deserve all the success in the world, and I hope they obtain whatever they are looking for by combining their efforts and being everywhere all at once. That’s just my theory anyway.

Tim!