Das Ist Gut (Dunkirk review)

Not every story told follows the same narrative path as what preceded it. I mention this because Christopher Nolan has been directing movies since 1989 but it wasn’t until 2008’s The Dark Knight that we began to expect a certain tone from his films.

 

Dunkirk (2017)

Cast: Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy, Cillian Murphy, Kenneth Branagh
Director: Christopher Nolan
released on blu-ray December 19, 2017
********* 9/10

IMDB: 8.1
Rotten Tomatoes: 92%, Audience Score 81%
The Guardian: *****/*****

Christopher Nolan is an English film director, screenwriter and producer extraordinaire. He also has dual citizenship in the United States. If you are unfamiliar with his work, he has also helmed the recent The Dark Knight Trilogy, Inception, Interstellar, Memento, Insomnia, The Prestige, and Following, his directorial feature length debut. There were three films he made before Following, but those were all short films.

An advocate for film preservation, Nolan’s films often explore themes of morality, the passage of time, and identity. He prefers to use practical effects where possible, incorporates wide angle shots to reduce the scale of his characters, and adjusts the narrative landscape through the use of gripping soundtracks (looking at you long-time friend Hans Zimmer) and by messing up the typical sequencing of scenes.

Dunkirk follows that tradition of Nolan’s films, but does so in such a way that the lead character becomes the evacuation itself, with Allied soldiers, Axis planes, and British civilians all helping to fill in for settings and props. I should be clear when I state that this is a war film, but the explosions, cries of pain, and bloodshed are not the focal points – it’s the magnitude of war and how it effects our personal decisions for right or for wrong.

Courtesy of Wikipedia

In 1940, during the fall of France, hundreds of thousands of Allied soldiers have retreated to Dunkirk. Tommy (Fionn Whitehead), a young British private, is the sole survivor of a German ambush. At the beach, he finds thousands of troops awaiting evacuation and meets Gibson (Aneurin Barnard), who is burying a body. After a German dive-bomber attack, they find a wounded man. They rush his stretcher onto a hospital ship hoping to get onboard and escape, but are denied passage themselves. The ship is sunk by dive-bombers; Tommy saves Alex (Harry Styles), another soldier. They leave at night on a destroyer, which is sunk by a torpedo from a U-boat. Gibson saves Tommy and Alex, and they are brought ashore by a rowing boat.

The Royal Navy requisitions civilian vessels that can get close to the beach. In Weymouth, Mr. Dawson (Mark Rylance) and his son Peter (Tom Glynn-Carney) set out on his boat Moonstone rather than let the navy take her. Impulsively, their teenage friend George (Barry Keoghan) joins them. At sea, they rescue a shell-shocked officer (Cillian Murphy) from a wrecked ship. When he realises that Dawson is sailing for Dunkirk, the officer demands that they turn back, and tries to wrest control of the boat; in the struggle, George falls and suffers a head injury that renders him blind.

Three Spitfires head towards France. After their leader is shot down, pilot Farrier (Tom Hardy) assumes command with a shattered fuel gauge. They save a minesweeper from a German bomber, but the other Spitfire is hit and ditches. Its pilot, Collins (Jack Lowden), is rescued by Moonstone.

Tommy, Alex and Gibson join a group of Scottish soldiers and hide inside a trawler until the tide rises. Her owner, a Dutch mariner, returns. German troops shoot at the boat for target practice; when the tide rises, water enters through the bullet holes. Alex, hoping to lighten the boat’s load, accuses Gibson, who has been silent, of being a spy and demands that he leave. Gibson reveals he is French; he had stolen the identity of the soldier he buried, hoping to evacuate with the British. Alex, Tommy and the Scottish soldiers abandon the fishing boat when it begins to sink. Gibson is entangled in a chain and drowns. Alex and Tommy swim towards a nearby destroyer, but it is sunk by a bomber. Moonstone manoeuvres to take on troops, including Alex and Tommy. Peter realises that George is dead; when asked by the shell-shocked officer, he lies that George will be fine. Farrier shoots down the bomber, which crashes and ignites the oil slick from the sinking destroyer. Peter reveals to Collins that his elder brother was a Hurricane pilot, killed early in the war.

Farrier reaches Dunkirk, his fuel exhausted. Gliding over the beach, he shoots down a dive-bomber to cheers from the troops below. He cranks his landing gear down and lands beyond the Allied perimeter. He sets fire to his plane and is taken prisoner by German soldiers.

At the beach, Commander Bolton (Kenneth Branagh) watches the last British soldiers leave. He confirms that 300,000 have been evacuated, ten times more than UK Prime Minister Winston Churchill had hoped for. He remains to oversee the evacuation of the French rearguard. Alex and Tommy cross the English Channel and board a train in Weymouth. Dawson is congratulated for having saved so many men. The shell-shocked officer sees George’s body being carried away. Peter visits the local newspaper with a photograph of George; a front-page article later commends George as a hero. Alex expects public scorn as the train approaches Woking, but they receive a hero’s welcome. Tommy reads out Churchill’s address to the nation from a newspaper.

This is nightmare fuel. Beaches filled with men with nowhere to go watch in terror as German aircraft decimate them from above – the analogy of the boot stomping ants is sickeningly accurate in this case. The movie showcases the blender full of emotions in such a thoughtful way, allowing us to give pause and see faces filled with anger, others with pride, despite not connecting with anyone long enough to root for them. It’s an odd thing, given that Cillian Murphy, Tom Hardy, Mark Rylance, and Kenneth Branagh are all excellent character actors – Nolan only gives us a taste into each man’s personality knowing full well that war dwarfs our self-importance.

Pros: The action moves up and down, like a wave crashing on a beach. The sparse storytelling and tone of failure barely concealed by dumb luck work damn strong to force a response. It’s technically brilliant.

Cons: A lack of an emotional core, might be difficult to swallow. Tom Hardy’s Farrier could have been given a slightly larger role – showing his end at the hands of Nazi soldiers even. A lot of unanswered questions.

Runtime: 1 hour 46 minutes

Points of Interest: Thirty or so Dunkirk veterans attended the Long premiere – they appreciated the accuracy of the story, but felt the soundtrack was louder then the actual bombardment. Nolan cast young and unknown actors based on accounts of how inexperienced the real soldiers of Dunkirk were.

As far as a military effort, the Battle of Dunkirk was an epic disaster on a global scale. But the evacuation of almost 300,000 soldiers and the moral victory of the British is considered by many historians as the lynchpin in the Allied story of fighting against tyranny. By giving the soldiers and citizens an equal footing, Winston Churchill was able to foster a spirit of resistance within this nation, and turn a tragedy into a triumph, which is echoed in the final moments of the film by Alex as he is welcomed home in Woking.

theories Summarized

I wasn’t quite sure what to make of this film as a I watched it, if I am being completely honest. Mysticque and I watched it together, and she was not a fan of it by any means. I try not to let other opinions effect my own interpretation of a film, but rather to enhance it. In this case it was invaluable, because Dunkirk is a film of competing emotions, many personal narratives drowned out by a larger message. I think you should see this film, especially given that stories like Saving Private Ryan and Pearl Harbour exist. A film like Dunkirk will help to expand your worldview and introduce a greater perspective on World War II, a time that that provided such cognitive dissonance for humanity, theories and all.

Tim!

Playing With Fire (Megan Warkentin grad exhibition)

In those seemingly quite moments of exploration, when we’re all alone, and when we don’t know what we’re doing, that is when we might be the most alive. Consider this quote by Chuck Palahniuk, who often pulls from personal experience when writing his novels. –

Our real discoveries come from chaos, from going to the place that looks wrong and stupid and foolish.
Chuck Palahniuk, Invisible Monsters

In the month of October I released a couple of posts about a friend of mine. These posts supported an important interview I had conducted with my friend in the fall of this year. You see dear readers, she is graduating from the University of Alberta’s Faculty of Arts after a stint of approximately ten years in post-secondary education – her name is Megan Warkentin and she is a visual artist with a masters degree in painting.

Our interview was about the importance of exploration, whether inside the framework of a creative discipline, as it relates to the occupations of the mind or when considering the physical world and the items contained inside of it.

Megan has always been a creative individual, but it wasn’t until she went after her university education that she really focused in on visual arts… And now she is asking one of the hard questions of life over and over again in her art.

Why would someone risk their safety, health and potentially their life in the pursuit of stunts and dangerous activity?

What began as a number of experimental paintings that featured still images from YouTube videos of people performing dangerous stunts and the resulting aftermath, has slowly evolved into a process surrounding larger ideas of risk and exploration. Megan is fascinated by human behaviour, and wants to know why people set themselves directly in harms way, why other people are fascinated by this behaviour in the first place, and how those onlookers might react to the sport of British cheese rolling or ravine jumping. Inspired by artists like Kim Dorland, Peter Doig, Daniel Richter, and Tilo Baumgartel whose work showcases contemporary society in interesting ways, Megan wants to truly address the absurdity of adrenaline junkies through crude art, with a hint of the sublime and mystical in the mediums used.

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This body of work culminates with an exhibition titled Playing With Fire between December 6-22 and January 30-7 at the Fine Arts Building gallery (1-1 Fine Arts Building, 89 avenue and 112 street, University of Alberta) and is the final visual presentation for Megan’s degree of Master of Fine Arts in Painting.

I realize it’s short notice dear readers, but if you want an opportunity to speak with Megan about her work, you should definitely check out the opening reception tonight, December 8th from 7-10PM at the FAB building. Otherwise the gallery hours are Tuesday to Friday 10-5PM, Saturday 2-5PM, closed Sunday, Monday, & statutory holidays.

I’m out of theories for the week my friends, but I hope you come back on Sunday for a new episode of Cross Talk.

Tim!

Bad Credit (Georg Rockall-Schmidt interview)

I’ve finally done it. I’ve raised my own credibility to such a high level that no one can ever knock me down again.

Wait what am I even saying… I’ve been doing this gig for just over two years and I’m finally starting to get some traction with it. It takes a lot of hard work to make it as a creative professional friends. I say these types of things over and over again, but you’re not going to just be handed things in life.

You have to hustle for them.

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Once you begin the process of the hustle, then you start to slowly see some gains as you invest more time, more effort, and more energy into the thing that you love. Which is why I am not a hero of the underworld, yet.

But I recently made friends with a gentleman that is working hard every day to become an internet darling. Not because he wants fame and fortune, but because he is an artists and he decided to take the ultimate risk and invest in himself. Which like no one does. Ever.

That’s right, he is creating his own reputation by setting aside a “rewarding career and fringe benefits”, slowly eating into his own savings, and eating rice and beans everyday. By living this lifestyle, he has been able to begin the process of generating some amazing video content, on a consistent basis and to the point where he is slowly building a following on YouTube.

I made the mistake of calling him a Professional YouTuber within the first few minutes of our interaction, and he quickly corrected me to say that he is an Early YouTuber, one who is using one of the most popular social media networks in the world to getting his writing out there.

I’ve said it once before already, but Georg Rockall-Schmidt is one of the most awesome people I’ve never met in real life.

And I’ve also already mentioned that Georg is a researcher, a writer and quite bright.

This is an interview about credibility, and it’s what this guy is all about. What resulted in an almost two hour conversation of the ills of Trump and Clinton, what happens when you become homeless, the genius of Channing Tatum, and the difference between nerds and hipsters, has been pared down for your viewing pleasure.

I present to you, with much aplomb, episode thirteen of timotheories interviews.

And as always, if you want to check out more timotheories interviews or the Cross Talk series please visit our YouTube channel.  And please, please, please share this post and of course subscribe to both the blog and channel!

Now let’s talk about connecting – Georg can be reached in a few different ways – YouTube, Facebook, and Twitter. And if you really want to get to know him, he really will respond to messages.

Lastly my sincerest thanks to Georg for being genuine, glorious, gooey, and groovy. See you tomorrow with an album review by a starboy.

Tim!

Stone Cold Stunner (Jack Garratt, Phase review)

It’s just a phase, it’ll pass, I promise. That’s what they tell you when you’re growing up, anyway. Then you learn that adults tell you those things to keep you quiet and to simplify a subject far more complex than their tired minds are willing to handle.

Well no longer, dear readers. This week’s featured artist is all about that phase. In fact, I think he’s embraced the unknown and tackled the obvious to create something interesting. Shall we?

 

 

 

Jack Garratt – Phase
released February 19, 2016
******** 8/10

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Jack Garratt is a British singer-songwriter and multi-instrumentalist who just released his debut album.

Jack is something of a musical swiss-army knife: dubstep, garage rock, ballads, dance, R&B, dream pop, trip hop, electronica, indie pop, gospel, acoustic, and blues all fuse together. Garratt says it best himself.

Pick apart the pieces you left
Don’t you worry about it, don’t you worry about it
Try and give yourself some rest
And let me worry about it, let me worry about it

At just 24 years old, he’s managed to make a name for himself already, touring with Mumford and Sons last year, and winning both the BRITs’ Critics’ Choice Award and BBC Sound of 2016 poll this year. Which is something that recent Oscar winner Sam Smith, Ellie Goulding and Adele have all accomplished too. This should tell you something right out of the gate, this artist is making pop music that is both in the present and oddly experimental.

I’ve read a few other reviewers compare him to Ed Sheeran and describe it as generic pop, albeit more rough around the edges, a confusing oxymoron. And while I “kinda” like that Ed Sheeran comparison, I think a better one is this – dubstep sprinkled electronica meets proper pop production.

You see, Garratt has an incredible voice which is demonstrated very clearly in the closing track My House Is Your Home. And then applied in interesting ways on both Weathered and Surprise Yourself. Where I get excited is when he starts to combine this ability with his sampling and production talents.

Then we get to experience the life-giving opener Coalesce (Synesthesia pt.II), Worry, and Chemical, the last of which I’ve taken the liberty of including some sample lyrics from below. We get excited for the dichotomy he is creating between raw blues and refined electro pop.

My love is chemical, shallow and chauvinistic
It’s an arrogant display
So don’t try to reason with my love

Well shit. That’s good right?

What is so surprising is that a sound so rich and varied in it’s musical sources would be backed by a label like Island Records. It’s not often that artists get to break ground and create self-contained musical systems in these types of environments, but again, like Sam Smith, Ellie Goulding, and Adele before him, Garratt is epitomizing the shift in pop music culture. Maturity and craft are the order of the day, we are entering a renaissance for this kind of sound.

And maybe that’s where the generic sound comes in? He is simultaneously defining and perpetuating a sound.

Granted, the album is not perfect. Sometimes the sounds don’t mesh well together, but holy Moses, when they do, like a puppy dog that’s torn up your garbage can or a charming lover that ate your last ice cream, it’s easier to forgive Garratt and celebrate his experiments. And if Ellie Goulding is gonna cover his songs, he has to be at least worth a listen or two…

So check out  WeatheredBreath Life, and Chemical dear readers, and don’t you worry about it, Jack Garratt’s got phasers set to stun.

 

 

 

I hope Jack Garratt isn’t just the flavour of the week, and all my theories on him pan out. But either way, this is a fun and enjoyable record and I think you’ll get a lot out of it. And even if it’s just a phase, this too shall pass and give way to another review.

Tim!

Flower Power (The Cult, Hidden City review)

Lilies have a few symbolic purposes in culture. From Greek culture in particular, the lily represents birth and motherhood, and also sexuality. In Christian symbolism, it stands for chastity, innocence, and purity. When we get into the esoteric, we can combine the symbols of purity, innocence and fertility together, and then add in vulnerability and freedom of identity.

This week’s album is made by a musical group known for their love of exploration and consideration of the details, I wonder which symbols their lilies represent?

 

 

 

The Cult – Hidden City
released February 12, 2016
******* 7/10

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The Cult are a British rock group which have been reunited twice since forming in 1983. Touted as a post-punk and goth-rock band since their inception, they are famous for the singles She Sells Sanctuary and Rain.

The group gained enough traction to enter into North American markets by the end of the 1980’s and kind of did things at their own pace after that point.

Hidden City is the 10th studio album by The Cult, and the third in a “spiritual trilogy” produced by Bob Rock.

I’ve always been a fan of The Cult since I first discovered them in my teenage years. This was well after they had already broken up once and were on their way to another split, but GTA: Vice City introduced a 90’s kid to popular music from the 1980’s, which I’m thankful for. And so  not content to collect the anthology, I eventually decided to buy Best of Rare Cult; a compilation of selected songs from the Rare Cult box set, which had been released in the fall 2000.

Maybe I’m fortunate for this decision or maybe not, but Hidden City features the energy of that compilation album and some of their more experimental artistic decisions.

For instance, Dark Energy is an incredibly appropriate high energy opener, laced with helpings of both mysticism and spirituality, something to get you excited and remind you why The Cult has a cult following, so-to-speak. How convenient for them!

In Blood features soft beats and dreamlike lyrics, while Birds of Paradise takes this further and really heightens the emotional pull.

Hinterland feels like an anthem for spiritual awareness but upon closer inspection I think it’s also an admission of guilt by Ian Astbury to the problems of ignorance and following routine in an age of connectivity and political intrusion.

But that’s the thing about The Cult. The surface and the core aren’t always the same and they play with this idea throughout the record.

Avalanche of Light has a great chorus and reminds me the major reason why this album exists in the first place. The Cult are exploring the intimate and the unknown – Hidden City is a metaphor for us. The tools may be guitars, drums, and microphones, but the result is still the same, a record by The Cult which features goth-rock like tracks Lilies and Deeply Ordered Chaos, which share in the metaphors of life.

You should check out the audio video for Dark Energy and the music videos for Deeply Ordered Chaos and Hinterland to get a taste for the album, but if you like The Cult, goth-rock or are looking for a place to test the waters of hard rock, Hidden City is a good place to go spelunking.

 

 

 

At albums end, I have to admit I’m not perfectly sold on the perfection of these tracks, but this is a damn good record either way. I’m inclined to theorize The Cult is pulling all of those lily symbols in and out of their songs, but I’ll let you be your own judge, after all, you have your own Hidden City to look after.

See you tomorrow for another shadowy review, this time it’ll be a movie.

Tim!