Down And Out (Manchester By The Sea review)

Life is an inexplicably complex thing, which we are constantly striving to simplify for ourselves. Unfortunately this is neither realistic nor healthy for us. We have to confront our problems head on, for fear of losing ourselves to a sea of sorrows.

 

 

 

Manchester By The Sea (2016)

Cast: Casey Affleck, Michelle Williams, Kyle Chandler, Lucas Hedges
Director: Kenneth Lonergan
released on blu-ray February 21, 2017
********* 10/10

manchester_by_the_sea

IMDB: 8.0
Rotten Tomatoes: 96%, Audience Score 80%
The Guardian: *****/*****

 

Kenneth Lonergan is an American playwright, screenwriter, and director.

Something of a selective creator, he’s best known for his writing ability, having written the scripts for Analyze This, You Can Count On Me, The Adventures of Rocky and Bullwinkle, Analyze That, Gangs of New York, Margaret, Manchester by the Sea, and an upcoming miniseries called Howard. His directorial offerings are a little more slim but stemmed from his writing career – You Cant Count On Me, Margaret, Manchester by the Sea. I should also mention that while Lonergan is also a little slow to the table with his creative projects, when he serves as both director and writer, something good consistently happens.

Manchester by the Sea is the story of Lee Chandler (Casey Affleck), an anti-social janitor and handyman in  Quincy, Massachusetts, who learns from a family friend that his brother Joe (Kyle Chandler) has had a heart attack. Unfortunately Joe dies before Lee arrives at the hospital, and Lee heads to his home-town Manchester-by-the-Sea to bring his nephew Patrick (Lucas Hedges) the news. While arranging the funeral, Lee learns that Joe wanted him to be Patrick’s guardian.

Lee is unwilling to move back to Manchester, but does not want Patrick to be with his alcoholic mother, so he works to move Patrick to Boston instead. Patrick has many friends, two girlfriends and is in a band; he hates this idea.

We also learn that Lee used to live in Manchester with his wife Randi (Michelle Williams) and their three kids, but due to a mistake he made while intoxicated, a house fire took the lives of the children. He was never prosecuted, but Randi blamed him and they divorced. Lee then attempted suicide in a police station after he was found not guilty, but was contained. He moved to Boston shortly afterwards.

While they wait for the ground to thaw, Joe’s body remains in cold storage,and Lee stays in Manchester. Uncle and nephew become better friends and eventually Patrick’s mother Elise finds out about the situation. She offers to take Patrick in, but her sobriety is largely the responsibility of her controlling fiance Jeffrey. Lee also runs into a remarried Randi and her newborn. She regrets the things she said and confesses she still loves him. Lee does everything he can not to break down and leaves because he cannot stay in Manchester with her – He later picks a fight at a bar.

After finally arranging for family friend George to act as a legal guardian for Patrick, the pair have a heated discussion about why Lee cannot stay in Manchester any longer. After the funeral, Lee lets Patrick know that he is searching for a place with an extra room, so that Patrick can visit whenever he wants.

Pros: This might be a cliche, but this film is affecting. I was genuinely bummed out after watching it. The combination of raw performances, subtle scoring choices, and a well-laid script that pulls right out of the everyday make this film about death and mourning all the more powerful.

Cons: It takes a really long time to make it’s major points and there are a couple of moments where it feels like more of an exercise then a story.

Runtime: 2 hours 17 minutes

Points of Interest: This is the first film distributed by a streaming service to get an Oscar nomination for Best Picture. Matt Damon and John Krasinski were originators of the idea, asking for Damon to direct and Lonergan to write, and Damon to star in it, Damon eventually opted out due to scheduling conflicts, but remained on as a producer.

Lonergan understands intimately that life is full of grief. Wrongs which are never corrected plague us and while it can be nice to assume a storybook ending from a film, sometimes it doesn’t work out that way. The character of Lee is an excellent case study of a life unfulfilled, a responsibility not asked for, and working around the pain. A story about life lived in the world as it is, loose ends and all.

theories Summarized

Allegations and personal issues of Casey Affleck aside, the arresting nature of this story, and what it addresses capture the pains of life. It seriously broke my heart to watch this movie, ever so slowly, because I’ve loved and lost, and I’ve been on the ends of good and of bad as well. Affleck never redeems his character, but the glimmer of movement forward despite that unresolved pain makes it a worthwhile story, at least that’s my theory anyway.

Tim!

Warning! Animal Crossing (The Revenant review)

I enjoy a revenge flick just as much as the next guy, but sometimes how my mood is well determine which type of movie I want to settle in for. If I want something violent, mysterious and twisted than I’m feeling like Oldboy (the original) or Momento is the right choice. If I want something light-hearted, then Lucky Number Slevin can’t be beat, and if I want both humour AND gratuitous violence than Inglorious Basterds or Kill Bill will do the trick.

But what if a revenge flick needs to be sweeping and feature that element of the sublime within it. Then I guess this week’s review will have to do.

 

 

 

The Revenant (2015)

Cast: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck
Director: Alejandro G. Inarritu
released on blu-ray April 19, 2016
********** 10/10

the-revenant-hollywood-film-poster-photo

IMDB: 8.1
Rotten Tomatoes: 82%, Audience Score 85%
The Guardian: *****/*****

Alejandro Gonzalez Inarritu (known as Alejandro G. Inarritu since 2014) is a Mexican film director, produce, screenwriter, and sometime composer. In other words he can almost everything but act in his films.

He is the kind of director that wins awards and receives critical acclaim in the film industry. Don’t believe me? Look at his track record – Amores perros, 21 Grams, Babel, Biutiful, Birdman or (The Unexpected Virtue of Ignorance), and now The Revenant. He won Best Director, Best Original Screenplay, and Best Picture for Birdman. And now he has won Best Director for The Revenant, along with Leonardo DiCaprio earning the award for Best Actor.

And to be quite blunt, he deserves those awards. But before we get into it, let’s do a quick overview of The Revenant’s plot.

Taken from Wikipedia and edited,

In 1823, a crew of hunters and trappers traveling through U.S. territory suffers heavy losses in an Arikara ambush. A handful escape by boat, but Hugh Glass (Leonardo DiCaprio), a veteran trapper, advises them to instead continue on foot. Their commander, Captain Andrew Henry (Domhnall Gleeson), agrees, but others, including John Fitzgerald (Tom Hardy), are furious in leaving the valuable pelts. The Arikara catch up with the boat, but find and kill only two stowaways.

While scouting ahead, Glass gets attacked by a grizzly bear, suffering severe wounds. Henry patches him up, but decides he is too much of a burden. On Fitzgerald’s advice, Henry tries to shoot Glass but ultimately relents. Instead, he pays Fitzgerald and Jim Bridger (Will Poulter) to watch over Glass until he dies and to be properly buried. Glass’s Indian son, Hawk (Forrest Goodluck), volunteers to accompany them. While Bridger is busy collecting water, Fitzgerald tries to smother Glass and stabs Hawk to death when he intervenes. Claiming that an Indian attack is imminent, Fitzgerald throws Glass in a shallow grave and is followed by a reluctant Bridger.

Upon returning, Fitzgerald informs that both Glass and Hawk died of exposure, while a guilt-ridden Bridger refuses to accept his payment. Meanwhile, Glass, on the verge of death, struggles to recover his strength. He is also pursued by the Arikara, whose chief, Elk Dog (Duane Howard), is in search of his kidnapped daughter. Glass encounters passing Pawnee Indian, Hikuc (Arthur Redcloud), who provides him with accomodations, and offers to travel with him. One morning, he wakes up to find Hikuc has been hanged by French trappers. He infiltrates their camp and rescues a captive Indian girl, unaware that she is Elk Dog’s daughter. Arikara pursue Glass and force his horse off a cliff, leaving them for dead. With no options, Glass uses the horse’s corpse as a makeshift shelter.

While preparing to depart for the season, Henry picks up a French hunter carrying Glass’s canteen. Based on his information, a search party locates Glass and brings him back to camp. Henry has Bridger arrested for treason, but learns that Fitzgerald has already fled with the expedition’s money. Seeking revenge, Glass and Henry set out to track him. When they separate, Fitzgerald ambushes Henry and scalps him to make it look like an Indian attack, hoping to throw Glass off his trail.

Using the dead Henry as a decoy, Glass tricks Fitzgerald into revealing his position and wounds him with a pistol shot. The two men engage in a brutal hand-to-hand fight, which Glass wins. He turns Fitzgerald over to the Arikara, who scalp and kill him. Grateful for Glass’s actions in freeing his child, Elk Dog spares his life.

 

I will say this about the movie. It manages to to construct a feature length sensory experience. You feel the pain all over when the bear decides to attack Glass, and you wince in pain as it comes back for round two after he attempts to down it. You feel the sense of loss when he is incapacitated and has to watch his son die. You shiver at the sweeping landscape of cold and exposed skin. It’s incredibly visceral.

And yes it’s a revenge story at heart, but that’s what drives the plot forward, the details of how we get there are what matter in this epic western. The length never feels unnecessary, because Inarritu understands cinematography and what to do with video and audio to make it all worthwhile.

Pros: By focusing in on less than a dozen characters and giving us over 160 minutes of well constructed interactions, we get to experience frontier life in all of it’s brutality whether by nature or by lack of nurture. Did I mention that it is beautifully shot? It somehow makes you both want to live a simple lifestyle and stand in awe of the scale of the wilderness.

Cons: I found it hard to relate to Domhnall’s character, he felt a little bit out of place as a Captain, but upon second thought, that might be all the more reason for him to let Glass live and later die himself.

Runtime: 2 hours 36 minutes

Points of Interest: The film is based off of the 2002 novel of the same name, and also from the real life story which inspired the book – the adventures of Hugh Glass, essentially. Though Glass is reported to never have had a son or wife, that element was featured to enhance his motivations in the story.

Let’s be honest, this is beautiful film with an uncompromising story. After all of the press, the internet hype and the presentations at various film award ceremonies, I get it. I get why this was the straw that broke the camel’s back and finally got Leonardo DiCaprio an Oscar. The Revenant is breathtaking, well acted, and features an appropriate cast. You should add this movie to your collection, especially if you like Leonardo DiCaprio, Tom Hardy, westerns, nature or revenge plots.

Inarritu has managed to address a lot of important issues in this film, the drive of revenge and it’s ultimate disappointment, the exploitation of nature by mankind, the inconsistencies of our character and how we are capable of great deeds, but most importantly he shows the power of the natural landscape and how it can transform us whether we are ready for it or not.

Again I would highly recommend this film to anyone, but what do you think? Have you seen it yet? Did you love it, hate it or what? I’ll see you tomorrow friends, with some wisdom and hopefully some new theories.

Tim!