Quality Assurance (How To Be Authentic)

Authenticity can be difficult to achieve in the arts, whether you are a painter, a musician, an actor, a writer, a photographer or designer, the list of creative professionals this concept affects and is effected by goes on and on. Authenticity is especially difficult if you are a historian, collector or curator. Questions of who authored the work, when it was made, and its relationship to the culture it’s associated with abound.

And what if the originator isn’t in question at all, but quality of the work against said genius and their oeurve is in question? That’s a tough question too, but believe me I haven’t even addressed one of most difficult questions just yet. The one which I suspect most of you were leaning towards when the word first came to mind – how sincere, thoughtful, and genuine the output of the work is and whether the artist is demonstrating passion in their efforts. That question is one for the ages and something I struggle with too.

Feel like I’m writing a lot of nonsense already dear readers? That I’m going over your heads? That’s because I haven’t even touched the subject proper yet, and we’ve already uncovered a number of definitions and issues with the topic at hand.

This of course is because no matter what level of investment in the arts you ultimately have, the word authenticity itself is difficult to define and important to address in context.

But for the sake of fleshing out an argument, let’s take the definition which I indicated many of you were leaning towards to begin with. Merriam-Webster defines authenticity as follows –

authenticity – true to one’s own personality, spirit, or character

Now as an artist, a lover of language both visual and written, I thought it would be fun to run an exercise to break down the definition and build it back up again, in case there are some outliers in our midst. Here is what Merriam-Webster has to say about the words which make up the basic definition of authenticity, as it relates to the individual, in particular the artist.

true  –being in accordance with the actual state of affairs

personality – the set of emotional qualities, ways of behaving, etc., that makes a person different from other people

spirit – the inner quality or nature of a person

character – the way someone thinks, feels, and behaves

Now let’s add that definition back in, with a little more detail (my highlighted selections above) and see what happens with the results.

authenticity – being in accordance to one’s own emotional qualities, inner quality, or the way someone thinks

If you sit with that explanation for a minute, it gives a true picture of what authenticity means for an artist if they wish to be sincere with their work and marry that with passion proper. In fact, the words that help explain the word authenticity are composed of the same sorts of words themselves in their own definitions.

What that means for us is that there are commonalities and that at the root authenticity is about quality. Without proper quality something or someone no longer has worth.

5souaga

Let’s put it another way.

You see friends, I have this theory that in order to be authentic, you have to know what you are made up of, what your personal experiences have been. Then and only then can you start to address your emotional qualities, your inner quality or nature, and the way that you think about life and then act upon it. What this means for you is that you are fully capable of changing the world and participating in it, but you have to sort out your doorstep first.

You are valuable, but no one is going to sell your worth for you, you have to figure it out first, begin selling yourself and become part of the global marketplace. Sure there are experts who can appreciate potential, but they know just as I do, that the experience of sorting yourself out is invaluable, and has to come from within.

We’ll touch upon the subject more in future posts (in all forms), but for now, I’m out of theories friends. Share this with an artist and join the conversation on Facebook and Twitter. See you tomorrow with something melodic.

Tim!

Homecoming (Leon Bridges, Coming Home review)

To be brief, I personally believe the most awesome power of music is that it can address specific emotions. And particular kinds of music have the ability to draw up those feelings in ways that no other kinds of sound can. Soul music easily comes to mind in this regard.

As a white man, with a mixed ethnicity of european countries, I have little in the way of understanding the totality of soul music. As its origins are tied into the lives, successes, challenges and dreams of black people, especially from the United States.

But I can appreciate the quality of the music and the basic human emotions that those artists put forth. Fortunately this week’s review comes from an artist who can properly address the genre.

 

 

 

Leon Bridges – Coming Home
released June 23, 2015
******* 8/10

leonbridgescominghome

Todd Michael Bridges is better known by his stage name, Leon Bridges. He released his first studio album Coming Home under Columbia in the summer of 2015 after playing in local clubs in and around Fort Worth in the USA. A chance meeting with White Denim’s Austin Jenkins is what pulled things into focus though.

Bridges’ music is 1950’s and 60’s inspired soul, with elements of gospel, R&B and blues thrown in for good measure.

He is only 26 years young and has experienced a meteoric rise from washing dishes and playing at open mics, to releasing a couple of singles to Soundcloud, Spotify and other streaming sources in 2014/early 2015, to working his first album to be released in time for summer.

This was almost a year ago.

And this might also be obvious if you’ve heard the title track Coming Home, which was one of the singles from the album, but this record was put together with vintage equipment and using local musicians that White Denim collaborate with. If you need to reference the rich back catalogue of soul music to get a feel for his sound, Otis Redding and especially Sam Cooke come to mind. And Bridges purposefully dresses the part which means if you snuck a vinyl copy of this album in with some records from that era, it wouldn’t look out of place.

Yeah, yea, timotheories that is all well and good, but what does the album sound like? And is it any good?

Well, in a word, yeah.

If you enjoy a good combination of guitar, drums, piano, saxaphone, female back up vocals (and who doesn’t), along with smooth sounding lyrics set to ballads, and relaxed storytelling, then Coming Home will feel just like home.

I decided to buy this album on a whim. I was inspired by the cover art and I’m a sucker for a good crooner (read: yesterday’s post about marketing), which is the vibe I got, so if that’s an indication of the quality of the record, great, but for you non-believers, let’s continue on.

One of the perks of writing a review on an album that has been out for a little while is that I get to lend my spin to the review process without the urgency element and draw from the wealth of information already available. Drawing a parallel between myself and Bridges, I have choosen to become comfortable with a set of creative rules (some might say limitations, and they’d be wrong) so that I can best exemplify what it is I want to put out there in giving you useful feedback on music. Which is an important point to make about Bridges – comfortability.

Yes, Leon Bridges wears “vintage” clothes and echoes all the common pieces of the genre, but dammit if he isn’t authentically expressing his love of music and soul in particular. He is comfortable in and snuggles up close to the genre

Which is why I gave it an eight. This is an incredible piece of soul music, from a technical standpoint. I can’t fully commit though, because Bridges doesn’t either.

You see, dear readers, Bridges isn’t of the time period this music beckons from and he doesn’t have the same urgency and exhaustive energy behind the albums. At least that’s the impression I get. I suspect with time he will improve incredibly.

For now, I recommend the listen to the album we do have and you should definitely check out these tracks to get you started 1 2 3 4.

 

 

 

In short, yes Leon Bridges is a talented musician and yes he should keep singing soul music because he is damn good at it, but whether he has fully captured the essence of the emotional genre remains to be seen. My hope and belief is that he will improve with age, and so I’ll add this album to my collection.

But what do yo think? Is my theory on point? Comment! Subscribe! Share! I’ll see you tomorrow with something theatrical.

Tim!