The Movie Easter Egg Bunnies (Cross Talk Ep. 21)

Just in case you didn’t already know this, Easter eggs are complex things.

Yes, Easter eggs are also sometimes called Paschal eggs, but that’s not what I wanted to surprise you with creative cuties.

Easter eggs are decorated eggs used to symbolize fertility and rebirth, and in Christianity they symbolize the empty tomb from which Jesus resurrected.

And that’s not the surprise either. Also, Easter eggs can sometimes be chocolate eggs or plastic eggs filled with treats, but again, not where I’m going with this.

The definition that I’m thinking of, and which often applies to art (film in particular) is where an Easter egg is an intentional inside joke, a hidden message, or a secret feature of a digital piece of work.  So yeah, whoever came up with this name obviously took it from the tradition of the Easter egg hunt, but it’s moreso about referencing that which is NOT obvious.

And in light of the upcoming holiday, this episode of Cross Talk is brought to you by Easter.

Eggs And Christmas Movies

This is an eggsellent episode dear readers. And I’m #sorrynotsorry for the bad joke.

But today we discuss the films which are riddled with easter eggs, and spoiler alert, the horror genre, directors with large catalogues, yes I’m looking at you Steven Spielberg), and big movie companies like Disney are great proponents of this staple of culture. You’ll also be happy to know that one of my favourite films has some great easter eggs in it, and we’ll spend some time righting wrongs when it comes to cameos being considered easter eggs themselves. So what is the topic today? Well I hope it’s clear by now, but we’re looking at examples of movie easter eggs, and their effect on film watching.

We seriously had a lot of fun each doing research and then coming back to the couch to hash out what we uncovered. But I think my personal favourite was one that you’ll find in the ever popular Christmas movie – Gremlins.

Bet you don’t know what I’m talking about, because both Chris and I were shocked to uncover it ourselves, and we’ve seen this movie countless times. This is epside twenty one of Cross Talk. Let’s toss some eggs around!

With that shared, I’m looking forward to sharing some further insights on genre defying films this month on Cross Talk, plus my Easter specific post, and most importantly, the set up for a brand new weekly show called Watch Culture.

But what did you think of the episode? Were you impressed by Chris’ big list of horror movie easter eggs? What about that tidbit from The Departed? Or Fight Club? We could have listed hundreds more, but these were some of the really fun ones. So I have to wonder, would you have suggested something different? We want you to join in on the conversation and let us know what you thought!

Please comment, subscribe, and share this video with friends. As always, be excellent to one another!

Tim!

Obsessive Planning (Miss Sloane review)

The fact that we have tests to confirm women are being properly represented in film is an astounding thing, and simultaneously a disheartening one. I think this one deserves a pass.

Miss Sloane (2016)

Cast: Jessica Chastain, Gugu Mbatha-Raw, John Lithgow, Michael Stuhlbarg, Alison Pill, Mark Strong, Jake Lacy
Director: John Madden
released on blu-ray March 21, 2017
******* 7/10

IMDB: 7.2
Rotten Tomatoes: 71%, Audience Score 62%
The Guardian: ***/*****

Theatre and film director John Madden and I share the same birthday – April 8th. Not really relevant to this review, but a fun tidbit nonetheless.

He is probably best known for directing the Academy Award winning Best Picture film, Shakespeare in Love. After that would likely be The Best Exotic Marigold Hotel and its sequel, The Second Best Exotic Marigold Hotel. But I think special attention should be paid to Mrs. Brown, the story of the relationship between Queen Victoria and Scottish servant John Brown, and the vastly underrated Proof, which is a story about madness and genius.

It’s even better than A Beautiful Mind, in my humble opinion. As for Miss Sloane, this is simply another matter of obsession. The movie centres around lobbyist Elizabeth Sloane (Jessica Chastain), who is known for her cut throat tactics and visible paranoia.

Opening with Sloane at a hearing under allegations of bribery, Sloane is asked by her company lawyer to stick to a script, but she eventually reacts to a particularly triggering comment about self-medicating for insomnia, which comes at the end of particularly salty line of questioning from the congressmen Sperling (John Lithgow) at the head of the investigation.

We soon realize that this is a flash forward and we are taken back to the point which started the whole investigation –  the moment when her firm is approached to attract women to use guns for protection. Sloane is against this and taking a job from Rodolfo Schmidt (Mark Strong) at rival lobbying firm, Peterson Wyatt, which is lobbying for universal background checks bill. Sloane takes all of her loyal employees with her, save her favourite Jane (Alison Pill), who openly refuses.

We also learn that Sloane is relentless in her career, having never established a long-term relationship, she hires male escorts like Forde (Jake Lacey) for “company.”

At Peterson Wyatt, Sloane puts team senior Esme (Gugu Mbatha-Raw), at the head of media, after learning Esme was a closet victim of childhood trauma associating with a school shooting. Esme doesn’t want to be typified, but at a crucial moment, Sloane reveals her past, in hopes of more support towards the bill. As a consequence, Esme is attacked by an arms supporter,but the attacker is then shot dead by another civilian with concealed gun.

The stakes continue to raise higher on both sides, and an inquiry is launched against Elizabeth Sloane through the orchestration of her former boss George Dupont (Sam Waterston) and frenemy Pat Connors (Michael Stuhlbarg). Jane is instrumental in providing the evidence that Sloane was bribing a senator with a vacation to Indonesia to overturn the bill opposing reducing taxes on imported palm oil for Asian governments.

Additionally they have found and bring in Forde, whom one of the opposing lobbyists witnessed Sloane talking with in a hotel lobby previously, in an attempt to slander her. Forde admits he is an escort, but when asked if he’s met Elizabeth before, he responds that he has, but never as a client.

As the hearings wind up, it becomes clear to both Sloane and Schmidt that the issues are losing public interest and that the bill will soon go cold. In a surprise reveal, Sloane admits that she planned ahead of the current outcome, and placed a mole within her old firm. Jane was there all along and gave Dupont the info he needed to slander Sloane. Sloane also used illegal surveillance to record Dupont blackmailing congressman Sperling. Sloane was willing to accept jail time in order to positively influence the bill movement forward.

Pros: The characterization Jessica Chastain puts out for us is so compelling that we are able to forgive the somewhat formulaic ending. Most interesting of all, no real stance is taken in either adopting or fighting against gun control. Miss Sloane is incredibly unapologetic.

Cons: The supporting cast feels somewhat wasted, often purely serving the purpose of driving Sloane’s story (and big reveal) forward. The plot could easily become dated within years, and thusly, this piece lost in the annals of film.

Runtime: 2 hours 12 minutes

Points of InterestScreenwriter Jonathan Perera was the only writer for the script. Jessica Chastain and John Lithgow worked together previously on Interstellar, but didn’t share any screen time then. Additionally Chastain and Mark Strong starred previously in Zero Dark Thirty.

Like so many other Jessica Chastain vehicles, this one demonstrates the raw talent and physical presence she is capable of bringing to the screen at any given moment. Lobbying is about foresight, Miss Sloane tells us at the open, and sure enough that is what we are there to witness. The subtle sense of sadness underpinning Sloanes power and position within her role are what make this a memorable performance, and despite the length of the endeavour, an engaging one.

theories Summarized

I think the rest I enjoyed this film, despite some of of it’s shortcomings really, is that Sloane is a modern day pioneer. She pushes her agenda through both force and manipulation, at the consequence personal relationships. The fact that this is something which happens in life regardless of gender is common, but on film it is uncommon, and this performance could have been phoned in.

But it wasn’t. It’s an intelligent and unyielding view of the workaholic.

Tim!

Tell Tale Art (National Poetry Month)

I’m sure many of you have stories about how much you hated reading poetry and learning about the hidden meaning of poems when you were growing up. Especially in junior high, also know as those years between 12-15 years old, if you aren’t Canadian.

I’ve always loved to read and to write myself, but I’ve never had much of an attention span for reading at hours on end, unless I was really committed to a book, but not much can do that.

Which is why I often enjoyed poems.

Poems can be short and sweet or incredibly long, because their forms vary between generations, authors and cultures. I think of it like this, if you can enjoy music, you certainly can enjoy a poem. Because poems can serve a similar purpose, invoking emotion.

But a fair number of people ignore poetry because it doesn’t have that same sexy appeal as music. Music can be enjoyed socially (more easily), you can dance to it, and you can walk away and then come back to it.

Which is probably why academics of the form became discouraged in the 1990s and decided to do something about it, to get your attention and share the beauty of the form.

National Poetry Month is an event in the United States which takes place every April and is celebrating it’s 20th year of existence.

Did you know that the Academy of American Poets came up with the celebration after the success of Black History Month (February) and Women’s History Month (March)? Now I am not going to assume any authority on black rights and women’s rights, because I am neither black nor a woman and I don’t know what it’s like to be either, but doesn’t mean that poetry and political rights are on the same level.

I can write that statement fairly safely. But you know what that tells me about poetry, a written art form that often gets the short end of the stick? We don’t give it nearly enough respect.

Luckily for me, you, and everyone else who loves to read beautiful words, national poetry month has grown rather organically over the past 20 years and publishers have taken note. Taken from Wikipedia:

Each year, publishers, booksellers, educators and literary organizations use April to promote poetry: publishers often release and publicize their poetry titles in April, teachers and librarians focus on poetry units during the month; and bookstores and reading series frequently hold special readings. National Poetry Writing Month encourages writing a poem a day in celebration.

Canada joined the efforts in 1999 and has been supporting this event ever since, so Canadians like timotheories benefit from this as well.

What is most fascinating to me about this month is the ability to draw up debate amongst its supporters and antagonists, because by drawing attention to poetry every April it draws attention to the art form, but potentially detracts from other months when writers release new works.

The National Poetry Website of course has some great content to help celebrate the history of poetry while encouraging increased publication and distribution of books to support poets and poetry. How the organization highlights the history of the form is through sharing both living poets and classic poets with readers, introducing poetry into the school curriculum, and facilitating positive attention through traditional media and the internet.

The website even has a list of 30 ways to celebrate National Poetry Month. As you folks know already, I love list. But I’m not going to share the whole thing with you, just a taster.

Some of my favourite suggestions are as follows

  1. memorize a poem
  2. buy a book of poetry from a bookstore
  3. attend a poetry reading
  4. read a poem at an open mic
  5. learn about the different poetic forms

Now I’m not expecting you to leap onto the poetry train while it’s running full bore, but just consider for a minute that this type of creative writing could provide you with an experience you just cannot get from music or long form literature. Start with the more well known favourites like T. S. Eliot or Robert Frost and do yourself a favour and investigate another area of the arts. It may only be a theory right now, but growth only happens through change.

That’s all I have this week my friends, I hope you’ve enjoyed yourselves! Come back on Sunday for a new episode of Cross Talk, and of course, comment, subscribe and share!

Tim!

A Short, Impromptu, Review (timotheories April 2016)

Hey there, dear readers! It’s update time! It’s update time.

Come on in, sit down in your favourite chair with a hot beverage, and get super excited along with me… as I will be revealing my calendar of posts this month so you can set your own agendas and tune in at 9 PM MST in anticipation of the publish dates.

GboxUpdate

*Disclaimer* As always, every week I  purchase an album and movie one week ahead of the actual review release so if you follow me on instagram (@timotheories) you can see what’s coming.

I’ve decided to change things ever so slightly this time around and slot in the music and movie reviews as well, as long as I can acquire said hard copies in advance of the release. If I cannot, don’t be disappointed, I’ll find something equally as entertaining for you.

Read? Let’s dig right in and go over the April entries you can expect to see on timotheories, I’ve even included this week for easy recall later on –

Stimulating Sundays – (04/03) How enviornment effects creativity, (04/10) artist statements, (04/17) Cross Talk Ep.4, (04/24) Lisa Jones interview
Melodic Mondays – (04/04) Amon Amarth, (04/11) Weezer, (04/18) The Lumineers (04/25) M83
Theatrical Tuesdays – (04/05) The Hateful Eight, (04/12) Star Wars VII, (04/19) The Dark Knight Returns w/graphic novel (04/26) The Revenant
Wisdom Wednesdays – (04/06) the secret to apathy, (04/13) Twitter, (04/20) Buzzfeed, (04/27) dealing with burnout
Timely Thursday – (04/07) April 2016 review, (04/14) National Poetry month, (04/21) Earth Day, (04/28) flea markets

The year of all killer, no filler continues friends! That’s right, we’ve got some great theories to go over, lots of events to cover, a wicked cool interview with a visual artist, and Episode 4 of Cross Talk. Hint, it’s about film adaptations, and promises to be an awesome topic.

Maid_Marian_about_to_throw_a_pie_at_Trigger

When you think of film adaptations, more often than not books come to mind, followed by television shows, and then video games, right? But we’re not just going to be covering examples of when those can work and when they fail, we are also going to discuss how peoples expectations can be unrealistic when it comes to how adaptations compare versus the source material.

Wheels turning yet? Good.

Now let’s talk more detail on the April timotheories interview. This month should be even better than previous entries, because we upped the visual quality of the lighting to accommodate this artist. She’s a painter with drive to innovate and change the world, one step at a time. But you’ll have to tune in to see what I’m writing about.

And now we’ve covered it all, my friends. You can rest easy knowing the quality of timotheories continues to support the community surrounding the arts, giving you a voice and information to pursue your passions. I’m about spent now, so I’ll leave you with these theories and see you again on Sunday to talk about artist statements.

Of course please leave some comments, to let us know what you want to see in coming months and subscribe to the blog too!

Tim!