Explore Some More (Megan Warkentin preview interview)


Exploration is important, it allows you to learn things about yourself, to make friends, find lovers, to live life in a more productive and harmonious state. And in the most obvious of ways, to experience that which you did not even know about – gaining in wisdom and knowledge.

Cameras, laptops, smart tech, mobile phones, all of these things are the result of exploration. The same can be said of conceptual exploration. If we don’t stay active with our thoughts, we stagnate and we die. Metaphorically or sometimes quite literally. That’s one of the many reasons for timotheories, a way for me (and the ever-expanding timotheories squad) to communicate ideas and activities to you which are obscure and not readily available.

As you know, I meet with artists on the regular in the hopes of communicating key principles of business, creativity, and social skills we all need, yes myself included dear readers, in order to function properly as an artist, also emphasizing that exploration never ends. We have to embrace that uncertainty and exploration in order to continue along our merry way.

Which is what this month’s featured artist has her eyes keenly tuned toward. In fact, she thinks exploration is vital, so much so that she’s made it part of her artistic practice to paint individuals risking life and limb in order to test their own mettle. But more on that later, I still have to release the complete interview folks.

Using metaphor and the literal, Megan Warkentin is a graduate student at the University of Alberta who is the final chapter of her degree, preparing for her graduate exhibition this fall semester. A born and raised Edmontonian, Megan has been involved in the art scene for quite some time, but her major contribution has always been in the arena of painting. I’m incredibly proud to have the opportunity to share a sneak peek of our interview with you today, because she has some great ideas on how explore as an artist.

I’m jumping off the walls in anticipation, I can’t wait anymore, so here is a preview of episode 12 of timotheories interviews, enjoy.

I must be a fan of long weekends, because I did the same thing last month. Releasing a preview over the long weekend is a great way to explore my own timing, but I got it to you didn’t I?

I’m out of theories for now, dear readers! Have a fantastic night, I’ll be back tomorrow with a review on the new Bon Iver album. It sound be a good one.


A Priori And A Posteriori (Critique of Pure Art series)

Quite a few months ago (way, way back in March), I decided to share some examples of my art with you.

I wrote that post with the intention that I would reveal my personal artist identity and foster a greater sense of the purpose for this blog and why you should never give up, and never surrender if you have a creative drive. Something I strive for with many of many of the posts here. After all, there are a lot of different things I write about on a weekly basis, and there are common themes I touch upon monthly, while other themes crop up in other ways, but what really drives all of those different posts is that I am a professional artist who wanted to find a way to build a better statement for himself and simultaneously provide a safe haven for those who are on similar journeys.

So today, I expand upon that idea some more.  As I’ve mentioned previously, I have made art to disrupt, I’ve made art to talk about concepts of philosophy, and I’ve worked produce ideas that promote human growth.

But I’ve since expanded on those ideas, and focused more on how I can contribute towards the local community, and to the much broader community of creative professionals in general – I want open up collaboration across art forms, create a digital gallery of art and artists, build a studio for art enthusiasts, and discuss all sorts of theories on the arts.

Which is why I ‘m going to also be building upon this particular series of work The Critique of Pure Art.

The Critique of Pure Art


Effectively a series of work that reflects on the role of artist, subject, object, and the viewer to analyze the limitations of the form. Taken from Immanuel Kant’s “Critique of Pure Reason” my series challenges the ideal that not all art is taken from the senses AND conversely art cannot simply be shaped from experiences/ideas either in order to produce something beautiful.


I literally and metaphorically draw with my materials to demonstrate that one cannot operate without the other, and it is all a related. Especially when we take into consideration limited perspectives. Perception is reality, after all, as attributed by Lee Atwater an American political consultant. So we paint with drawing materials, and draw with paint, and as the picture comes together, both parts are forced to exist as we understand them, though both the elements of line and form blur within the frame.


It is a literal construction of pure art, and a metaphorical critique of reason. That the titles of these works are taken rather romantically from song lyrics all the more proves that experience comes before the art, but does that information inform the work afterwards?

As mentioned, I’ll continue to expand upon this series over time and share more works with you, but if I can do all of these things, surely there is a way for you to contribute to the arts too – and if you are interested in commissions, prices of the work I’ve included in today’s post, or if you want more information about the series, please leave some comments below or email me at timotheories@outlook.com.

And of course, please follow the blog to get even more awesome content in the future. I’m out of theories for the week, please have an excellent weekend friends, and I’ll see you on Sunday with a new Cross Talk episode!


Nuit Blanche Takes A Break (Petite Nuit)

Write a post about a festival you’ve never been to they said, it’ll be fun they said. I’d rather be sleeping right now.


Let’s get down to business, dear readers. I was tasked with the opportunity to write about Nuit Blanche, which lots of my friends have attended in 2015, but which I have absolutely no experience with.

If you haven’t heard of it before, you shouldn’t be too surprised, as it’s fairly new to Edmonton and area. Though the festival has been active since 2002. Formed in the city of Paris, France under the direction of Jean Blaise, founder of the Centre de recherche pour le developpement culturel (Research Center for Cultural Development), Nuit Blanche is an annual all-night AKA “night-time” artists festival that begins in the evening and carries through to the following morning.

The goal of the festival is to attract people to the streets and buildings of a concentrated area, allowing local businesses to participate in and support the display of all kinds of art works. Since the first event was successful, the idea has slowly expanded to be featured in over 120 cities across the world – Paris, Brussels, Rome, Madrid, Riga, Bucharest, and Valletta to name a few. In Europe, several of these capital cities work together to share and exchange ideas and artists, keeping up with the theme of community.

Canada of course is not one to shy away from opportunities to support the arts, and has slowly integrated each of it’s capital cities and major urban centres into the mix. Edmonton hosted it’s first Nuit Blanche last year on Saturday September 26th in Edmonton’s downtown. It had over 30 artworks and 50,000+ attendees, which was pretty awesome.

I wasn’t able to attend at the time, but as I mentioned previously, a number of my friends in the arts admin scene were talking about it like crazy. So I decided to check it out this year, and report back with my own findings later.

This year, Nuit Blanche Edmonton will be putting on Petite Nuit, a smaller scale version of contemporary art and urban spaces. Featuring 5 artworks and taking place on both Friday night (September 23) and Saturday night (September 24) between 7pm and midnight. You will need to go to Beaver Hills House Park (10440 Jasper Ave NW
Edmonton, AB) in order to see the exhibits, but you can easily get there via LRT, bus, bicycle or car.

I hope you’ll be there, because it’s near Enterprise Square, and you wouldn’t want to get caught being one. But that’s just a theory. I hope you creative cuties have an excellent weekend, and I’ll see you on Sunday with the new episode of Cross Talk.


Checks And Balances (Ryan Andrade interview)

After some much needed time away from the lab these past two days, I’ve had something of a breakthrough. I realized that not every solution calls for immediate action, dear readers. Sometimes an opportunity will present itself at the last moment, and allow you to regain balance taking you towards the direction you should be headed. Want an example?

Okay. For instance, dating is hard.

It truly does take a lot of time, effort, and energy to go out and meet new people. And if you put all of your willpower into your dating life, the rest of your life kinda falls by the way side. Which quite frankly won’t win you any points with romantic interests in the long run. Unless they too are running into life obstacles and are themselves overwhelmed. But living that way will lead into a whole host of different problems, and likely a messy finish. It’s better for you to have your own shit together (or are at the very least regularly working on your goals), and make some time to pursue romantic relationships. As things move along, you’ll find that the quality of dates you have improve because you can spot red flags in potential mates earlier in the courtship.

But what the heck does this have to do with timotheories or even artist interviews?

Good point dear readers. Well, a lot if I’m being perfectly honest. Creative professionals are not exempt from the challenge of maintaining balance in their lives. I might even argue that it’s more difficult for them to do this because there are less obvious resources available about how to start an art related business then there are for other commodities. Artists have to deal with intellectual property issues, and a considerable amount of ignorance on the value of their work.

Which is exactly what today’s interviewee strives to clear up. His uncanny ability to work his own interests into all facets of his life are a great example of what we should all be doing in order to find and maintain balance.

Ryan Andrade is a journeyman welder who loves the arts. He’s made the time to pursue a post-secondary education while earning a trade and travelling in from Ft. Saskatchewan on an almost daily basis. His down-to-earth mentality of working and keeping things technical without getting hung up on explanations of his art or worrying about what it means, allow him to keep up with the work.

I think you too will enjoy what he has to say about the theme of balance and what he does to follow his own heartbeat. I’m gonna take a note from Ryan and stop right here. I’ll let the interview speak for itself.

And as always, if you want to check out more timotheories interviews or the Cross Talk series please visit our YouTube channel.  And please, please, please share this post and of course subscribe to both the blog and channel!

Now let’s get down to business – Ryan doesn’t have much in the way of social media at the moment. So please send an email to timotheories@outlook.com and I’ll get in contact with him for you.

Lastly my sincerest thanks to Ryan for being rad, real, and ready. See you tomorrow with an album review that’s features an angel and probably my favourite one of the year.


Strike A Fine Balance (Ryan Andrade preview interview)

After a long day at the office, salt mines or looking after the rug rat(s), we all need a bit of a breather, something to rejuvenate the mind, heart, and spirit. And that dear readers, is what we in the creative industry like to call striking a work/life balance.

Well to be honest, in any industry they would call it same thing, but some industries don’t realize the creative potential to be had in learning the art of balancing all of your responsibilities so that you can be fulfilled. Which is why I’ve spent some time thinking on this topic and ever vigilant to see if I can dig up any theories on balance.

That we way can all learn how to address it proper.

Luckily for you, my friends, I’m in the habit of making friends with people that are experts in exactly these types of skill sets. As the buddhist saying goes, when the student is willing, the teacher will appear.


You must be suspecting a pattern here. That I’m going to share a theory I unraveled all on my own, without any effort on my part, and which I’m building up to sharing, aren’t you folks?

No of course you aren’t, you read the title and so there isn’t a ton of mystery to be had here. After all, even though the website is called timotheories, you don’t need to expect everything to come from my own cranial activity.

Just like you, I need to spend time in recovery every once and a while, and it’s important for me to do this in order to maintain a healthy balance in my life.

Which is where Ryan Andrade comes in. He is a creative professional who is in the process of completing his bachelor of fine arts. He is also a journeyman welder. Ryan has found a way to make art and find creativity in everything he does, but this is not what I’m excited to share with you today, I’m sharing a single question from our interview that highlights his uncanny ability to combine separate concepts and strike a balance among them.

I’m incredibly stoked to be sharing this preview of episode 11 of timotheories interviews, you’re in for a treat!

Friends it really is time for you to sneak a peek of the Ryan Andrade interview… and don’t worry, you’ll still get the full meal deal, but for now, enjoy our brief Q&A interlude and the rest of your Sunday. It is the long weekend after all, so that means no work tomorrow!

I’m out of theories for now, dear readers! Have a fantastic night, and I’ll see you tomorrow with something featuring glass animals, and I’m not writing about porcelain.