Why The 1970s Are Inspiring Films Today (Cross Talk Ep. 30)

There are definite echoes and recurrences of the 1970s cropping up in film.

It was a time of very serious filmmaking, when grit and resourcefulness were championed, emotions were raw and characters had very simple motivations. You killed my partner? I’m coming after you. We can’t make our marriage work? Let’s get divorced. Our crew needs to get home from the edge of the universe? There’s time to investigate an alien spacecraft.

Tensions were high, politics was laden with so many revolutions – sexuality, gender equality, television, nationalism, race relations. But at the core of it all were stories about characters, and the depth of field pushed backdrops to the edge of our attention.

For the sake of argument, I’m just going to quickly list off a bunch of famous films from that timeframe to demonstrate my point. Ready? Here we go. Star Wars, Jaws, The Exorcist, Alien, The French Connection, The Godfather, Taxi Driver, All The President’s Men, Close Encounters of the Third Kind, MASH, Apocalypse Now, Annie Hall, Rocky, A Clockwork Orange, Halloween, The Deer Hunter, Willy Wonka & the Chocolate Factory, Carrie, Serpico, Chinatown, the Rocky Horror Picture Show.

Sure I didn’t select comedies like The Muppet Movie and Bedknobs and Broomsticks, but even those movies featured Nazis and a frog legs merchant. And were weird as shit. I’ll let you figure out which villain was for which film. Yes, there were complex films like Airport, but on that note, disaster films, exploitation and “B movies” were prominent in a decade of civil unrest. Any of this sounding familiar yet?

As we start to look back on the 2010s, I can see that there is a definite correlation in critical filmmaking and so we have some spiritual successors to 1970s classics. Movies like A Ghost Story mimic the epistemological 2001: A Space Odyssey, while Logan channels Badlands, The Man with No Name trilogy and so many other flicks like Five Easy Pieces. But maybe Baby Driver was more your speed, creative cuties? What about The Driver, The Italian Job (technically the 1960s, but just barely), and Smokey and the Bandit?

You know what, just watch the latest episode and decide for yourself if we are entering into a second renaissance of 1970s minimalism in film. AKA the return of the 1970s.

Cool right? Yeah, its a great idea to explore how themes repeat themselves over time, and yes there still plenty of examples of films inspired by the 1980s, but I have to wonder if anybody else is noticing this connection?

I hope you enjoyed watching this episode as much as Chris and I enjoyed recording it. But you know what we love more? Comments! Shares! And new subscribers! Check back in a day for an album review and a theory on why metal music gets better as you age.


I See You Shiver With Antici… pation (The Rocky Horror Picture Show review)

An audience are a group of people who participate in a stage show, performance art, literary reading, musical act, speech or other art form and experience it. When that experience moves from the realm of silent engagement into active involvement, we call that audience participation, and it’s an amazing thing to behold.




The Rocky Horror Picture Show (1975)

Cast: Tim Curry, Susan Sarandon, Barry Bostwick, Richard O’Brien, Patricia Quinn, Nell Campbelll
Director: Jim Sharman
rereleased on blu-ray October 19, 2010
******* 7/10


IMDB: 7.4
Rotten Tomatoes: 80%, Audience Score 85%
The Guardian: N/A

James David “Jim” Sharman is an Australian director and writer. He is renowned throughout Australia for his theatre work and is known internationally for bring the 1973 theatrical hit The Rocky Horror Show to film in the form of The Rocky Horror Picture Show. Less so for the sequel Shock Treatment.

I’m gonna be completely honest with you dear readers. I had not seen this movie before last week. I decided to finally watch it as a way of celebrating the traditions of Halloween and the cultlike nature of the holiday. After all, The Rocky Horror Picture Show got it’s start as a midnight screening sensation, that eventually became synonymous with audience participation. And I would argue is second to none as a social phenom, other than maybe Tommy Wiseaus’s The Room.

If you’re like me and have never seen The Rocky Horror Picture Show, I recommend that you either read up on it’s history first or expect to be super confused as you watch the story unfold. And even then, I think you’ll do yourself a disservice if you don’t look into the scope of this film and it’s cultural effects.

People have been known to lineup hours in advance to watch the movie, many dressed in drag and others dressed up as characters from the story. Once the show starts, the entire audience recites the lines from memory, sing along to the songs, perform displays of affection through song and imitation, and even add dialogue to the story. The ritual of the film is palpable compared to what goes on screen.

I watched this with a group of friends, many had seen it, some had not. And of course, there were opinions about it. Ultimately I learned that it is a very strange story indeed, but completely believable in terms of what it sets out to accomplish, absurdity and acknowledgment of a sexual spectrum, in a time when that was less apparent.

Pros: It features musician Meat Loaf, the songs are fun to sing, and the exploitation element of the film is unique unto itself. When seen with a group it becomes something of an experience.

Cons: When you watch it by yourself, even for a few moments, it becomes rather silly and difficult to accept as a film in it’s own right. The plot is completely absurd.

Runtime: 1 hour 40 minutes

Points of Interest: This is Tim Curry’s feature film debut. There are literal easter eggs placed throughout the film. In lights, under chairs, in an elevator.

As we enter an age of people who love “Netflix and chillin”, productions like The Rocky Horror Picture Show will likely lose their lustre. I hope that local theatres find a way to continue this lineage, as audience participation is a rather emblematic way to fight against a solitary life. Incidentally, I believe that The Rocky Horror Picture Show serves as a time capsule for sexual liberation in the 1970s, after all, with the 1960s over, something had to maintain that march forward, and thankfully Sharman and friends were there to do it to it.

I have this theory that audience participation is necessary in order for art enthusiasts to truly engage with the art they celebrate, and by having rituals to consider, they not only contribute to the art, but they can share their personal identity with it simultaneously. This is a wonderful thing, and The Rocky Horror Picture Show demonstrates that quality rather candidly.

If you ever get an opportunity, go watch this show with a group of friends. I can almost guarantee you that you’ll leave with a smile on your face. For realz.