Lupita Nyong’o

Wakanda For Real (Black Panther review)

Posted on by Tim Kuefler

I find it supremely satisfying to learn that a well-made movie, about a comic book character, and an origin story no-less, is at the top of this list both critically and commercially.

That the character is a black superhero appeals to me as both an artist (and an outlier) and because I think we’ve seen more then our share of white superheroes for some time now.

 

Black Panther (2018)

Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright,  Winston Duke, Forest Whitaker, Andy Serkis
Director: Ryan Coogler
released on blu-ray May 15, 2018
********** 10/10

IMDB: 7.6
Rotten Tomatoes: 97%, Audience Score 79%
The Guardian: ****/*****

Ryan Kyle Coogler is an American film director, producer, and screenwriter. He is best known for crafting stories that put minority characters and their cultures into the spotlight. He has directed three films, Fruitvale Station, Creed, and now Black Panther, all of which feature Michael B. Jordan in a prominent role. He will also be directing the Creed sequel which releases later this year.

Black Panther is currently the highest grossing film in history directed by an African American, a critical success and an overwhelming commercial success with an insane opening weekend box office of $202 million, beaten out only by two of the three Avengers films, Jurassic World, The Force Awakens, and The Last Jedi.

Special thanks to an anonymous Editor for the IMDB summary of the film –

After the events of Captain America: Civil War, King T’Challa (Chadwick Boseman) returns home to the reclusive, technologically advanced African nation of Wakanda to serve as his country’s new leader. However, T’Challa soon finds that he is challenged for the throne from factions within his own country. When two foes (Andy Serkis) (Michael B. Jordan) conspire to destroy Wakanda, the hero known as Black Panther must team up with C.I.A. agent Everett K. Ross (Martin Freeman) and members of the Dora Milaje (Danai Gurira), Wakandan special forces, to prevent Wakanda from being dragged into a world war.

This is a film which upends a lot of stereotypes we’ve come to expect in movies. With an almost entirely black cast, each character is developed with great detail, and so there is someone for everyone to identify with, effectively eliminating any oversimplification of motives, interests and abilities. Wakanda is so much more technologically advanced then anywhere else in the world, in fact, they make James Bond movies look silly, which is demonstrated when T’Challa visits Seoul.

And let’s not forget that Shuri is the most brilliant scientist, and that the Dora Milaje are the most bad ass of the bad ass warrior guards I’ve seen in any movie really.

Pros: It’s beautiful to look at, with meticulously created sets, character backstories, lots of supporting cast that work well together, and well directed, despite it’s long runtime. Michael B. Jordan sings as Killmonger, making him one of the best villains, it not a serious contender for number one.

Cons: The fighting and action is such a formula now that it’s difficult to really appreciate it in light of all of the political discourse taking place over the length of the film. Chadwick Boseman takes a backseat to Michael B. Jordan.

Runtime: 2 hours 14 minutes

Points of Interest: The name “Wakanda” comes from the Wakamba tribe of Kenya, also known as the Kamba. Martin Freeman and Andy Serkis both starred in The Hobbit movies, and were affectionately known on set as the “Tolkien White Guys”. In one of the areas where Wakandan glyphs move on translucent walls, one wall is blue and has “4” written on it, an homage to the Fantastic Four, where the Black Panther and Ulysses Klaw made their debut appearances.

Not only is it the best looking Marvel movie yet, the soundtrack is excellent on it’s own, and it can knowingly function as it’s own film, with very little involvement from other Marvel Studio movies. Plus the politics. Thank God for the political subtleties of this story.

theories Summarized

So there you have it, all of my thoughts and feelings about the Black Panther movie, which I believe is a very important movie in the MCU and am very thankful has gotten so much praise from minority groups, considering how well made it is. I hope that means we will see even more minority character representation in the MCU movies going forward – perhaps even a Sam Wilson Captain America?

I also thought it would be a good idea to release a Watch Culture video about Captain America Civil War to coincide with this Black Panther review! After all, we wouldn’t have gotten a Black Panther movie if this one hadn’t preceded it, plus it’s an amazing representation of comics in general.

Lastly, please let me know what you thought of both of these reviews on love, like and share the video, and subscribe to the channel (and email) if you haven’t already. Lots more theories to come!

Tim!

Play It Again, Phiona (Queen of Katwe review)

Posted on by Tim Kuefler

Movies are an endlessly interesting way of storytelling.

Because, much like oral storytelling, they rely heavily on the narrator to deliver a  perspective in time. Regardless of what the details of the story are, colour choices, setting, actors, and dialogue can all aid in creating a distinctive rendition of what has been delivered before.

 

 

 

Queen of Katwe (2016)

Cast: Madina Nalwanga, David Oyelowo, Lupita Nyong’o
Director: Mira Nair
released on blu-ray January 31, 2017
******** 8/10

qok

IMDB: 7.3
Rotten Tomatoes: 92%, Audience Score 87%
The Guardian: ****/*****

 

Mira Nair is an Indian American filmmaker who typically focuses on international films which depict Indian culture in a positive light and she got her start making documentaries – some of her more well known films are Mississippi Masala, The Namesake, Monsoon Wedding, and Salaam Bombay!.

Nair has been involved in activist projects for a very long time. She even set up an annual film making workshop aptly called, Maisha Film Lab in Kampala, Uganda, which translates to life. For over ten years, young directors in East Africa have been given opportunities to learn film techniques with an emphasis on telling personal stories. Maisha is currently building a school.

I mention these details because Queen of Katwe is Nair’s first film set in Africa. Or is it? Now she has directed films about other cultures previously (read:Words with Gods, Vanity Fair, and The Perez Family), but this is also the first Disney production she has been involved with.

The plot is pretty straightforward – We witness the shifting life of young female protagonist Phiona Mutesi (Madina Nalwanga) as she makes some incredible intellectual achievements. What is atypical of the movie is that it is set in Africa, but doesn’t focus on conflict zones AND it has an entirely black speaking cast. But it still manages to be incredibly “Disneyfied”. What this means is that it is very mainstream in it’s depictions of Phiona and her family life, affirming the positive trajectory of Phiona. And yet her life is not at all like that of typical North Americans, just look at this plot synopsis from Wikipedia:

Living in the slum of Katwe in Kampala, Uganda, is a constant struggle for 10-year-old Phiona Mutesi, her mother Harriet (Lupita Nyong’o), and her family. Her world changes one day when she meets Robert Katende (David Oyelowo) at a missionary program. Katende coaches soccer and teaches children to play chess. Curious, Phiona approaches and learns the game. She becomes fascinated with it and soon becomes a top player under Katende’s guidance. Over several years, her success in competitions and tournaments leads to greater competitions, stress, and identity issues. Phiona must learn more than the game as she is exposed to life outside Katwe. Her education, both formally and informally, continues as she dreams of escaping a life of poverty for herself, her mother, and her siblings.

This is a perfect example of a triumph over adversity tale, and it doesn’t follow all of the usual beats despite containing a similar tone. The authentic experience of Phiona, her family, and friends allows us to engage with the story much better and definitely brings in some feels towards the end, especially when her sister Night finally comes home, and when Kampala experiences a flash flood. The final heart string pull comes with the credits. In what I would describe as a rare instance of showing the real people that inspired the film, Nair brings in these people to meet the actors who portrayed them, and it’s heart warming in a way that you’d expect from Disney.

Pros: Yes there are a lot of cliches embedded within the framework of the story, but all of the subversions more than make up for it, and the feelgood element is hard to pass up. Madina Nalwanga is a bright star, and portrays her role with integrity, grace, and humour. And man is it cast well – top to bottom.

Cons: I struggled with the title “Queen”. Realizing it was intended as a play-on-words about chess, but seeing it moreso as an acknowledgment of Disney princesses, though these characters are experiencing real world poverty. Sometimes the pacing is too gentle for the weight of it’s cast, supporting members included.

Runtime: 2 hours 4 minutes

Points of Interest: So I lied, kind of. Mira Nair adapted Queen of Katwe into a film after making a documentary about the life of the man who trained Phiona Mutesi, Robert Katende. But that’s pretty cool right?

In short this is brilliant little film about a young woman with an innate ability to play chess which is slowly developed to the point where she can compete with master level players. While it isn’t innovative in the story it presents, the sum of its parts are what makes this story worthwhile for a viewing. The presentation, the lead, and the setting are all well done.

Phiona’s story is presented in such a mainstream way to get more access to the incredible triumph of her life. But that isn’t necessarily a bad thing. Because I keep saying over and over, this is a story we’ve heard over and over, and yet it isn’t because a story of a young black African woman achieving an intellectual result is a rare thing to witness in mainstream cinema. The fact that Disney pushed this through warms my heart even moreso than what I watched, and that IS a good thing. I hope they continue this trend, and that’s my theory for the day.

Tim!