The Cure For Toxic Masculinity In Movies (Cross Talk EP 32)

Let’s talk about toxic masculinity and how it is still a dominant force in our art, and in our lives dear readers.

Whether you choose to believe me or not, I know that even within the past twenty years, there has been a very minimal shift in how we deal with the masculine identity. Negative stereotypes abound, comedies fall into the same patterns of sexualizing women and simplifying men, and most dramas won’t touch certain topics, unless it means showing a complete breakdown of man out of touch with his inner strength.

It’s impossible for a man to be vulnerable, soft, passive and equal to a woman. At least, thats what the patriarchal model would expect us to believe.

It’s bad all around, because woman aren’t given equal footing, deal with a constant threat of rape, battery, and death, and to a much lesser extent men suffer from mental health issues, all stemming from millennia of oppression. And that’s an oversimplification. But we didn’t make this Cross Talk episode to do an after school special and wrap a nice bow on the issue – we wanted to open it up, and use specific films to identify how attitudes permeate, using film as case studies.

Which is why Chris, Mike, and I decided to do our part and talk about this issue, and how it has effected us personally. Full disclosure, we openly admit that we are imperfect, not experts, and guilty of ignorant behaviour. But by bringing up the issue of why toxic masculinity shows up in movies, and showing you specific instances of how it takes over, we’re hoping to become better advocates for obliterating objectification for women, for humanity and fostering a better sense of community.

Chasing Amy, (500) Days of Summer, Moonlight. These movies are prime examples of the dangers of continuing to assume gender roles, when more and more evidence that persistence (“it’s all in the chase”) is actually the worst. I sincerely hope you get riled up watching this episode, because I really want this generation to change our habits, and we need to stop glossing over major problems.

This is the thirty second episode of Cross Talk.

theories Summarized

In case you haven’t figured it out from that discussion, while I think the cure for toxic masculinity hasn’t been found yet, I’m confident that raising awareness about toxic behaviour is integral to solving the  global epidemic. We can’t progress in society if we aren’t challenging the status quo, and art is merely a tool to be used for the good or the bad. So let’s please promote good examples of masculine behaviour and make speak out against bad art.

One final theory – you should totally like the video if you enjoyed it, leave a comment if you have some thoughts, and subscribe if you want to see more from us! Your support let’s us know what we are doing right.

And tomorrow I’ll have an album review about sheep dogs.

Tim!

Why The 1970s Are Inspiring Films Today (Cross Talk Ep. 30)

There are definite echoes and recurrences of the 1970s cropping up in film.

It was a time of very serious filmmaking, when grit and resourcefulness were championed, emotions were raw and characters had very simple motivations. You killed my partner? I’m coming after you. We can’t make our marriage work? Let’s get divorced. Our crew needs to get home from the edge of the universe? There’s time to investigate an alien spacecraft.

Tensions were high, politics was laden with so many revolutions – sexuality, gender equality, television, nationalism, race relations. But at the core of it all were stories about characters, and the depth of field pushed backdrops to the edge of our attention.

For the sake of argument, I’m just going to quickly list off a bunch of famous films from that timeframe to demonstrate my point. Ready? Here we go. Star Wars, Jaws, The Exorcist, Alien, The French Connection, The Godfather, Taxi Driver, All The President’s Men, Close Encounters of the Third Kind, MASH, Apocalypse Now, Annie Hall, Rocky, A Clockwork Orange, Halloween, The Deer Hunter, Willy Wonka & the Chocolate Factory, Carrie, Serpico, Chinatown, the Rocky Horror Picture Show.

Sure I didn’t select comedies like The Muppet Movie and Bedknobs and Broomsticks, but even those movies featured Nazis and a frog legs merchant. And were weird as shit. I’ll let you figure out which villain was for which film. Yes, there were complex films like Airport, but on that note, disaster films, exploitation and “B movies” were prominent in a decade of civil unrest. Any of this sounding familiar yet?

As we start to look back on the 2010s, I can see that there is a definite correlation in critical filmmaking and so we have some spiritual successors to 1970s classics. Movies like A Ghost Story mimic the epistemological 2001: A Space Odyssey, while Logan channels Badlands, The Man with No Name trilogy and so many other flicks like Five Easy Pieces. But maybe Baby Driver was more your speed, creative cuties? What about The Driver, The Italian Job (technically the 1960s, but just barely), and Smokey and the Bandit?

You know what, just watch the latest episode and decide for yourself if we are entering into a second renaissance of 1970s minimalism in film. AKA the return of the 1970s.

Cool right? Yeah, its a great idea to explore how themes repeat themselves over time, and yes there still plenty of examples of films inspired by the 1980s, but I have to wonder if anybody else is noticing this connection?

I hope you enjoyed watching this episode as much as Chris and I enjoyed recording it. But you know what we love more? Comments! Shares! And new subscribers! Check back in a day for an album review and a theory on why metal music gets better as you age.

Tim!