Selling Your Heart Out (Dave Von Bieker, preview interview pt 2)

Do we all get to be who we decide to portray ourselves as on screen or in the media? I’d like to believe that it’s possible. But more importantly, I wonder if we can ever live up to the moral ideals we establish about our creative touch.

Making art is extremely difficult to sustain and it takes a lot of personal sacrifice if you really do hope to make it for a life time. Whether your medium is music, painting, design, fashion, photography, video, dance or any other combination of forms, it’s challenging road, filled with dues paid and money earned.

And a more common theme on everyone’s lips is the notion of burning out or fading away with time. The age old struggle of the creative professional – to be completely bohemian or a corporate sell-out. These polarizing terms exist for reason though, and I happen to believe that both are valid ways of looking at this as a career. This is where the theory comes in; if you want to truly be happy, you need to embrace both in some regard. That’s why it’s important to wrestle with the dichotomy of self versus the selfless.

Yes, you shouldn’t compare yourself to others, but relating to what those who have come before and have found success is an invaluable exercise. You might learn something by breaking apart a Kanye West song, recreating a Rembrant, or spending some time with 1927 movie classic Metropolis.

It’s a continual sacrifice. I give a lot for my art and to make it, so it seems crazy to me that I wouldn’t it to be heard by as many people as possible

Dave Von Bieker

I had so much fun talking with local music genius Von Bieker, that I decided to give another preview interview. I know, I know, I promised a full length interview, but this way you get even more content, and I can further craft his story in a meaningful way for you. Time for some more bow-tie rock to haunt your heart.

Enjoy creative cuties!

theories Summarized

Everything I do artistically is an expression of my ideals. Is this a true statement?

It’s an excellent question to ask yourself dear readers, and if you did, please like and share the video, leave me some comments and I’ll share them on social media. Maybe some new theories will unfold in the process.

Coming up next, a review on the new Young Fathers record, so please check back in tomorrow evening for more theories! You won’t be disappointed.

Tim!

The Life You Want (Flea Markets)

I’ve been thinking a lot of about value in the past few weeks dear readers.

Maybe it’s because I want you to invest in certain things and avoid others, maybe it’s because I feel overwhelmed with opportunities and need to be more vigilant with my own time, but mostly likely I suspect it’s because I wrestle with dichotomies of all kinds on a regular basis. Good VS evil, work VS play, right VS wrong, love VS hate, indulgence VS frugality. Caring too much VS caring about nothing.

I’ve been told by many people that as we age we become more settled in our opinions and more confident in our lifestyles, but I often wonder if that is just an expression used to pacify and remove personal responsibility.

There is this comic I found a long time ago, by B. Patrick that I think helps with the explanation but is by no means a solution in itself. The comic series is called Eat Shit & Die and this one below is no.202 from back in 2011.

2012-01-04-Eat_Shit_And_Die_202

Let me elaborate – Whatever you can personally effect and control in your life is the portion of your life that dictates what you want. Whatever you cannot control, be it health related, genetics, things that are hardwired, those things you cannot control, but even if you remove those elements there is still a hell of a lot that you can effect.

And maybe circumstances change and things you used to control are taken away from you, but acceptance is important and the life you want needs to be within a framework, hence the expression play the hand that you’ve been dealt.

Which leads us right into today’s timely post. Which happens to be about flea markets.

The visit to the flea market for me is a perfect example of seizing opportunity, for both the buyer and the seller. The flea market is a community made up of people watching, treasure hunting, binging and bargaining.

Using myself as an example, I visit the market to find and reclaim objects that once held value for someone else and bring those objects back into the spotlight – What might seem like a piece of garbage can become a valued treasure, and if you know the market value of things, you can negotiate on a price that is fair and find a home for something that was no longer being used. This is one of the places I go to find albums and movies that are no longer in distribution readily because I know what those records are worth.

Flea markets are a type of space that all people to sell and barter merchandise. They can be indoors or outdoors, and the regularity of the market depends on the type of space used, but they always differ from solitary booths because of the community appeal.

These venues are a way to find goods that are invaluable and it’s all about perception vs expectation with them. As the comic says, if you want to change your life, change what’s important to you. Make an effort to pursue your dreams in unconventional ways, for me, sometimes that means visiting a flea market to get that sense of wonder back.

What do you think? I’m out of theories for now, but I’ll see you creative cuties on Sunday evening with something stimulating. Share! Subscribe! Join the conversation!

Tim!

 

 

A Time To Make Wages (Artist Fees)

What a strange world we live in, my dear readers.

Human beings have a wonderful capacity to either create or destroy, to build up or break down, to protect or attack, to love or hate.

That statement I just made isn’t a new one, in fact, lots of us have heard it before through various channels. Probably one of the most famous comes from this passage of the Judeo-Christian Bible.

A Time for Everything

For everything there is a season, and a time for every matter under heaven:

a time to be born, and a time to die;
a time to plant, and a time to pluck up what is planted;
a time to kill, and a time to heal;
a time to break down, and a time to build up;
a time to weep, and a time to laugh;
a time to mourn, and a time to dance;
a time to cast away stones, and a time to gather stones together;
a time to embrace, and a time to refrain from embracing;
a time to seek, and a time to lose;
a time to keep, and a time to cast away;
a time to tear, and a time to sew;
a time to keep silence, and a time to speak;
a time to love, and a time to hate;
a time for war, and a time for peace.

Now, don’t misconstrue my intent here.

I recognize that sharing literature from a personal belief can create all sorts of obstacles in learning and I am not interested in converting people over to that particular belief system nor am I interested in getting into debates over belief systems. I want to stick to concepts which are universal and valuable for people either interested in the arts or directly involved in them, no matter what principles guide their lives.

Back to my original theory.

We have always liked to speak in universals and this particular passage I just shared describes dichotomies very well.

It also proves that dichotomies have existed for thousands of years. I mention this primarily because we find it easier (in general) to identify concepts and life in uniform ways. I covered this exact principle in one of my very first posts which addressed common sense.

I have left this link here in case you want to read in detail, but I will share quick summary of the problem too.

The roots of common sense statements are based on our individual experiences and a combination of culture hierarchies. The phrase that something “is common sense” is problematic because common sense relies on an idea of what is “obvious.” It’s not supported by evidence or rational research based results.

So what does that have to with today’s post my friends? A lot actually.

Being an analytical type, or so I’ve been told over and over by friends and loved ones, I can appreciate the value of a deal and will spend time breaking down risks versus rewards for fun. Especially when it comes to things which I love, and which are loved by lots of other people too. (Read: albums, movies, graphic novels, and nonfiction books)

But it really bothers me when I witness people undervaluing the effort of those who create artwork, no matter what form it takes.

There are a number of reasons it bothers me, one of them being that by purchasing work for a fraction of what it is worth, that decision not only dilutes the effort of the artist but of the community overall and one of the consequences of that decision is that we don’t have as much variety available to us.

For example, a photographer who is just starting out should be charging less for their services than an established one, because quite frankly they don’t have as much experience or command of their skill, and as they test their mettle, they will be able to charge higher rates to their clientele.

But by charing significantly less to get immediate payment, the marketplace gets messed up, and attitudes crop up which are wrong, but make sense given the circumstances.

And website services like 99 designs are just as bad. Holding a “contest” where a bunch of artists all bid on a project by offering up one or two designs, means that the work that gets chosen at the end of the day isn’t even representative of the business or individual who needed services.

I can expand on this idea even more so in a future post, but if you want more of a taste take a look at this article. What do you think of that theory?

Tim!