Did you know that the golden hour is the first hour after a traumatic injury, and the reason why it’s called this, is that it’s often the most critical for successful treatment in emergency situations.
Now, I don’t think that’s what Kacey Musgraves intended with her album title, but it still holds significance given that this album is worth a critical listen, whether you are a music critic or not. It’s almost like a first look at the world after a life-changing event.
Kacey Musgraves – Golden Hour
released Mar 30, 2018
Kacey Lee Musgraves, better known by her stage name, Kacey Musgraves, is an American country music singer and songwriter. Like many popular country artists today, Kacey is a seasoned professional who has been performing for the better part of twelve years – Golden Hour is her third studio album, following three years after Pageant Material, and her first with MCA Nashville.
She has been met with generally positive reviews on all three of her albums, but Golden Hour is the first album that has ranked at over 90% on review aggregator Metacritic. The consensus seems to be that it’s a great record because her vocal range is quite high and very appealing, and not to mention the fact that while many of the songs are very saccharine, but most importantly there is a sincerity in the dream world she is constructing, and it deviates from typical country fare..
I think it’s great that the Butterflies and Space Cowboy are the first singles. They represent all of the high notes this album wants to hit, and then the rest of the album goes on to prove it over and over again. If you listen to Mother and/or Rainbow you might just be moved to tears. Both of them are positive songs, one about the heritage of motherhood and the other speaking out to minority groups (read: LGBTQ youth).
This is not the type of content you see in mainstream country, it’s atmospheric, and generally just lovely to listen to, but because it’s not ham-fisted with it’s content, it feels better to sing along to a song about a woman giving her lover the space to be independant, for the right or the wrong.
Pros: Space Cowboy, High Horse, Slow Burn and Wonder Woman all almost instantly appealed to me purely as melodies, and upon subsequent listens their lyrics have grown on me to the point that I’m reciting them back to myself. Her vocalist work is just so good.
Cons: While the content is interesting for a pop country album, it does soften the country sound purely to appeal to non-country fans. And it was even mentioned in all of the marketing of the album. And in the process… well, it doesn’t blend in other genres so much as it dials back on the country tones. And the expected sassiness isn’t really there, which might be difficult to accept for existing Kacey Musgrave fans.
Runtime: 44 minutes
Points of Interest: As I already mentioned, this album has widespread universal acclaim from most critics, having debuted at number four on the US Billboard 200. It’s primarily about the “golden hour” of Musgraves life as she comes out of the glow of just recently getting married, with many things in her life coming together.
This is a nice album. I know that sounds like a safe statement to make, but not every major event in life needs to leave us scarred and broken. Introspection can be a positive experience too. Which is why the uplifting music with an appreciation for the real world, is what we are given, and why I gladly accept it. It’s true that we might not have expected this from Musgraves, but I think the reason why I enjoyed it so much is that she clearly doesn’t care.
Whether you believe the hype or not, this is a really entertaining and heartwarming album. If it can stand the test of time and enter the ranks of the timeless is yet to be seen, but I’m happy to say for today that Golden Hour has lots of power.
On the opposite side of the emotional spectrum, Brendon and I decided to do a video review on the chiptune original, Crystal Castles, by none other than Crystal Castles. Using a circuit bent Atari 5200, this music can be jostling, calming, exciting and generate a host of other feelings, but it manages to do this without much help from lyrics.
In fact, Alice Glass often feels like part of the instrumentation, and not a leading vocalist.
There you have it creative cuties. Two great albums, with two very different emotional cores, but I think you’ll find that each have valuable tracks and are worth a spot on the shelf. And please give them repeated listens, because I have a theory that you’ll feel the same as I did initially. That said, hit us up in the comments, like and share the video if you found it valuable, and of course, please subscribe to the blog and channel for more awesome theories on the arts.