It’s important to make music that you care about dear readers. And it’s essential to listen to music that fires you up inside. And man does this music ever do that for me.
Royal Blood – How Did We Get So Dark?
released Jun 16, 2017
Royal Blood are an English rock and roll duo, comprised of vocalist and bassist Mike Kerr and drummer Ben Thatcher. They have been making music since 2013 – they hit the ground running when they released their first single, Out of the Black later that year. But they first truly got my attention in 2014 when the fourth single Figure It Out debuted.
Holy Moses was that a good experience.
Most definitely my favourite song of that summer. It had the raw quality needed to start a personal process of healing for me. And that release was almost three years ago, so it says a lot about their rock and roll power, because a great deal has happened for these blokes in the time past. Royal Blood saw a huge spike in popularity in a short time, winning several awards including Best British Group for 2015.
When it comes to describing their sound, Kerr has stated that one of his biggest influencers is Steven Hamblin from Graces Collide, which is all well and good, but if you’re new to Royal Blood, then you’re probably wondering what these guys sound like comparatively and I’m happy to oblige. The White Stripes, Black Keys, Death From Above 1979, and Japandroids are probably the best ones I can think of straight away, so take the time and look ’em up.
This is one of those albums that faces the ever-popular challenge of the sophomore follow-up. Tread the course or swim out into deeper waters and hope you don’t drown. Luckily for us, Royal Blood are strong enough swimmers fully capable of doing both; sometimes we hear songs like Where Are You Now? and Look Like You Know which stick to the sounds that what we know, but then we get excellence in the form of album closer Sleep, allowing everything that happens in between songs one to ten to vibrate at level far more grand then on the first album.
Yes. There is a big block of cheese to go with the album’s third single and eighth track, Hook, Line & Sinker, but it’s definitely still a fun song, and considering the tempo of the rest of this record, that’s a far better excuse to be forgiven of then some of my previous album reviews. Also She’s Creeping is kinda bland, angular, and annoys me, but I read another review on Ultimate Guitar which specifically stated a resemblance to Nirvana on this song (who some might say I inexplicably hate), so I’ll just leave it alone.
For my final thoughts… The use of extra vocals and overdubs on the second and third tracks Lights Out and I Only Lie When I Love You make them incredibly catchy, with all of the rawness that made Royal Blood popular to begin with, but making better use of Kerr’s voice and layering in more instrumentation to boot.
Pros: If you’re willing to listen to this a few times over, you might be surprised to learn that one of the best tracks is the title one – How Did We Get So Dark mixes in the new and old sounds quite well. And it deserves to be a single. Also Lights Out and Sleep. It’s a short album with a lot of buzz and well paced.
Cons: Sometimes the production runs a little slick and I think that’s where we end up with songs like She’s Creeping and Hook, Line & Sinker, which unfortunately feel a little phoned in for me. Also, I wish that some the themes were either more epic or more intimate, less middling, please and thank you.
Runtime: 35 minutes
Points of Interest: Royal Blood share the same management as Arctic Monkeys. And months before they released their debut album back in 2013, Arctic Monkeys drummer Matt Helders sported a Royal Blood t-shirt in support of them.
If you haven’t been convinced to check this album out just yet, then I’m a sad theorist, but I think you should check out these tracks (1) (2) (3) and make up your mind for yourself.
Royal Blood may or may not be a great band of our generation, but either way they rock out with the best of them. I have high hopes for future years and sincerely someone figures out how to turn the lights on, if not, I’ll just jam along in the dark with them.