Day: May 15, 2017

Like A Fine Wine (Willie Nelson, God’s Problem Child review)

Posted on by Tim Kuefler

You only get one shot at life, and sometimes the kid with the most problems ends up being the adult that saves the day, over and over again. Like a fine wine, it is only with age that they continue to become better versions of themselves.

 

Willie Nelson – God’s Problem Child

released April 28, 2017
********* 9/10

Willie Hugh Nelson, better known as Willie Nelson, is an American musician, singer, songwriter, author, poet, actor, and activist. In other words, at eighty four years old, he’s done much more than most of us could ever hope to achieve. Interestingly enough though, he didn’t see accolades or critical success of any kind until the 1970s with Shotgun Willie, Red Headed Stranger, and Stardust. Nelson was into his forties at this point, so something to consider if you haven’t made it yourself just yet.

As such, Nelson is one of the most celebrated country music artists of all time and a main contributor to the popularity of outlaw country in the 1970s and 1980s. If you aren’t familiar with it, outlaw country is a subgenre of country music that developed as a response to the conservative nature of music coming out of Nashville, Tennessee at the time.

Much has happened in the years following, with Nelson having acting in over thirty films, authored books, joined the supergroup The Highwaymen with Johnny Cash, Waylon Jennings, and Kris Kristofferson, and paid off over thirty million dollars in debts owed to the IRS. And we haven’t even really touched upon his activism. But I don’t have the space for that in this post.

Today I’m going to talk about God’s Problem Child, both the album and the eponymous track tucked in the meat of this record.

God’s Problem Child, the album, is one tackling mortality and also have a sense of appreciation for a life well lived. Between David Bowies’ Black Star and Leonard Cohen’s You Want It Darker, this is another album on the subject of death from an artist well into the final stage of life. Nelson just happens to be sticking around a bit longer than those two gents, and for all we know, this might not even be his last offering.

Featuring a range of songs on the topic, from Little House on the Hill and Old Timer, to Your Memory Has a Mind of Its Own, to the hilarious Still Not Dead, and especially It Gets Easier, this album has all the grace and humour of Willie Nelson, with the first touch of reflection on a life well lived.

Little House on the Hill explores the afterlife and what Nelson’s eternal home will be like, and Old Timer shows the realities of geriatric heartache – a well oiled engine, but a rusting frame with bad suspension. True Love is a demonstration of unending compassion, and Delete and Fast Forward is a political number that reminds us we’ve messed up like this before Donald Trump came along.

Hell, even the song Butterfly is a metaphor for transformation and fleeting nature of life.

As for the track, God’s Problem Child, we see Nelson featuring the late Leon Russell (in one of his final recordings) and efforts from Jamey Johnson and Tony Joe White on lead vocals.

This album might not win over legions of new fans, but it definitely has content there enough to win over some millennials here and there, while satisfying the die-hards and people who love classical fingering of the guitar. Trigger shows up in full force, with holes in the soundboard from decades of playing unseen.

And no, it’s not a game changer in the opus of Willie Nelson, but God’s Problem Child does remind us of his iconic status and continued relevance, well into his golden years.

theories Summarized

If you take away the IRS battle, marijuana activism, all of the americana and competition over the years, it’s still clear as day that Nelson can drum up new material with the best of them, creating music that sits with you and leaves a mark. The kind of work worthy of an outlaw. I can only theorize he continues to keep this pace and we get a few more years in the era of Willie Nelson.

Tim!

Do The Right Thing, At The Wrong Time – Good VS Evil In Film (Cross Talk Ep. 26)

Posted on by Tim Kuefler

 

What is the true meaning of good? And what is meaning of evil?

People have been trying to demonstrate the qualities of these diametrically opposed concepts for millennia now. And so many different art forms try to describe the ideas as best they can, digging into the details and pulling out some great notions of what each means, and more importantly, their effects on life.

If we were to look at a text-book definition of good, there are a number of aspects to filter in. For instance, the need to be desired or approved of while having the desired qualities of a higher standard. The word sacrifice is commonly featured over and over too. Ultimately this all stems from a sense of empathy, benevolence, selflessness and going beyond the superficial aspects of life to find humanity at every turn.

That altruism is so very necessary in corner of good when looking at the battle of good versus evil.

Evil is that much more simple. If something is profoundly immoral and wicked, often represented by or directly embodying a force of harm and undesirable outcomes. People who are evil lack empathy, acting upon their own needs and desires about all else. To be selfish in this way prevents real connections, and often leads to the suffering of many, for the wishes of the few. An inability to see the world from another perspective can be attributed to evil, but in many cases, the conscious disregard of others is all the more sickening.

As always on Cross Talk, there are many fantastic examples of good versus evil in film, but we decided to dive into more details on less obvious examples. We did this to really hammer home the idea that some themes defy genre, that science fiction, horror and drama can address this just as easily as an action-adventure flick.

This is episode 26 of Cross Talk. This is good versus evil, as represented in film.

 

Not sure if you can tell from the introduction or not, but we had a lot of fun with this one as a team. And we all couldn’t help but get excited when it came to presenting our individual case studies. I mean, come on, Prince of Darkness, The Fifth Element, AND Training Day all being discussed in the same conversation?

Just one of the many perks of Cross Talk. We bring the theories to you, so you can mull over the moral implications of these films too.

As always it would be great to hear what you think creative cuties? Spend some time with shorter video and then please like, share, and comment on both timotheories.com and the YouTube channel. We want your feedback! Join the conversation and tell us what we’re doing right, and if you have any better examples on hand that we should have considered.

And now I’m out of theories. Once again I’m off to La La Land. Not the movie, but the analogy for sleep. Ain’t no rest for the wicked, at least that’s what they say. But what about the good? Beauty sleep for everyone? Mull it over and get cak to me!

Tim!