Let It Go (Every Time I Die, Low Teens review)

I’m not the biggest fan of winter. Like at all. I should have a better taste for it as my ancestors are a variety of European types, but for whatever reason, I was a skinny kid with a fair complexion. So I hated winter. Like a lot.

It makes me want to scream into a microphone.

Thankfully, I found my winter jam just in time – So enjoy it along with me dear readers.

Every Time I Die – Low Teens
released September 23, 2016
******** 8/10



Every Time I Die is an American metalcore group that have been around for almost 20 years. Known for their energetic shows and ability to infuse meaning with melody, Every Time I Die have been with Epitaph records since 2008, and were with Ferret Music before that.

I probably sound like a crotchety old man, but I fucking love most artists signed to Epitaph records, so vis a vis, I love Every Time I Die. Maybe that’s a juvenile or closed minded way to look at the subject, but come on people I’ve reviewed everything from pop, to hip hop, to metal, to jazz, and everything in between in the past year, which should tell you that I may have favourites, but I play a bit of everything to continuously expand my sonic ability.

Now let’s get down to business.

Low Teens was recorded in the midst of winter, but it has a surprising amount of heat behind it – these guys decided to focus their already biting sound and circle pit tendencies on a rather somber and enduring note of the frailty of life. For instance, frontman Keith Buckley almost lost his wife and daughter during pregnancy complications while the album was being recorded.

Which is awesome, given that these guys have never had a slump of quality in their long run, despite a few lineup changes over the years.

Let’s start with album opener Fear and Trembling which is a duel between Buckley and death itself, and he stands firm in the belief that he’ll follow death straight into the pit itself if he loses the battle for his loved ones. This is quickly followed up by the speed and precision of Glitches, one of the albums singles and a great way to keep us engaged.

C++ is yet another track that explores death and that pleading for another sweet moment with a woman on life support. Seriously haunting.

Track number four, Two Summers is somewhat divisive, as it deviates from the typical sound of the band somewhat, but damn it if it doesn’t have a great southern drawl, and I cannot seem to place my finger on what song it reminds me of, so hopefully one of you will help me out.

The adventure continues onward and upward with I Didn’t Want To Join Your Stupid Cult Anyway, It Remembers, and Petal. Only gaining in steam and energy. It’s not until we hear The Coin Has A Say, that we take pause and recall a time when ETID was a bit younger and less world weary. When we finally reach album closer Map Change, the audience is primed and the stage is set for a song that really addresses the cold of winter AKA hell.

As is so consistent with their track record, throughout the years, the track record on this album is one of both chaos and order. A challenge well met.




Everything is coming up roses Buckley screams in bonus track Skin WIthout Bones, and I have to agree with him. This album is reliable and also noteworthy. If you’ve been wavering on the fence about whether you should listen to Every Time I Die, now’s the time to give them a chance. They’re made of the right stuff.



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