A Priori And A Posteriori (Critique of Pure Art series)
Quite a few months ago (way, way back in March), I decided to share some examples of my art with you.
I wrote that post with the intention that I would reveal my personal artist identity and foster a greater sense of the purpose for this blog and why you should never give up, and never surrender if you have a creative drive. Something I strive for with many of many of the posts here. After all, there are a lot of different things I write about on a weekly basis, and there are common themes I touch upon monthly, while other themes crop up in other ways, but what really drives all of those different posts is that I am a professional artist who wanted to find a way to build a better statement for himself and simultaneously provide a safe haven for those who are on similar journeys.
So today, I expand upon that idea some more. As I’ve mentioned previously, I have made art to disrupt, I’ve made art to talk about concepts of philosophy, and I’ve worked produce ideas that promote human growth.
But I’ve since expanded on those ideas, and focused more on how I can contribute towards the local community, and to the much broader community of creative professionals in general – I want open up collaboration across art forms, create a digital gallery of art and artists, build a studio for art enthusiasts, and discuss all sorts of theories on the arts.
Which is why I ‘m going to also be building upon this particular series of work The Critique of Pure Art.
The Critique of Pure Art
Effectively a series of work that reflects on the role of artist, subject, object, and the viewer to analyze the limitations of the form. Taken from Immanuel Kant’s “Critique of Pure Reason” my series challenges the ideal that not all art is taken from the senses AND conversely art cannot simply be shaped from experiences/ideas either in order to produce something beautiful.
I literally and metaphorically draw with my materials to demonstrate that one cannot operate without the other, and it is all a related. Especially when we take into consideration limited perspectives. Perception is reality, after all, as attributed by Lee Atwater an American political consultant. So we paint with drawing materials, and draw with paint, and as the picture comes together, both parts are forced to exist as we understand them, though both the elements of line and form blur within the frame.
It is a literal construction of pure art, and a metaphorical critique of reason. That the titles of these works are taken rather romantically from song lyrics all the more proves that experience comes before the art, but does that information inform the work afterwards?
As mentioned, I’ll continue to expand upon this series over time and share more works with you, but if I can do all of these things, surely there is a way for you to contribute to the arts too – and if you are interested in commissions, prices of the work I’ve included in today’s post, or if you want more information about the series, please leave some comments below or email me at firstname.lastname@example.org.
And of course, please follow the blog to get even more awesome content in the future. I’m out of theories for the week, please have an excellent weekend friends, and I’ll see you on Sunday with a new Cross Talk episode!